Partitions Numériques de Late at Night pour Saxophone Soprano et Piano

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 24 Orgue 1 Piano Trio: piano, violon, violoncelle 1 Piano, Voix et Guitare 1

GUITARES

Guitare 5 Guitare notes et tablatures 2 Piano, Guitare (duo) 1 Guitare, Violon, Violoncelle (trio) 1

VOIX

Chorale 3 parties 3 Voix duo 1 Chorale TTBB 1 Chorale Unison 1

VENTS

Flûte traversière et Piano 9 2 Saxophones (duo) 6 Saxophone Alto et Piano 6 Hautbois, Piano (duo) 6 Quatuor de Clarinettes: 4 clarinettes 4 Clarinette et Piano 4 Clarinette 3 Saxophone Tenor et Piano 3 Saxophone, Clarinette (duo) 3 Quintette de Clarinettes: 5 clarinettes 3 2 Flûtes traversières (duo) 3 Saxophone Soprano et Piano 3

Saxophone Baryton, Piano 3 Clarinette, Violon (duo) 2 Cor anglais, Piano 2 Flûte, Clarinette (duo) 2 2 Clarinettes (duo) 2 Hautbois, Clarinette (duo) 1 Ensemble de Flûtes 1 Flûte, Saxophone (duo) 1 Clarinette, Guitare (duo) 1 Flûte, Violon 1 3 Saxophones (trio) 1 Clarinette Basse, Piano 1 Hautbois, Flûte 1 Hautbois, Basson (duo) 1 2 Hautbois (duo) 1 Quatuor de Flûtes : 4 flûtes 1 Saxophone (partie séparée) 1 Flûte, Basson et Piano 1 Flûte, Alto (duo) 1 Ensemble de Clarinettes 1

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CUIVRES

Trombone et Piano 4 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3 Cor et Piano 3 Trompette, Saxophone (duo) 2 Euphonium, Piano (duo) 2

Cor anglais, Piano 2 2 Trombones (duo) 2 Trompette 2 2 Trompettes (duo) 2 Trompette, Piano 1 Tuba et Piano 1 Trompette, Trombone (duo) 1 2 Cors (duo) 1 Trompette, Euphonium (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 5 Violon et Piano 4 Alto, Piano 4 Violon, Violoncelle (duo) 3 Violoncelle, Piano 3

2 Violons (duo) 2 2 Violoncelles (duo) 2 Violon, Alto (duo) 1 Harpe 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 8 Orchestre à Cordes 4 Orchestre 3 Ensemble Jazz 2 Orchestre de chambre 1

Fanfare 1

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AUTRES

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Late at Night

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Saxophone Soprano et Piano

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3 partitions trouvées

A Night In Tunisia

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 8.25 € #Saxophone Soprano et Piano #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Mendelssohn: Wedding March for Soprano Sax & Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Fel…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.

$32.95 30.22 € #Saxophone Soprano et Piano #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1041524 Composed by Ed…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646278. Published by Diego Marani (A0.1041524). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for soprano sax with piano is suitable for classroom, repertoire and recital.

$9.99 9.16 € #Saxophone Soprano et Piano #Edward Elgar #Diego Marani #Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano #Diego Marani #SheetMusicPlus