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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
VIOLONCELLE
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PIANO & CLAVIERS
Piano, Voix
4109
Piano seul
4037
Piano Facile
1373
Piano, Voix et Guitare
615
Instruments en Do
488
Orgue
379
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
124
Accordéon
59
2 Pianos, 4 mains
46
Orgue, Trompette (duo)
20
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
Piano (partie séparée)
16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
Clavier
3
2 Pianos, 8 mains
2
2 Accordéons
1
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GUITARES
Guitare
479
Guitare notes et tablatures
378
Ligne De Mélodie, (Paroles) et Accords
145
Ukulele
138
2 Guitares (duo)
56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
4 Guitares (Quatuor)
23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Mandoline, Piano (duo)
2
Ukulele Baryton
2
Guitare, Quatuor à cordes
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
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Chorale SATB
2548
Chorale Unison
691
Chorale 3 parties
502
Chorale 2 parties
313
Chorale TTBB
263
Chorale SSAA
206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix haute
45
Voix Tenor, Piano
45
Voix duo
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
Chorale SSAATTBB
7
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
485
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
250
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
184
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
88
Ensemble de Flûtes
82
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Quintette de Clarinettes: 5 clarinettes
72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
Hautbois, Basson (duo)
62
Flûte, Violon
61
Flûte, Violon, Piano
60
Clarinette (partie séparée)
51
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Alto (duo)
35
Flûte, Clarinette et Basson
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
31
Flûte, Violon et Violoncelle
30
Flute (partie séparée)
30
Flûte à bec Soprano
29
Flûte, Hautbois, Basson
28
Quatuor de Flûtes à bec
27
Flûte, Violoncelle
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Flûte à bec Soprano, Piano
20
Clarinette, Guitare (duo)
20
Clarinette, Violoncelle (duo)
18
Flûte à Bec
16
Flûte à bec Alto, Piano
16
Flûte à bec Alto
16
Harmonica
12
Flûte, Hautbois (duo)
12
2 Clarinettes, Basson
12
Ocarina
11
Flûte, Clarinette, Piano (trio)
11
2 Saxophones, Piano
10
Piccolo, Piano
10
3 Flûtes à bec (trio)
9
Hautbois
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
Flûte, Harpe et Violoncelle
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
3 Hautbois
7
Flûte, Hautbois, Piano (trio)
6
Saxophone, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Saxophone et Guitare
6
Hautbois, Guitare (duo)
5
Flûte, Basson et Piano
5
Cor anglais, Guitare (duo)
5
Piccolo
5
Flûte irlandaise
5
Cornemuse
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
5 Flûtes à bec
4
Hautbois, Harpe
4
2 Hautbois et Basson
3
Hautbois et alto (duo)
3
Ensemble à vent
3
Flûte, alto et harpe
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Basse continue
3
Flûte traversière, Basse continue
3
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Orgue (duo)
3
Saxophone et Orgue
3
Flute, harpe et violon
3
Hautbois, Clarinette et Piano (Trio)
2
Saxophone
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
Saxophone et Harpe
2
Flûte à bec, Guitare (duo)
1
Flûte de Pan
1
Clarinette Basse
1
Clarinette, Contrebasse (duo)
1
Saxophone et Piano
1
Melodica
1
2 Flûtes à bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Violon (duo)
1
Ensemble de Hautbois
1
Flûte, Alto et Piano
1
Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Saxophone et violoncelle
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Flûtes à bec, Guitare
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson, Piano (trio)
1
4 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
Quatuor de Cuivres : 2 trompettes, trombone, tuba
420
Trombone et Piano
275
Trompette
262
Trompette, Piano
238
Cor et Piano
181
Trombone
144
Euphonium, Piano (duo)
122
2 Trombones (duo)
114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
Ensemble de Trompettes
106
Cor anglais, Piano
102
Trombone (partie séparée)
99
Trompette, Saxophone (duo)
90
Quatuor de Cuivres
86
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
79
Cor
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Ensemble de Trombones
73
Trompette, Trombone (duo)
69
2 Cors (duo)
60
Tuba
50
Quatuor de cuivres: 4 cors
36
Cor (partie séparée)
30
3 Trombones (trio)
28
Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
Trompette, Cor (duo)
16
Ensemble de Cors
15
Trio de Cuivres
15
2 Euphoniums et 2 Tubas
15
Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
8
4 Tubas
7
Cor et Harpe
7
Trombone, Orgue
6
3 Tubas (trio)
6
Trompette, violon (duo)
6
Cor anglais, Guitare (duo)
5
3 Cors (trio)
5
2 Euphoniums (duo)
4
2 Cors Anglais Et Pianoforte
4
Trombone, Violon (duo)
4
Bass Clef Instruments
4
Trompette, Harpe
4
Trombone basse et Piano
4
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
Trompette, Basson (duo)
3
Trombone, Tuba (duo)
3
Trombone, Cor (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, violoncelle (duo)
2
Trompette, Violoncelle et Piano
2
Cornet A Pistons
2
Trompette, Trombone, Piano
2
2 Trombones, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Cor, Tuba (duo)
1
Cor et Orgue
1
2 Cors, Piano
1
Trombone et orchestre
1
Trompette, Violoncelle (duo)
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1414
Violon et Piano
853
Violoncelle, Piano
472
Violon
460
Alto, Piano
341
Violon, Violoncelle (duo)
303
Violoncelle
293
2 Violons (duo)
270
Harpe
234
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
34
Violon, Guitare (duo)
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Ensemble d'Altos
18
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 altos
13
Alto, Guitare (duo)
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
Violon, Basson (duo)
10
2 Contrebasses (duo)
10
Quatuor à cordes : 4 altos
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Violoncelle (duo)
8
Alto et Basson
6
4 Contrebasses
5
Harpe, Voix
5
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Violon, Basse continue
4
Violon, Orgue
3
Trio à cordes
3
Harpe et Piano
2
3 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
Autoharp
2
Ensemble de Violoncelles
2
Harpe, Trombone (duo)
2
Violoncelle, Orchestre
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3421
Orchestre à Cordes
976
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Cajon
2
Caisse Claire
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Ensemble d'École
1
Conga
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Luther: Out of the Depths for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Marti…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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Saxophone Tenor et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509379. Published by jmsgu3 (A0.549577). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.82 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549802 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549802 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539213. Published by jmsgu3 (A0.549802). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.14 €
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549684 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549684 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520279. Published by jmsgu3 (A0.549684). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.14 €
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.82 €
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Saxophone Tenor et Piano
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Traditional
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James M
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.14 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir A…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.65 €
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Saxophone Tenor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow.…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.54 €
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Saxophone Tenor et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.56 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
The First Noel (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1408442 Composed by Trad…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1408442 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #991028. Published by John A. Dempsey (A0.1408442). Here the classic Christmas carol The First Noel exudes a mood of flowing serenity and reverent prayerfulness that celebrates the Savior's birth that wondrous night in Bethlehem. With incidental music by Brahms, this arrangement for tenor sax and piano is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment and more. Â Also suitable as an overture or incidental music for Christmas plays, programs and musicals. Â 8 pages of music (that includes a separate two-page tenor sax part). Â Concert Key: F majorThe first noel the angels did say,Was to certain poor shepherds in fields as they lay;In fields where they lay keeping their sheepOn a cold winter's night that was so deep.Noel, noel, noel, noel,Born is the King of Israel.
$6.99
6.39 €
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Saxophone Tenor et Piano
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Traditional English Christmas Carol, Johannes Brahms
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John A
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The First Noel
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John A. Dempsey
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SheetMusicPlus
Traveling Around the World with 5 notes - Tenor Sax Duet with piano accompaniment
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 1 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1496896 Composed by Traditional. Arranged by Valdir Maia. Children,Folk,Multicultural,Traditional,World. 66 pages. Valdir Maia #1073345. Published by Valdir Maia (A0.1496896). **Traveling Around the World with 5 Notes - Tenor Saxophone Duet in C Major with Piano Accompaniment**These songs are part of a research project aimed at gathering music from around the world using only the first five notes of a major pentachord. Here are 30 songs arranged for tenor saxophone duets that fit this criteria.The first tenor saxophone part uses the first five notes, and the second tenor saxophone part uses only three, making it suitable for beginners. All melodies are in C major, using whole, half, quarter, and eighth notes, with enlarged notation for easy reading.Piano accompaniments are included, with simple options for those with limited piano skills. I hope this material enriches your teaching and your students enjoy the journey with just five notes.Valdir Maia.
$29.99
27.43 €
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Saxophone Tenor et Piano
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Traditional
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Valdir Maia
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Traveling Around the World with 5 notes - Tenor Sax Duet with piano accompaniment
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Valdir Maia
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SheetMusicPlus
The godfather's Minuet
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1136219 Composed by Vilb…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1136219 Composed by Vilbac, Renaud de. Arranged by Nick M Lacanski. Romantic Period. Score and part. 17 pages. Theupperstaff #736241. Published by theupperstaff (A0.1136219). This selection dates from the Romantic era and in the piano repertoire. The godfather’s minuet is the first sketch in a set of 20 for piano. It is a Da capo waltz with a trio. Thanks for having a look.
$4.99
4.56 €
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Saxophone Tenor et Piano
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Vilbac, Renaud de
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Nick M Lacanski
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The godfather's Minuet
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theupperstaff
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SheetMusicPlus
Swan Lake Theme, for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587681 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587681 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737749. Published by David McKeown (A0.587681). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Tenor Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Pancho, the Parrot - tenor sax/piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.844398 Composed by Folk.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.844398 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phil Beaman #3015659. Published by Phil Beaman (A0.844398). This is a setting of a Guatemalan folk song designed to be the first 'recital piece' after just a few weeks of learning. Solo part covers the range of 1 octave of the first learned notes of that instrument. Beginning students will appreciate the repeated notes before you have to find the next one. There is a lilting piano accompaniment with fresh descriptive harmony, especially those occasionally dissonant chords when the parrot squawks! A short piece of just 20 bars (but has a full repeat), it comes with the full score plus instrument solo part. Also available for many other basic instruments. Great fun piece for lessons or the classroom to mark those first successful notes.
$2.99
2.74 €
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Saxophone Tenor et Piano
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Folk
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Phil Beaman
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Pancho, the Parrot - tenor sax/piano
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Phil Beaman
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SheetMusicPlus
'Twas The Eve Of Christ's Birth (Tenor Saxophone and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1506760 By Stephen DeCes…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1506760 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 14 pages. Exultet Music #1082132. Published by Exultet Music (A0.1506760). A new poem about the first Christmas in the style of Clement Clark Moore's 'Twas The Night Before Christmas is interspersed with Silent Night. This harmonically lush version of Silent Night starts off as a tender 4/4 ballad then progresses to the a lullaby-like 6/8 for the second verse to a glorious 3/4 finale. Scored for a Tenor Saxophone solo with Piano accompaniment. An accompaniment track is also available.
$5.99
5.48 €
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Saxophone Tenor et Piano
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Stephen DeCesare
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Stephen DeCesare
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'Twas The Eve Of Christ's Birth
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Exultet Music
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754613 By Tony Bennett. …
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754613 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6473715. Published by NJR Music (A0.754613). The saxophone begins shortly after the short piano opening of this classic jazz standard. Â The first part is a slow, romantic version of the song. Â The second, with its uptempo swing beat, is a nice contrast to the first section. Â This arrangement is for the advanced intermediate to advanced level saxophonist. Â Included is the full score doubling for the piano part and the tenor sax part.
$10.95
10.02 €
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Saxophone Tenor et Piano
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Gabriel: His Eye Is On The Sparrow for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548770 Composed by Gabri…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548770 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416341. Published by jmsgu3 (A0.548770). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
22.82 €
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Saxophone Tenor et Piano
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Gabriel
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James M
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Gabriel: His Eye Is On The Sparrow for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
All The Things You Are
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.647786 By Jack Leonard w…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.647786 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2931537. Published by theupperstaff (A0.647786). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.22 €
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Saxophone Tenor et Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
Luna, The Black Cat for Tenor Sax and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.933855 Composed by Willi…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.933855 Composed by William Pagan-Perez. Contemporary,Standards. Score and part. 7 pages. William Pagan-Perez #5712321. Published by William Pagan-Perez (A0.933855). Luna, The Black Cat...This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
5.48 €
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Saxophone Tenor et Piano
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William Pagan-Perez
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Luna, The Black Cat for Tenor Sax and Piano
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William Pagan-Perez
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SheetMusicPlus
The Easy Winners, for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scot…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709322. Published by David McKeown (A0.1106208). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Tenor Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551510 Composed by Edvar…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551510 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306355. Published by jmsgu3 (A0.551510). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.84 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507671. Published by jmsgu3 (A0.549557). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
First Three Notes - Three Blind Mice - Mary Had a Little Lamb - tenor saxophone and piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1203649 Composed by Anon…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1203649 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 pages. Phil Beaman #802224. Published by Phil Beaman (A0.1203649). You have just learned how to finger and play the first three notes on your instrument.  Now it is time for your first easy piece for performance!  My booklet  First Three Notes contains my arrangements of two well known tunes, Three Blind Mice and Mary Had a Little Lamb.  Prepared for the earliest beginners, it uses only the first three notes you learned on your instrument, and also uses only crotchet notes (quarter notes) and crotchet rests (quarter rests).  The piano accompaniment fills it out with simple but richly updated harmony.  4 pages, with cover, scores, parts1:30 minutes, totalAlso available on this site, I have transposed this booklet for most of the traditional instruments that I know.
$2.99
2.74 €
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Saxophone Tenor et Piano
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Anon
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Phil Beaman
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First Three Notes - Three Blind Mice - Mary Had a Little Lamb - tenor saxophone and piano
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Phil Beaman
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SheetMusicPlus
O Come All Ye Faithful for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.82 €
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Saxophone Tenor et Piano
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Wade
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James M
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O Come All Ye Faithful for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
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