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COR
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THIS MUSIC ACTIVITY
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14
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6
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3
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2
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9
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2
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1
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1
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Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes (duo)
1
Saxophone Tenor
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
5 Flûtes à bec
1
Saxophone Baryton, Piano
1
Saxophone Alto et Piano
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Quatuor de cuivres: 4 trombones
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3
Alto seul
2
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1
2 Violoncelles (duo)
1
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1
Violon, Alto (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle (duo)
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1
4 Violoncelles
1
2 Violons (duo)
1
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2 Altos (duo)
1
Trio à cordes: 3 altos
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THIS MUSIC ACTIVITY
Saxophone Tenor et Piano
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Jogo de Cartas (for Tenor Sax and Piano)
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Saxophone Tenor et Piano
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AVANCÉ
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. ...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
Turkish March by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1155647 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1155647 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755951. Published by Woods Only, Arrangements (A0.1155647). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
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