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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Work From Home
Non classifié
171
Piano & claviers
Piano seul
79
Piano, Voix et Guitare
19
Piano, Voix
19
Piano Facile
9
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano (partie séparée)
1
1 Piano, 4 mains
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
5
Ukulele
4
Guitare (partie séparée)
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 2 parties
8
Chorale 3 parties
8
Chorale SSAA
4
Chorale TTBB
2
Voix Soprano, Piano
2
Voix Baryton
1
Chorale Unison
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
14
Flûte traversière et Piano
12
Saxophone Alto et Piano
10
Saxophone Alto
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
7
2 Saxophones (duo)
6
Ensemble de saxophones
6
Flûte à Bec
5
Saxophone (partie séparée)
5
Ensemble de Clarinettes
5
Saxophone Baryton, Piano
5
2 Clarinettes (duo)
5
Hautbois (partie séparée)
5
Clarinette
5
3 Saxophones (trio)
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
4
2 Flûtes traversières (duo)
4
Flûte traversière
3
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
2
Cor anglais, Piano
2
Flûte à bec Alto, Basse continue
2
Saxophone Soprano et Piano
2
3 Flûtes à bec (trio)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Tenor
1
Flute (partie séparée)
1
Hautbois, Flûte
1
3 Clarinettes (trio)
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette (duo)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières, Piano
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de cuivres: 4 trombones
13
Trombone et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
6
Cor et Piano
5
Trompette (partie séparée)
5
Trompette, Piano
4
Tuba et Piano
4
Trombone (partie séparée)
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Cor anglais, Piano
2
Trompette
2
2 Trombones (duo)
1
Cor
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 cors
1
+ 17 instrumentations
Retracter
Cordes
Violon et Piano
22
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
11
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violon
5
Violoncelle
4
Violon (partie séparée)
4
Alto seul
4
2 Violoncelles (duo)
3
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Harpe
2
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Ensemble de Violons
1
Alto (partie séparée)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
18
Orchestre à Cordes
17
Ensemble Jazz
14
Jazz combo
10
Orchestre de chambre
6
Ensemble de cuivres
4
Ensemble de Percussions
3
Cloches
2
Xylophone, Piano
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Fanfare
1
Batterie
1
2 Marimbas
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMBONE
TROMPETTE
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VIOLON
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METHODE : TECHNIQUES
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Work From Home
Saxophone Tenor et Piano
Partitions à imprimer
7 partitions trouvées
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1
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
#
dynamic control
#
DvoÅ™ák: Largo from
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Minuet by Boccherini for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Tenor
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Woods Only, Arrangements
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760910. Published by Woods Only, Arrangements (A0.1160615). This simple arrangement adapted for tenor saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
#
Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Gymnopedie No. 1
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
#
Gymnopedie No. 1
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Samuel Sequeira
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1245347 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1245347 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840224. Published by Samuel Sequeira (A0.1245347). Gymnopedie No. 1 - Erik Satie - Tenor Saxophone/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Tenor Saxophone and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the tenor saxophone takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the tenor saxophone enters, it carries the iconic melody, infusing it with its rich and soulful tones. The tenor saxophone's warm and expressive qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the tenor saxophone and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the tenor saxophone's melodic lines and adding depth to the arrangement. The tenor saxophone, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the tenor saxophone and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for tenor saxophone and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
The Moldau for Alto and Tenor Saxophone with Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Bedrich Smetana
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Diego Marani
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The Moldau for Alto and Tenor
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.612836 Composed by Bedrich Smetana. Arranged by Diego...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.612836 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222033. Published by Diego Marani (A0.612836). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for alto and tenor sax with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
Fauré: Élégie Op. 24 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Per...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
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