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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Contre Basse
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4 Violoncelles
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2 Harpes (duo)
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Xylophone
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Vibraphone
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Cajon
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Timbales (partie séparée)
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Saxophone Tenor et Piano
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.75 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587573 Composed by Richa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365468. Published by David McKeown (A0.587573). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Tenor Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.29 €
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Saxophone Tenor et Piano
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The Bride", for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
We Have Heard the Joyful Sound (Jesus Saves): Tenor Sax and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.524654 Composed by Willi…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.524654 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual,Traditional. Score and part. 16 pages. John A. Dempsey #6137019. Published by John A. Dempsey (A0.524654). This lively hymn arrangement is designed to inject energy and enthusiasm into your worship service with its jazzy, rhythm, upbeat tempo and flavorful melody. This is an enduring hymn with eternal truth as its message. Musically influenced by both Cajun and Celtic styles, this duet arrangement for tenor sax and piano is recommended for traditional church services, praise gatherings and other worship events, as a prelude, postlude, an offertory, interlude and special music. Concert Key (Piano): Eb major. Tenor Sax Key: F major.
$6.99
6.52 €
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Saxophone Tenor et Piano
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William J
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John A
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We Have Heard the Joyful Sound
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John A. Dempsey
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SheetMusicPlus
Dance The Night
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1266497 By Dua Lipa. By …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1266497 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rodrigo Faleiros. Disco,Film/TV,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #859060. Published by Rodrigo Faleiros (A0.1266497). Enjoy a simple yet powerful arrangement of the song Dance The Night, by Dua Lipa, soundtrack for the movie Barbie. This easy sheet music for tenor sax contains the melody written in a slightly easier rhythm so all levels of players and listeners can enjoy it. It also contains a piano accompaniment for another musician to play along.
$4.99
4.66 €
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Saxophone Tenor et Piano
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Dua Lipa
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Rodrigo Faleiros
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Dance The Night
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Rodrigo Faleiros
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SheetMusicPlus
Dance The Night
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1266496 By Dua Lipa. By …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1266496 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rodrigo Faleiros. Disco,Film/TV,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #859059. Published by Rodrigo Faleiros (A0.1266496). Enjoy a simple yet powerful arrangement of the song Dance The Night, by Dua Lipa, soundtrack for the movie Barbie. This easy sheet music for tenor sax contains the melody written in a slightly easier rhythm so all levels of players and listeners can enjoy it. It also contains a piano accompaniment with chords for another musician to play along.
$4.99
4.66 €
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Saxophone Tenor et Piano
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Dua Lipa
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Rodrigo Faleiros
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Dance The Night
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Rodrigo Faleiros
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SheetMusicPlus
Jingle Bells for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.29 €
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Saxophone Tenor et Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Battlefield 1942 Theme
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1214404 Composed by Joel…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1214404 Composed by Joel Eriksson. Arranged by D. Rumi. March,Patriotic,Video Game. Score and part. 8 pages. Einsample #811433. Published by einsample (A0.1214404). This duet for tenor saxophone and piano is a unique arrangement of the iconic Battlefield 1942 soundtrack of Joel Eriksson. Unlike other arrangements that often relegate the piano to an accompanying role, this arrangement places the piano on an equal footing with the tenor saxophone, resulting in an exceptional musical experience for both performers and listeners.An outstanding aspect of this arrangement is how the piano creatively interprets the driving rhythms of the original orchestral sound.This arrangement stays true to the original key and tempo of the Battlefield 1942 soundtrack.Additionally, a play-along track is available on YouTube at https://youtu.be/-n05B1Qr7HA.
$4.99
4.66 €
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Saxophone Tenor et Piano
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Joel Eriksson
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D
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Battlefield 1942 Theme
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einsample
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SheetMusicPlus
The Elite Syncopations for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scot…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694921. Published by David McKeown (A0.1090791). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Tenor Saxophone with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Down to the River to Pray (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524880 Composed by Tradi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524880 Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Blues,Country,Sacred,Spiritual,Traditional. Score and part. 13 pages. John A. Dempsey #6444679. Published by John A. Dempsey (A0.524880). A river finds its ripples: the traditional gospel tune Down to the River to Pray flows into the surging waters of rhythm and blues in this duet for tenor sax and piano. Â Especially effective as a prelude, postlude, an offertory or special music for traditional church services and other worship events. Â Also recommended for concerts and recitals. Â Concert Key (Piano): Bb major. Â Tenor Sax Key: C major. Â 9 pages of music (that includes a separate two-page tenor sax part). Â .
$6.99
6.52 €
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Saxophone Tenor et Piano
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Traditional Gospel Tune
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John A
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Down to the River to Pray
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John A. Dempsey
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SheetMusicPlus
Polish National Anthem - Mazurek Dabrowskiego (Tenor Sax & Piano) Poland
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.704250 By Brooks Holmes.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.704250 By Brooks Holmes. By Tradition Polish Folk Song. Arranged by Brooks Holmes. Folk,Instructional,Patriotic. Score and part. 4 pages. Brooks Holmes #312825. Published by Brooks Holmes (A0.704250). This arrangement is in the comfortable key of Concert Bb. It’s perfect for younger players with the simple rhythms & limited range. The piano part supports the melody but rarely doubles it. This arrangement was designed for young musicians. Check out Mr. Holmes’ YouTube performance for more details!
$4.99
4.66 €
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Saxophone Tenor et Piano
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Brooks Holmes
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Brooks Holmes
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Polish National Anthem - Mazurek Dabrowskiego
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Brooks Holmes
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SheetMusicPlus
The Little Drum
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.647796 Composed by Geza …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.647796 Composed by Geza Horvath. Arranged by Nick Lacanski. Instructional. Score and part. 6 pages. Theupperstaff #2945721. Published by theupperstaff (A0.647796). This great little was originally written for piano. It is in ABA form with the B section more lyrical and in the dominant. This is a great exercise in executing the difference between a triplet and a dotted eighth-sixteenth rhythm. The latter is especially challenging when it is slurred. Thanks for taking a look.
$3.99
3.72 €
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Saxophone Tenor et Piano
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Geza Horvath
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Nick Lacanski
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The Little Drum
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theupperstaff
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SheetMusicPlus
The Easy Winners, for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scot…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1106208 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709322. Published by David McKeown (A0.1106208). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Tenor Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Saxophone Tenor et Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Don't Let The Sun Go Down On Me
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547812 By Elton John. By…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547812 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053423. Published by jmsgu3 (A0.547812). Elton John: Don't Let The Sun Go Down On Me for Tenor Sax & Piano. Duration: 5'27 Â Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage. Â
$53.95
50.35 €
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Saxophone Tenor et Piano
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
For the Beauty of the Earth--tenor sax solo
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786827 Composed by Conra…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.786827 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Sacred. Score and part. 7 pages. Beka Wilson #6593985. Published by Beka Wilson (A0.786827). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.52 €
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Saxophone Tenor et Piano
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Conrad Kocher
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Beka Wilson
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For the Beauty of the Earth--tenor sax solo
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Beka Wilson
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
26.09 €
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
I Love You Truly-Tenor saxophone/piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413829. Published by Phil Beaman (A0.844632). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.59 €
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Saxophone Tenor et Piano
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Phil Beaman
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I Love You Truly-Tenor saxophone/piano
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Phil Beaman
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.75 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.29 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.75 €
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Clair De Lune (Debussy) - tenor sax and piano with FREE BACKING TRACK
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1173340 Composed by Clau…
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1173340 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #773487. Published by Austin Ralphson (A0.1173340). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9UFGVTDjHlk and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/1Z7cB.
$3.99
3.72 €
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Saxophone Tenor et Piano
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Claude Debussy
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Austin Ralphson
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Clair De Lune
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Austin Ralphson
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SheetMusicPlus
Fur Elise (for beginners - solo tenor sax with piano accompaniment)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1428781 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1428781 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008903. Published by Rodrigo Faleiros (A0.1428781). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo tenor sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Tenor Saxophone Beginner Level Chord Symbols Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
3.72 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Rodrigo Faleiros
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Fur Elise
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Rodrigo Faleiros
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SheetMusicPlus
Fur Elise (for beginners - solo tenor sax with piano accompaniment)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1428780 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1428780 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008898. Published by Rodrigo Faleiros (A0.1428780). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo tenor sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Tenor Saxophone Beginner Level Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
3.72 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Rodrigo Faleiros
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Fur Elise
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Rodrigo Faleiros
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SheetMusicPlus
Cube 1-2-3...
Saxophone Tenor et Piano
Tenor Saxophone, Piano - Grade 2 - Digital Download SKU: FX.FX071174 Composed by Al…
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Tenor Saxophone, Piano - Grade 2 - Digital Download SKU: FX.FX071174 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071174. Published by FLEX Editions - Digital Sheet Music (FX.FX071174). The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme B are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets!
$7.95
7.42 €
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Saxophone Tenor et Piano
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Alain Lopez
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Cube 1-2-3...
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.42 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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