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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Until
Non classifié
671
Piano & claviers
Piano seul
417
Piano, Voix et Guitare
141
Piano, Voix
131
Piano Facile
90
Orgue
67
Instruments en Do
26
Accompagnement Piano
15
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
4
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
68
Guitare
30
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
23
Basse electrique
21
2 Guitares (duo)
11
Paroles et Accords
6
Mandoline
4
Piano, Guitare (duo)
2
Banjo
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
237
Chorale 3 parties
73
Chorale TTBB
42
Chorale 2 parties
21
Chorale Unison
16
Chorale SSAA
14
Pack Instrumental pour Chorale
14
Voix duo, Piano
6
Voix Soprano, Piano
5
Chorale
5
Voix Alto, Piano
4
Voix moyenne, Piano
4
Voix haute
3
Chorale SSAATTBB
2
Voix Tenor
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix seule
2
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Quintette de Saxophone: 5 saxophones
66
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière et Piano
56
Clarinette et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto et Piano
40
Hautbois, Piano (duo)
36
2 Saxophones (duo)
31
Saxophone Tenor et Piano
24
2 Clarinettes (duo)
23
Clarinette
20
Flûte traversière
20
Saxophone Soprano et Piano
20
Saxophone (partie séparée)
19
2 Flûtes traversières (duo)
19
Ensemble de Clarinettes
17
Saxophone Baryton, Piano
16
Ensemble de saxophones
14
2 Hautbois (duo)
13
Cor anglais, Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
12
Ensemble de Flûtes
11
Saxophone, Clarinette (duo)
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Clarinette Basse, Piano
9
Saxophone Tenor
9
Quintette de Flûte : 5 flûtes
8
Clarinette, Violon (duo)
8
Trio de Flûtes: 3 flûtes
8
Hautbois (partie séparée)
7
Flûte, Clarinette (duo)
7
Clarinette, Trompette (duo)
6
2 Flûte à bec (duo)
5
3 Clarinettes (trio)
5
Clarinette (partie séparée)
5
Flûte, Violon
5
Hautbois, Basson (duo)
4
Flûte et Guitare
4
Clarinette et Alto
4
Flûte, Alto (duo)
4
5 Flûtes à bec
4
Flûte, Saxophone (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Flûtes à bec
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Soprano
3
Flute (partie séparée)
3
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
2
Hautbois
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
2 Clarinettes, Piano
2
Flûte à Bec
2
Saxophone Soprano
2
Clarinette, Basson (duo)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Clarinette et Basson
1
Flûte irlandaise
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Saxophone
1
Harmonica
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 77 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trombone et Piano
31
Trompette, Piano
25
Tuba et Piano
20
Euphonium, Piano (duo)
17
Cor et Piano
17
Trompette
14
Trombone
13
Cor anglais, Piano
13
2 Trombones (duo)
11
Trompette (partie séparée)
11
Quatuor de Cuivres
11
Ensemble de Trombones
10
2 Trompettes (duo)
9
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
7
Ensemble de Trompettes
6
Ensemble de Cors
6
2 Cors (duo)
5
Tuba
5
Cor
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
Bass Clef Instruments
3
3 Trompettes (trio)
2
4 Tubas
2
Cor (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium
2
Quatuor de cuivres: 4 cors
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trompettes
1
Instruments en Fa
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Instruments en Sib
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon et Piano
55
Violoncelle, Piano
45
Alto, Piano
40
Violon
28
Violon, Violoncelle (duo)
23
Violoncelle
22
2 Violons (duo)
19
2 Violoncelles (duo)
19
2 Altos (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Contrebasse, Piano (duo)
11
Violon, Alto (duo)
10
Harpe
9
Contrebasse (partie séparée)
8
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble d'Altos
5
Violon (partie séparée)
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Trio à cordes: 3 violins
3
2 Contrebasses (duo)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
Contre Basse
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
284
Orchestre
72
Ensemble Jazz
48
Orchestre à Cordes
42
Ensemble de cuivres
34
Cloches
21
Fanfare
16
Ensemble de Percussions
13
Orchestre de chambre
13
Batterie
11
Jazz combo
5
Percussion (partie séparée)
4
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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Partitions Numériques
24
Librairie Musicale
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Matériel de Musique
226
Partitions numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Until
Saxophone Tenor et Piano
Partitions à imprimer
24 partitions trouvées
<
1
A Love Until The End Of Time
#
Saxophone Tenor et Piano
#
FACILE
#
Lee Holdridge
#
Stephen DeCesare
#
A Love Until The End Of Time
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.623751 Composed by Lee Holdridge. Arranged by Step...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.623751 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 8 pages. Exultet Music #4408706. Published by Exultet Music (A0.623751). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99
Until I Found You
#
Saxophone Tenor et Piano
#
DÉBUTANT
#
Stephen Sanchez
#
Ivan Marini
#
Until I Found You
#
www.dalsegno.eu
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1212794 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Ivan Marini. Contemporary,Countr...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1212794 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Ivan Marini. Contemporary,Country,Instructional,Pop,Singer/Songwriter. Score and part. 7 pages. Www.dalsegno.eu #810042. Published by www.dalsegno.eu (A0.1212794). Easy but accurate transcription of the 2022 world hit, to be played with or without piano (free backing track on YouTube!).Original key and range.Also available on this website for other instruments.Duration: ca. 3 mins., 6 pages (2 pages solo, 4 pages opt. piano accompaniment).Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
Jogo de Cartas (for Tenor Sax and Piano)
#
Saxophone Tenor et Piano
#
AVANCÉ
#
Brandon Nelson
#
Jogo de Cartas
#
Brandon Nelson
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. ...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
Adoration
#
Saxophone Tenor et Piano
#
FACILE
#
Florence Beatrice Price
#
Steven Nunes
#
Adoration
#
Nagamon Publications
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and part. 6 pages. Nagamon Publications #1050057. Published by Nagamon Publications (A0.1472353). Florence Beatrice Price (April 9, 1887 June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.This short and tuneful piece is perfect in any performance. This transcription is for tenor saxophone (or euphonium TC) and piano, and the PDF contains the full set of parts.
$8.00
Drei Fantasiestucke
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Carl Reinecke
#
Robert Rainford
#
Drei Fantasiestucke
#
Forton Music - Digital
#
SheetMusicPlus
Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score...
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Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score and Parts. 41 pages. Forton Music - Digital #FM298. Published by Forton Music - Digital (F2.FM298). ISBN 9790570481972.Originally for viola and piano, these three pieces make a fantastic addition to the repertoire of this instrument. The Romanze has a glorious flowing melody over rich, rippling arpeggiated harmonies in the piano part. The second movement has the character of a scherzo, with a light tripping tune in compound time contrasted with a more harmonic section in duple time. The third movement is subtitled 'Eine Humoreske', and starts with light arpeggio figures before the second theme takes over in the style of an alpine folk tune until the arpeggios return to rush to the end. Covering a wide range of notes and keys this needs a confident approach but well rewards the player for their investment.
$12.95
Now And Then
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Saxophone Tenor et Piano
#
FACILE
#
Rock
#
The Beatles
#
Leo Silva
#
Now And Then
#
MP Sheet Music
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1320026 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1320026 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908581. Published by MP Sheet Music (A0.1320026). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
$4.99
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano - S0
#
Bach-Gounod: Ave Maria for Ten
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Moonlight Sonata by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
O For a Thousand Tongues to Sing for Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Words by Charles Wesley, Music
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Lawrence H
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O For a Thousand Tongues to Si
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.968503 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Christia...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.968503 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Lawrence H Underwood #6569399. Published by Lawrence H Underwood (A0.968503). Arranged by veteran performer and music educator, Lawrence Underwood, as the eleventh installment in his 2021 Hymn Song Collection series, this brand-new setting of O For a Thousand Tongues to Sing takes this beloved melody on a tour through meter and style, building in musical tension until its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make an impact!
$5.99
Temps d'M
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Alain Lopez
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Temps d'M
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Tenor Saxophone, Piano - Grade 4 - SKU: FX.FX071507 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital She...
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Tenor Saxophone, Piano - Grade 4 - SKU: FX.FX071507 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071507. Published by FLEX Editions - Digital Sheet Music (FX.FX071507). A rythmic composition in which the cells quaver / two semiquaver and two semiquaver / quaver are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of Rhapsody in Blues from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem (Temps d'M) without that!
$8.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Ode to Joy by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Te
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Peri...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760682. Published by Woods Only, Arrangements (A0.1160399). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Jingle Bells for Solo Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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Lawrence H
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Jingle Bells for Solo Tenor Sa
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.967675 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score an...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.967675 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189275. Published by Lawrence H Underwood (A0.967675). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Silent Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Tenor Sax &am
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387061. Published by jmsgu3 (A0.548490). Silent Night for Tenor Sax & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
I Saw Three Ships for Solo Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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Noël
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Traditional
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Lawrence H
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I Saw Three Ships for Solo Ten
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.967668 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Sacred. Score and part....
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Piano,Tenor Saxophone - Level 3 - SKU: A0.967668 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Sacred. Score and part. 9 pages. Lawrence H Underwood #6189251. Published by Lawrence H Underwood (A0.967668). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Waltz in A Minor (Chopin) - 2 Tenor Saxophones and Piano - Chamber music
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 3 - SKU: A0.760537 Composed by Frederic Chopin. Arranged by Raymond Fenech. Chri...
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Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 3 - SKU: A0.760537 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and parts. 11 pages. Raymond Fenech #4622433. Published by Raymond Fenech (A0.760537). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Up on the Housetop for Solo Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Benjamin Russell Hanby
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Lawrence H
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Up on the Housetop for Solo Te
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.967680 Composed by Benjamin Russell Hanby. Arranged by Lawrence H. Underwood. Blues,Children,Christmas,Jazz,Po...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.967680 Composed by Benjamin Russell Hanby. Arranged by Lawrence H. Underwood. Blues,Children,Christmas,Jazz,Pop. Score and part. 10 pages. Lawrence H Underwood #6189319. Published by Lawrence H Underwood (A0.967680). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the eleventh installment in his A Christmas Portfolio series, this blues shuffle setting of Up on the Housetop is a blast! The piano sets up the boogie-woogie feel from the very start, and then the piece doesn't let up until the last rollicking second! A perfect and fun addition to any holiday performance setting.
$5.99
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Five Ragtime Solos by Scott Joplin for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1118289 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pag...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1118289 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719807. Published by David McKeown (A0.1118289). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Tenor Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
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