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ACCORDEON
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CHORALE - CHAN…
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Non classifié
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PIANO & CLAVIERS
Piano seul
1731
Piano Facile
568
Piano, Voix
552
Piano, Voix et Guitare
319
Instruments en Do
171
Orgue
108
Accompagnement Piano
101
1 Piano, 4 mains
48
Piano grosses notes
48
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
2
Fake Book
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
825
Mandoline
286
Guitare
230
Ukulele
71
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
36
2 Guitares (duo)
28
Dulcimer
18
Banjo
11
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
Mandoline, Guitare (duo)
6
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5
3 Guitares (trio)
4
Paroles et Accords
4
2 Mandolines (duo)
3
Ukulele Baryton
2
Guitare, Orchestre
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
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721
Chorale 3 parties
169
Chorale TTBB
115
Chorale SSAA
115
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93
Chorale Unison
51
Voix duo, Piano
37
Voix Alto, Piano
25
Voix Tenor, Piano
22
Voix Soprano, Piano
19
Voix seule
16
Voix haute
13
Voix Baryton, Piano
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Voix Tenor
12
Voix duo
10
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix Soprano
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Chorale SSATB
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Chorale SSATTB
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Voix moyenne, Piano
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
358
Flûte traversière et Piano
339
Clarinette et Piano
288
Ocarina
280
Flûte à bec Soprano
275
Harmonica
237
Quatuor de Saxophones: 4 saxophones
206
Flûte à bec Alto
193
Flûte, Hautbois, Clarinette, Basson
190
Quintette de Saxophone: 5 saxophones
157
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
130
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
113
Ensemble de saxophones
111
Flûte traversière
108
Saxophone Soprano et Piano
104
Saxophone Tenor et Piano
86
Clarinette
80
Ensemble de Clarinettes
78
Saxophone Alto
73
2 Clarinettes (duo)
65
Saxophone (partie séparée)
65
2 Flûtes traversières (duo)
61
Saxophone Baryton, Piano
61
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
53
Cor anglais, Piano
52
3 Clarinettes (trio)
45
3 Saxophones (trio)
44
Saxophone Tenor
42
Flûte à bec Alto, Piano
34
Clarinette Basse, Piano
30
Hautbois (partie séparée)
29
Saxophone, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Quatuor de Flûtes à bec
25
Flûte, Clarinette (duo)
24
Flûte et Guitare
23
2 Flûte à bec (duo)
21
Quintette de Flûte : 5 flûtes
21
Trio de Flûtes: 3 flûtes
20
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
14
Clarinette, Basson (duo)
13
Clarinette, Trompette (duo)
12
Cor Anglais
11
Clarinette et Alto
10
Flûte, Violon
10
Hautbois, Clarinette (duo)
9
Clarinette, Guitare (duo)
9
Hautbois, Flûte
9
5 Flûtes à bec
9
Flûte, Saxophone (duo)
8
Saxophone Soprano
8
Flûte, Alto (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
3 Flûtes à bec (trio)
8
Flute (partie séparée)
7
Flûte, Violoncelle
7
Flûte, Trompette (duo)
7
Flûte, Clarinette, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte à bec Soprano, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Piccolo
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte irlandaise
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone et Guitare
4
Piccolo, Piano
3
Flute, harpe et violon
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
3
Saxophone
3
Flûte, Hautbois, Basson
3
Flûte traversière, Basse continue
3
Flûte, Basson et Piano
2
Ensemble de Hautbois
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
Saxophone et Orgue
2
2 Clarinettes, Basson
2
Clarinette, Alto et Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Instruments en Mib
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violoncelle
1
4 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Flûte, Hautbois (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
111
Trompette
107
Trompette, Piano
98
Cor et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Quatuor de Cuivres
53
Cor anglais, Piano
52
Trombone
50
Euphonium, Piano (duo)
45
Quatuor de cuivres: 4 trombones
33
Cor
32
Tuba et Piano
32
Ensemble de Trombones
31
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Cors (duo)
27
Tuba
26
Ensemble de Trompettes
26
Trombone (partie séparée)
25
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Trompette, Saxophone (duo)
17
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
14
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
5
4 Tubas
5
3 Trombones (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Bass Clef Instruments
2
3 Trompettes (trio)
2
Instruments en Sib
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Trombone, Orgue
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
625
Violon et Piano
354
Harpe
256
Violoncelle, Piano
254
Alto, Piano
249
Violon
157
Violoncelle
136
Trio à Cordes: violon, alto, violoncelle
116
Violon, Violoncelle (duo)
107
2 Violons (duo)
72
2 Violoncelles (duo)
48
Alto seul
45
Violon, Alto (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
2 Altos (duo)
36
2 Harpes (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse, Piano (duo)
24
Contre Basse
23
Alto (partie séparée)
20
4 Violoncelles
16
Violon, Guitare (duo)
16
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
12
Ensemble d'Altos
11
Quatuor à cordes : 4 altos
11
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Quatuor à cordes: 4 violons
9
Contrebasse (partie séparée)
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
4
Alto, Guitare (duo)
4
4 Contrebasses
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Alto et Harpe
2
Ensemble de Violoncelles
2
3 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
758
Orchestre
294
Orchestre à Cordes
267
Jazz combo
215
Ensemble de cuivres
174
Ensemble Jazz
137
Orchestre de chambre
101
Cloches
52
Ensemble de Percussions
35
Fanfare
22
Batterie
14
Marimba
11
Vibraphone
9
Batterie (partie séparée)
5
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
Bongos
1
Xylophone, Piano
1
Ensemble d'École
1
Xylophone ou Marimba ou Vibraphone
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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Was (Not Was)
Saxophone Tenor et Piano
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Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Not Chords) - Score and parts.pdf
Saxophone Tenor et Piano
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843225
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843225 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346707. Published by Cassio Silva (A0.843225). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
4.54 €
#
Saxophone Tenor et Piano
#
Johann Sebastian Bach
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Cássio Silva Chaves
#
Jesu, Joy of Man's Desiring for Tenor Sax and Piano
#
Cassio Silva
#
SheetMusicPlus
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Arpeggios Not Chords) - Score and Parts
Saxophone Tenor et Piano
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843222
(+)
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843222 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346703. Published by Cassio Silva (A0.843222). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
4.54 €
#
Saxophone Tenor et Piano
#
Johann Sebastian Bach
#
Cássio Silva Chaves
#
Jesu, Joy of Man's Desiring for Tenor Sax and Piano
#
Cassio Silva
#
SheetMusicPlus
Nothing But the Blood of Jesus, Gospel Hymn for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593053 Composed by Rober…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593053 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415319. Published by David McKeown (A0.593053). Nothing But the Blood of Jesus is a beautiful gospel hymn arranged here for Solo Tenor Saxophone and Piano.Nothing But the Blood of Jesus was written in 1876 by Robert Lowry, a Baptist minister and leading light in the New Jersey revival camp meetings. He also wrote more than five hundred hymns.
$2.49
2.27 €
#
Saxophone Tenor et Piano
#
Robert Lowry
#
David McKeown
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Nothing But the Blood of Jesus, Gospel Hymn for Tenor Saxophone and Piano
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David McKeown
#
SheetMusicPlus
Another Day In America
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.621284 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535313. Published by Exultet Music (A0.621284). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
What Was I Made For?
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1455003 By Billie Eilish…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1455003 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jason Sullivann. Film/TV,Pop,Singer/Songwriter. Score and part. 7 pages. Green Bicycle Music #1034076. Published by Green Bicycle Music (A0.1455003). An arrangement of the popular song What Was I Made For? by Billie Eilish and Finneas O'Connell. This arrangement follows the original song very closely. For Beginning players. *Note: this arrangement uses the lower register of the instrument. Depending on experience, some players could play some of the lines an octave higher.
$7.99
7.28 €
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Saxophone Tenor et Piano
#
Billie Eilish
#
Jason Sullivann
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What Was I Made For?
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Green Bicycle Music
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SheetMusicPlus
Till There Was You
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.761771 By The Beatles. B…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.761771 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351609. Published by Standard Time (A0.761771). This classic song from the Broadway show, The Music Man, is arranged for tenor sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with tenor sax backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99
7.28 €
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Saxophone Tenor et Piano
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Swan Lake Theme, for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587681 Composed by Peter…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587681 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737749. Published by David McKeown (A0.587681). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Tenor Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Saxophone Tenor et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Moonlight Sonata by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.81 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.42 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Romance
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1394925 Composed by Alex…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1394925 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #978411. Published by Nagamon Publications (A0.1394925). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00
7.28 €
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Saxophone Tenor et Piano
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Alexander Scriabin
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Waltz in A Minor (Chopin) - 2 Tenor Saxophones and Piano - Chamber music
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.760537 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and parts. 11 pages. Raymond Fenech #4622433. Published by Raymond Fenech (A0.760537). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F H…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Saxophone Tenor et Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1266133 By Fabio Eduardo…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1266133 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858877. Published by Fabio Eduardo (A0.1266133). Free Download PlaybackBagatelle No. 25  for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
$1.99
1.81 €
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Saxophone Tenor et Piano
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
A Night In Tunisia
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
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Saxophone Tenor et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Suo Gan for Bb Tenor Saxophone & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Digital Download SKU: A0.746768 Composed by Trad. Arranged …
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Piano,Tenor Saxophone - Digital Download SKU: A0.746768 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3492321. Published by Keith Terrett (A0.746768). An arrangement for Bb Tenor Saxophone & Piano of the Welsh lullaby Suo Gan. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800 and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Trad
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Keith Terrett
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Bb Tenor Saxophone &
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Suo Gan for Bb Tenor Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
Minuet by Boccherini for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160615 Composed by Luig…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760910. Published by Woods Only, Arrangements (A0.1160615). This simple arrangement adapted for tenor saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
1.81 €
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Saxophone Tenor et Piano
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Sonata "Funtasies" for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Br…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
13.65 €
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Saxophone Tenor et Piano
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Sy Brandon
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Sonata "Funtasies" for Tenor Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
Christmas Jazz Volume 3 Bb saxophone. Chris Lawry & Keri Degg
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1278957 Composed by Chri…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1278957 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 42 pages. Masquerade Music #870506. Published by Masquerade Music (A0.1278957). Christmas Jazz Volume 3 Bb saxophone edition is another collection of five fabulous arrangements for Bb saxophone (tenor or soprano) and piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'sax solo' type section in each. Christmas Jazz Volume 3 includes O Little Town of Bethlehem (a cheeky swing), O Christmas Tree (a lush smooshy ballad), Here we Come a Wassailing (an energetic swing), It Came upon a Midnight Clear (ballad), and Ding Dong Merrily on High (Jazz/Jazz Waltz). With various styles covered (including Funk, smooth jazz, ballad, swing and more). The pieces are accessible with the ballad-style pieces being around grade 3-4 and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available.You are invited to download for free the full demonstration and accompaniment only audio tracks by following the instructions on the final page of your purchased print out. Note that the audio tracks are of the exciting enhanced audio (as on the Youtube videos - not just sax and piano). In your purchased print out you receive Bb sax part, piano part for live accompaniment options, and MP3 full demonstration and accompaniment only audio tracks (to be downloaded via the instructions on the final page of your sheet music).Bring some joy this Christmastime...bring on the Christmas Jazz! Visit www.masquerade-music.com for more exciting sheet music for woodwinds and free practice resources.The Youtube video shows a medley of excerpts from all five pieces included in the book. This purchase includes Bb saxophone part PDF and piano accompaniment score to accompany Bb saxophone plus audio tracks (demo and accompaniment only) free to download via the given code on your print out. The pack is also available in Eb Saxophone, Bb Clarinet, and flute editions, and Christmas Jazz Volumes 1 and 2 are also available.
$14.99
13.65 €
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Saxophone Tenor et Piano
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Chris Lawry and Keri Degg
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Christmas Jazz Volume 3 Bb saxophone. Chris Lawry & Keri Degg
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Masquerade Music
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
MY SWEET LYDIA
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.54 €
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Saxophone Tenor et Piano
#
Joe Procopio
#
the vocalist/bassist I
#
MY SWEET LYDIA
#
JoeCopio Music LLC
#
SheetMusicPlus
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