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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Baroque
Non classifié
839
Piano & claviers
Piano seul
316
2 Pianos, 4 mains
35
Piano Facile
33
Orgue, Trompette (duo)
32
Orgue
32
Piano, Voix
16
1 Piano, 4 mains
10
Clavecin
7
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano, Voix et Guitare
3
2 Accordéons
3
Accordéon
2
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
2 Guitares (duo)
39
Guitare
36
Guitare notes et tablatures
30
Ukulele
14
Mandoline
5
4 Guitares (Quatuor)
3
Basse electrique
1
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Dulcimers (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Dulcimer
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
26
Voix duo, Piano
12
Chorale 2 parties
12
Chorale 3 parties
11
Voix duo
9
Chorale Unison
6
Voix haute
5
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix seule
4
Chorale TTBB
3
Chorale SSAA
2
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
151
2 Clarinettes (duo)
118
2 Saxophones (duo)
74
Flûte traversière et Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
34
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
33
3 Clarinettes (trio)
29
2 Hautbois (duo)
29
Hautbois, Piano (duo)
29
Quintette de Saxophone: 5 saxophones
27
2 Flûte à bec (duo)
20
Quatuor de Flûtes : 4 flûtes
20
3 Saxophones (trio)
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Trio de Flûtes: 3 flûtes
15
Flûte, Clarinette (duo)
12
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette
11
Flûte traversière
11
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
9
Flûte, Violon
9
Hautbois, Violoncelle
9
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
Saxophone, Clarinette (duo)
7
Ensemble De Flûte à bec
7
Clarinette, Violoncelle (duo)
7
Ensemble de Flûtes
7
Flûte, Clarinette et Basson
7
Clarinette, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Ensemble de saxophones
4
Saxophone Alto
4
Hautbois (partie séparée)
4
Flûte, Hautbois, Basson
4
Flûte à bec Tenor
4
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette et Alto
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, trompette et piano
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Piccolo
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Hautbois et Basson
1
Melodica
1
Saxophone et violoncelle
1
Flûte, Alto et Piano
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
4 Hautbois
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
18
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
15
Quatuor de cuivres: 4 trombones
12
2 Cors (duo)
12
2 Trompettes, Clavier (piano ou orgue)
9
Ensemble de Trompettes
9
Trompette, Trombone (duo)
9
Cor et Piano
8
2 Tubas (duo)
8
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
3 Trombones (trio)
7
Trombone
7
Trompette, Basson (duo)
6
2 Euphoniums (duo)
6
Trompette, Saxophone (duo)
5
Euphonium, Piano (duo)
5
Tuba
4
Trompette, Violoncelle (duo)
4
Cor
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
3 Cors (trio)
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor et Harpe
2
Cor et Basson (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Trompette (partie séparée)
2
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
Quatuor de Cuivres
1
4 Tubas
1
+ 49 instrumentations
Retracter
Cordes
2 Violons (duo)
149
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon, Violoncelle (duo)
106
2 Violoncelles (duo)
78
Trio à Cordes: violon, alto, violoncelle
55
Trio à Cordes: 2 violons, violoncelle
52
2 Altos (duo)
50
Violon et Piano
48
Violon
46
Violon, Alto (duo)
42
Harpe
30
Alto, Piano
29
Violoncelle, Piano
26
Trio à Cordes: 2 violons, alto
18
Violoncelle
17
2 Violons, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
7
4 Violoncelles
7
Alto seul
6
Harpe, Violon (duo)
6
Alto (partie séparée)
6
Violon (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Quatuor à cordes: 4 violons
5
Alto et Basson
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Trio à cordes
4
Ensemble de Violons
3
Ensemble d'Altos
3
Harpe et Piano
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Contre Basse
2
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
85
Orchestre de chambre
65
Ensemble de cuivres
51
Orchestre
16
2 Marimbas
14
Orchestre d'harmonie
14
Cloches
4
Xylophone
2
Marimba
2
2 Xylophones
1
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Two Baroque
Saxophone Tenor et Piano
Partitions à imprimer
12 partitions trouvées
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1
Two Bourrees for Tenor Saxophone & Piano
#
Saxophone Tenor et Piano
#
Classique
#
Johann Sebastian Bach
#
Daniel Leeman
#
Two Bourrees for Tenor Saxopho
#
Daniel Leeman
#
SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Leeman. Baroque Period. Set of Parts. 6 pages. Published by Daniel Leeman (S0.213273). - Set o...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Leeman. Baroque Period. Set of Parts. 6 pages. Published by Daniel Leeman (S0.213273). - Set of Parts - Baroque Period - Daniel Leeman
$4.99
BACH: Sonata in C Major BWV 1033 for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James Guthrie, ASCAP
#
BACH: Sonata in C Major BWV 10
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317607. Published by jmsgu3 (A0.551574). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Sheep May Safely Graze (Bach): Tenor Sax and Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
John A
#
Sheep May Safely Graze
#
John A. Dempsey
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.525044 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Easter,Traditional,We...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.525044 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Easter,Traditional,Wedding. Score and part. 16 pages. John A. Dempsey #6622257. Published by John A. Dempsey (A0.525044). With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208) appeals not only to fans of the Baroque era but also to lovers of classical, romantic and pop music. This duet for tenor sax and piano is recommended for concerts, recitals, weddings, traditional church services and other worship events. Suggested wedding uses: prelude, unity candle music, bridesmaid processional, bridal march and wedding recessional. As worship music, Sheep May Safely Graze may serve as a prelude, postlude, Christmas play overture, an offertory, interlude, silent prayer accompaniment and special music. 12 pages of music (that includes a separate two-page tenor sax part). Concert Key (Piano): Bb major. Tenor Sax Key: C major
$6.99
Pachelbel: Canon for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
G F Handel
#
David McKeown
#
How Beautiful are the Feet,
#
David McKeown
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.594424 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.594424 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658363. Published by David McKeown (A0.594424). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Tenor Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Canon in D for tenor saxophone and piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Pachelbel
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Daniel C
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Canon in D for tenor saxophone
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Daniel C. M.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.810141 Composed by Johann Pachelbel. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. Score and par...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.810141 Composed by Johann Pachelbel. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5207457. Published by Daniel C. M. (A0.810141). This arrangement preserves the beauty of the composer´s melodies and harmony but presented in a more popular/romantic style. The structure and duration are shorter keeping the essentials of this work of art. It's perfect for early intermediate to intermediate students and, of course, for the various public ocassions as always. The pdf contains the piano score (two pages) and the saxophone part (one page) separately.
$3.99
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Trumpet Tune and Air, by Purcell; for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587648 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587648 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728531. Published by David McKeown (A0.587648). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Tenor Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Arioso by Bach for Tenor Sax and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Tenor Sax a
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1047135 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1047135 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651664. Published by Woods Only, Arrangements (A0.1047135). This easy arrangement for tenor sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Trumpet Voluntary, (Prince of Denmark's March), for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587588 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587588 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 9 pages. David McKeown #4367392. Published by David McKeown (A0.587588). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Tenor Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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