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Flûte à bec Alto, Piano
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Saxophone Alto
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Hautbois, Clarinette, Basson (trio d'anches)
1
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30
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Trombone (partie séparée)
16
Trombone et Piano
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Trompette (partie séparée)
14
2 Trombones (duo)
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Trompette, Piano
14
Trompette, Trombone (duo)
13
Cor anglais, Piano
13
2 Trompettes (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
10
Euphonium, Piano (duo)
8
Quatuor de Cuivres
7
Ensemble de Trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette
5
Cor (partie séparée)
5
Tuba (partie séparée)
4
Tuba et Piano
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Tuba
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
2
Trombone
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Trio de Cuivres
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4 Tubas
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2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Cor
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Quatuor de cuivres: 4 trompettes
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Ensemble de Trompettes
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2 Tubas (duo)
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CORDES
Harpe
90
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
53
Violoncelle, Piano
26
Alto, Piano
23
Violon, Violoncelle (duo)
20
Harpe, Flûte (duo)
18
Violon
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
16
2 Violons (duo)
15
2 Altos (duo)
14
Trio à Cordes: violon, alto, violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
6
Harpe, Voix
5
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle (partie séparée)
4
2 Altos, Piano
2
Violon (partie séparée)
2
Contre Basse
2
Contrebasse, Piano (duo)
2
4 Contrebasses
2
Violoncelle, Contrebasse (duo)
2
Violoncelle
2
Alto seul
2
Trio à cordes: 3 altos
2
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Violoncelle, Orchestre
1
Ensemble de Violons
1
4 Violoncelles
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
180
Orchestre
50
Orchestre à Cordes
41
Ensemble de cuivres
28
Cloches
21
Ensemble Jazz
18
Orchestre de chambre
13
Batterie
12
Jazz combo
11
Batterie (partie séparée)
4
Ensemble de Percussions
3
Percussion (partie séparée)
2
Marimba
1
2 Marimbas
1
Fanfare
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Piano et Orchestre
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Vibraphone
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AUTRES
Vous avez sélectionné:
There is a Light
Saxophone Tenor et Piano
Partitions à imprimer
15 partitions trouvées
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1
Moonlight Sonata by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.86 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
"Moonlight Saxonata" Alto/Tenor sax and Piano- Piano accompaniment track
Saxophone Tenor et Piano
Alto Saxophone,Piano,Tenor Saxophone - Digital Download SKU: A0.1070515 Composed by…
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Alto Saxophone,Piano,Tenor Saxophone - Digital Download SKU: A0.1070515 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Concert,Contemporary,Instructional,Standards. Accompaniment. Duration 232. Grant Horsley #6026319. Published by Grant Horsley (A0.1070515). Moonlight Saxonata by Grant Horsley for Alto and Tenor sax with Piano.This is the piano accompaniment track- to accompany the sheet music- available here item : S0.834489Can either be used for practise or as a performance backing for auditions, concerts etc when you don't have a pianist availableThere is a gentle one bar click for entry which can be edited out for performance if necessary.
$3.50
3.27 €
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Saxophone Tenor et Piano
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L V Beethoven
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Grant Horsley
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"Moonlight Saxonata" Alto/Tenor sax and Piano- Piano accompaniment track
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Grant Horsley
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SheetMusicPlus
Let There Be Peace On Earth
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1190921 Composed by Jill…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1190921 Composed by Jill Jackson and Sy Miller. Arranged by Brooks Holmes. Classical,Instructional,Religious. Score and part. 7 pages. Brooks Holmes #790451. Published by Brooks Holmes (A0.1190921). This arrangement is designed so younger musicians can get a feel of this beautiful melody without it being so difficult due to range issues. The song is easy on the embouchure and in a friendly key yet still sounds totally professional. Â The quicker tempo creates a lighter & more playful mood.
$5.99
5.6 €
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Saxophone Tenor et Piano
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Jill Jackson and Sy Miller
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Brooks Holmes
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more playful mood.
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Let There Be Peace On Earth
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Brooks Holmes
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SheetMusicPlus
Making the Darkness Conscious
Saxophone Tenor et Piano
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
13.99 €
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Saxophone Tenor et Piano
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the end of the piece, the soloist’s character is transformed into something more ruthless and tortured
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.67 €
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Saxophone Tenor et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.587783 Composed by Scott…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.587783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967657. Published by David McKeown (A0.587783). The most popular of Scott Joplin’s piano rags during his lifetime,The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Cello and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
4.3 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Morning Has Broken
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548749 By Cat Stevens. B…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415225. Published by jmsgu3 (A0.548749). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.86 €
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Saxophone Tenor et Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
This Christmas
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1144444 By Donny Hathawa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1144444 By Donny Hathaway. By Donny Hathaway and Nadine McKinnor. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Holiday,Jazz,Pop,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #744771. Published by Major Score Publishing (A0.1144444). This Christmas sheet music for Tenor sax & Piano. You will just love this fun to play and harmonically satisfying duet arrangement. Designed to please both the performers and listening audience This Christmas! We have slightly adapted the harmony in the beginning to enhance the feel good vibes. There is an 8 bar solo section like in the recording that we have given to the instrumental soloist. This arrangement is in the original key as performed by Donny Hathaway. Enjoy and have fun this and every Christmas. A perfect resource for intimate performances, concerts, recitals and an excellent resource for private music lessons. Instagram @majorscorepublishing YouTube @majorscorepublishing.
$5.99
5.6 €
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Saxophone Tenor et Piano
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Donny Hathaway
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MAJOR SCORE PUBLISHING TM
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This Christmas
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Major Score Publishing
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SheetMusicPlus
Arrival of the Queen of Sheba - Handel (but not as you know it!) includes original sax solo - Tenor
Saxophone Tenor et Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.761558 Composed by Chris Lawry, Keri Degg. Baroque,Jazz. Score and part. 10 pages. Masquerade Music #6424401. Published by Masquerade Music (A0.761558). It had to be done, and yes, we did it! Are you ready to play Handel as you’ve never played it before? Arranged in a cool/smooth Jazz style for Bb saxophone (tenor, or soprano) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Queen of Sheba theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Arrival of the Queen of Sheba is perfect for intermediate players (approx grade 3-5).
$3.99
3.73 €
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Saxophone Tenor et Piano
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Chris Lawry, Keri Degg
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Arrival of the Queen of Sheba - Handel
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Masquerade Music
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SheetMusicPlus
Ride of the Valkyries (but not as you know it!) includes original sax solo - Bb saxophone & piano -
Saxophone Tenor et Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.761550 Composed by Chris Lawry, Keri Degg. Jazz. Score and part. 8 pages. Masquerade Music #6424363. Published by Masquerade Music (A0.761550). It had to be done, and yes, we did it! Are you ready to play Wagner as you’ve never played it before? Arranged in a cool/smooth Jazz style for Bb saxophone (tenor, or soprano) and piano with sound influences from Scott Hamilton, Stan Getz, and Paul Desmond. As well as the classic Valkyries theme, there is also a fully written out original saxophone solo which makes this a delight to play and conjures up images of a late night Jazz lounge. Ride of the Valkyries is perfect for intermediate players (approx grade 3-5).
$3.99
3.73 €
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Saxophone Tenor et Piano
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Chris Lawry, Keri Degg
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Ride of the Valkyries
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Masquerade Music
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1118289 Composed by Scot…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1118289 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719807. Published by David McKeown (A0.1118289). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Tenor Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.35 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
The Easy Winners, for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scot…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709322. Published by David McKeown (A0.1106208). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Tenor Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.73 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scot…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694921. Published by David McKeown (A0.1090791). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Tenor Saxophone with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.73 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano Accompaniment, Tenor Sax - Early Intermediate - Digital Download Composed by Va…
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Piano Accompaniment, Tenor Sax - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven.
$8.49
7.94 €
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Saxophone Tenor et Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.44 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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