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PIANO & CLAVIERS
Piano grosses notes
3095
Orgue
1564
Piano seul
436
Piano Facile
251
Piano, Voix
116
Clavier
63
Piano, Voix et Guitare
42
1 Piano, 4 mains
16
Instruments en Do
11
2 Pianos, 4 mains
6
Orgue, Piano (duo)
6
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
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1
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307
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259
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1
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1
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Flûte traversière et Piano
72
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41
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22
2 Saxophones (duo)
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19
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Clarinette
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15
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14
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12
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9
Saxophone Alto
8
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Flûte, Clarinette (duo)
7
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3
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3
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3
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2
Flûte, Violon
2
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2
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2
Quintette de Flûte : 5 flûtes
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Saxophone, Clarinette (duo)
1
Saxophone Soprano
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Flûte, Violon, Piano
1
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1
Clarinette, Violon (duo)
1
Flûte et Guitare
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2 Flûtes traversières, Piano
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Piccolo, Piano
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Flûte, Saxophone (duo)
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Saxophone
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Flute (partie séparée)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Ensemble de Trompettes
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette
27
Trompette, Piano
25
Cor et Piano
17
Trombone et Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trompette (partie séparée)
10
Trombone
6
Tuba et Piano
5
2 Trompettes (duo)
5
2 Trombones (duo)
4
Cor anglais, Piano
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Trombone (partie séparée)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, violon (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de Cuivres
2
Cor
2
Trompette, Trombone (duo)
2
Tuba
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Trompette, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
57
Violon
54
Violoncelle (partie séparée)
41
Violoncelle, Piano
37
Violon, Violoncelle (duo)
31
Alto, Piano
30
2 Violons (duo)
29
Harpe
24
2 Violoncelles (duo)
20
Trio à Cordes: violon, alto, violoncelle
17
Violon (partie séparée)
17
Violoncelle
15
Alto seul
12
Alto, Violoncelle (duo)
10
2 Altos (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
8
Harpe, Voix
6
2 Harpes (duo)
5
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse, Piano (duo)
3
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violons
2
Contre Basse
2
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
3 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Cloches
580
Orchestre d'harmonie
105
Orchestre
64
Orchestre à Cordes
36
Ensemble de cuivres
18
Orchestre de chambre
8
Ensemble de Percussions
7
Ensemble Jazz
7
Batterie
7
Instrumentation Flexible
3
Ensemble d'École
3
Jazz combo
2
Vibraphone
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
Xylophone ou Marimba ou Vibraphone
1
Voix Mezzo-Soprano, Orchestre
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AUTRES
Formation musicale - Solfège
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Vous avez sélectionné:
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Saxophone Tenor et Piano
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1
Sullivan: The Lost Chord for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir A…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.89 €
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Saxophone Tenor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
The Blue Danube - Tenor Saxophone and Piano with Chord Notations
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1349539 Composed by Joha…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1349539 Composed by Johann Strauss Jr. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #934295. Published by Glauco Fernandes (A0.1349539). Embark on a musical journey with our exclusive arrangement of Johann Strauss's classic Blue Danube. Created for musicians with skills ranging from easy to intermediate, this arrangement provides a delightful interpretation, adding a versatile touch to your performance.Perfect for enhancing the atmosphere of special events such as weddings, receptions, and ceremonies, this unique rendition of the iconic piece is sure to captivate your audience. Additionally, it is an excellent choice for musicians in general, including students and teachers seeking a diverse and engaging repertoire.The score includes expressive markings that facilitate interpretation, allowing musicians of different levels to appreciate the beauty of this classical composition. Whether you are a music enthusiast or an experienced professional, this score is a valuable addition to your repertoire.Embark on a musical journey with our arrangement of the Blue Danube, elevating your performances to a new level. Acquire your score today and immerse yourself in the melodic richness of this timeless masterpiece.For more enchanting sheet music, feel free to visit my YouTube channel: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Explore a variety of arrangements for different songs and genres.If you wish to explore more high-quality sheet music, search for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com.
$4.99
4.61 €
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Saxophone Tenor et Piano
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Johann Strauss Jr
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Glauco Fernandes
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The Blue Danube - Tenor Saxophone and Piano with Chord Notations
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Glauco Fernandes
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SheetMusicPlus
The Blue Danube - Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1349540 Composed by Joha…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1349540 Composed by Johann Strauss Jr. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #934296. Published by Glauco Fernandes (A0.1349540). Embark on a musical journey with our exclusive arrangement of Johann Strauss's classic Blue Danube. Created for musicians with skills ranging from easy to intermediate, this arrangement provides a delightful interpretation, adding a versatile touch to your performance.Perfect for enhancing the atmosphere of special events such as weddings, receptions, and ceremonies, this unique rendition of the iconic piece is sure to captivate your audience. Additionally, it is an excellent choice for musicians in general, including students and teachers seeking a diverse and engaging repertoire.The score includes expressive markings that facilitate interpretation, allowing musicians of different levels to appreciate the beauty of this classical composition. Whether you are a music enthusiast or an experienced professional, this score is a valuable addition to your repertoire.Embark on a musical journey with our arrangement of the Blue Danube, elevating your performances to a new level. Acquire your score today and immerse yourself in the melodic richness of this timeless masterpiece.For more enchanting sheet music, feel free to visit my YouTube channel: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Explore a variety of arrangements for different songs and genres.If you wish to explore more high-quality sheet music, search for Glauco Fernandes on the website. Contact: glaucofernandes.arrangements@gmail.com.
$4.99
4.61 €
#
Saxophone Tenor et Piano
#
Johann Strauss Jr
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Glauco Fernandes
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The Blue Danube - Tenor Saxophone and Piano
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Glauco Fernandes
#
SheetMusicPlus
Schubert: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.66 €
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Saxophone Tenor et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.34 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
O Holy Night for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Saxophone Tenor et Piano
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Adam
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James M
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O Holy Night for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Go, Tell It On the Mountain for Tenor Sax and Piano African-American Spiritual Piano Duet,Tenor Sax,Soprano Sax,Trumpet Lead Sheet,Score,Sheet Music Single Jazz,Movies,TV,Christmas,Pop Available Inst
Saxophone Tenor et Piano
Composed by Ira F. Stamphill. Arranged by R.S. Carrier. Christian, General Worship. Solo P…
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Composed by Ira F. Stamphill. Arranged by R.S. Carrier. Christian, General Worship. Solo Part. 5 pages. Published by R.S. Carrier (S0.237917). - Solo Part - Christian,General Worship - R.S. Carrier
$1.99
1.84 €
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Saxophone Tenor et Piano
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Ira F
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R
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Go, Tell It On the Mountain for Tenor Sax and Piano African-American Spiritual Piano Duet,Tenor Sax,Soprano Sax,Trumpet Lead Sheet,Score,Sheet Music Single Jazz,Movies,TV,Christmas,Pop Available Inst
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R.S. Carrier
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SheetMusicPlus
Handel: Largo from Xerxes for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.43 €
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Saxophone Tenor et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30.43 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabri…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.43 €
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Saxophone Tenor et Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Marry You
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1237533 By Bruno Mars. B…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1237533 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Wedding. Score and part. 4 pages. Fabio Eduardo #833049. Published by Fabio Eduardo (A0.1237533). FREE PLAYBACK DOWNLOAD:https://www.fabioeduardomusiconline.com/freedownloadMarry You is a song by American singer and songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). Written and produced by the Smeezingtons, it serves as the record's sixth track and was released as a single outside of the United States. Marry You is a pop, doo-wop and soul song. The recording focuses on spontaneous marriage and therefore, since its release, has frequently been used as a proposal song. Marry You received generally positive reviews from music critics, with some complimenting its production and its reminiscence of 1960s pop style. Some criticized a perceived lack of creativity.
$4.99
4.61 €
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Saxophone Tenor et Piano
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Bruno Mars
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Fabio Eduardo de Oliveira
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Hooligans (2010)
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Marry You
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Fabio Eduardo
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SheetMusicPlus
The Flapper's Ball (1920's-style): Tenor Sax & Piano
Saxophone Tenor et Piano
Composed by Keith Gemmell. For Piano,Tenor Sax. Jazz,Dixieland,Swing,Repertoire,General In…
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Composed by Keith Gemmell. For Piano,Tenor Sax. Jazz,Dixieland,Swing,Repertoire,General Instructional. Intermediate. Score,Set of Parts. 14 pages. Published by Keith Gemmell
$5.99
5.53 €
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Saxophone Tenor et Piano
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Keith Gemmell
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The Flapper's Ball
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Keith Gemmell
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SheetMusicPlus
Donkey Riding for saxophone trio and piano
Saxophone Tenor et Piano
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 3 - Digital…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.576917 Composed by Traditional. Arranged by David Warin Solomons. Children,Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #519535. Published by David Warin Solomons (A0.576917). Donkey Riding is a traditional work song or sea shanty originally sung in Canada, Scotland and the North Eastern United States. It has also become popular as a children's song. The earliest written record of the song dates to 1857. It is generally assumed agreed that the donkey of the song title is a reference to the steam donkey, a kind of general-purpose steam engine. In this arrangement, each of the melody instruments takes a turn at playing a simple variation on the tune while the piano tinkles gracefully around the harmonies. The sound sample is an electronic preview. The pdf file contains score and parts (including a separate piano part) Versions are available for string trio and piano, wind trio and piano and saxophone trio and piano. There is also a simpler version for three part choir and piano on this site.
$8.00
7.39 €
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Saxophone Tenor et Piano
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Traditional
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David Warin Solomons
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Donkey Riding for saxophone trio and piano
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David Warin Solomons
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SheetMusicPlus
La Candeur for Tenor Saxophone
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947902 Composed by Johan…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947902 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instructional,Romantic Period,Standards. Score and part. 6 pages. Doniell C Cushman #3210517. Published by Doniell C Cushman (A0.947902). Based off of Burgmüller's original piano piece La Candeur (French for honesty), this arrangement is true to the original including articulations, dynamic shading, and general tempo. This piece is perfect for players at an beginning through intermediate level. Showcases scale motion and long legato phrases. Sounds wonderful with the timbre different than the piano original. Quick tempo, eighth note passages, and dynamic shading are all important mechanisms in this piece.Original arranged material, all rights reserved.
$3.99
3.68 €
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Saxophone Tenor et Piano
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Johann Friedrich Burgmuller
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Doniell Cushman
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La Candeur for Tenor Saxophone
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Doniell C Cushman
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SheetMusicPlus
Barcarolle
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947958 Composed by Fried…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947958 Composed by Friedrich Burgmueller. Arranged by Doniell Cushman. Classical,Instructional,Romantic Period,Standards. Score and part. 7 pages. Doniell C Cushman #3679975. Published by Doniell C Cushman (A0.947958). Based off of Burgmueller's original piano piece Barcarolle, this arrangement is true to the original including articulations, dynamic shading, and general tempo. This piece is perfect for beginning to early intermediate players. Showcases cantabile melody, sforzandos, colorful dynamics and compound time signature. Key of Ab Major.Original arranged material, all rights reserved.
$3.99
3.68 €
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Saxophone Tenor et Piano
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Friedrich Burgmueller
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Doniell Cushman
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Barcarolle
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Doniell C Cushman
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SheetMusicPlus
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