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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Method
Non classifié
995
Piano & claviers
Piano seul
1 524
Piano Facile
544
Piano, Voix et Guitare
71
Piano, Voix
44
Orgue
40
Accordéon
37
1 Piano, 4 mains
31
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Clavier
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Concertina
2
Piano grosses notes
1
Clavecin
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
+ 14 instrumentations
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Guitares
Guitare
365
Basse electrique
315
Guitare notes et tablatures
174
Mandoline
22
Ukulele
21
Banjo
16
Piano, Guitare (duo)
7
Dulcimer
7
Guitare Pedal Steel
4
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
2
3 Guitares (trio)
2
2 Mandolines (duo)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
+ 11 instrumentations
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Voix
Chorale SATB
62
Voix seule
18
Chorale 3 parties
13
Chorale 2 parties
12
Chorale TTBB
9
Chorale Unison
7
Voix duo
6
Voix Tenor, Piano
1
+ 3 instrumentations
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Vents
Hautbois
61
Quatuor de Clarinettes: 4 clarinettes
54
Clarinette
41
Flûte traversière
39
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Clarinette et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
Harmonica
12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
9
Saxophone
9
2 Flûte à bec (duo)
8
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
8
Saxophone Soprano et Piano
7
Flûte à bec Alto
6
Flûte à Bec
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
4
Saxophone Tenor
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
4
Flûte à bec Soprano, Basse continue
3
Saxophone Alto
3
Saxophone Baryton, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
Saxophone (partie séparée)
2
Clarinette, Basson (duo)
2
Ensemble de Hautbois
2
Quatuor de Flûtes à bec
2
Ensemble De Flûte à bec
2
Clarinette Basse
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
2 Hautbois (duo)
2
Flûte de Pan
2
Instruments en Mib
2
Ocarina
1
Flûte à bec Alto, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
4 Hautbois
1
3 Clarinettes (trio)
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Flûte à bec Tenor
1
Flûte, Violon, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 54 instrumentations
Retracter
Cuivres
Trompette
72
Trombone
51
2 Cors (duo)
46
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
2 Trompettes (duo)
5
Bass Clef Instruments
5
Trompette, Cor (duo)
5
2 Trombones (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Trombone (duo)
3
Euphonium
3
Quatuor de Cuivres
3
Cor et Piano
3
Trompette, violon (duo)
3
3 Cors (trio)
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Tubas (trio)
2
Trombone basse
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
Tuba et Orgue
1
Cornet A Pistons
1
Trio de Cuivres
1
Tuba et Piano
1
+ 31 instrumentations
Retracter
Cordes
Violon
111
Harpe
63
Violoncelle
55
Violon et Piano
48
Alto seul
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Trio à cordes: 3 violins
24
2 Violons (duo)
19
Violon (partie séparée)
15
Alto, Piano
12
Contre Basse
12
Violon, Alto (duo)
11
2 Violoncelles (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Harpe et Piano
6
2 Altos (duo)
5
Autoharp
5
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Violoncelle, Orchestre
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Harpe et mandoline
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
190
Orchestre à Cordes
52
Batterie
47
Orchestre
30
Cloches
22
Orchestre de chambre
9
Percussion
6
Caisse Claire
5
Ensemble Jazz
4
2 Xylophones
4
Vibraphone
4
Fanfare
4
Conga
4
Ensemble de cuivres
3
Marimba
3
Jazz combo
2
Orchestre, Violon
2
Cajon
2
Ensemble d'École
2
Bodhran
1
Instrumentation Flexible
1
Timbales
1
Xylophone
1
Bongos
1
Piano et Orchestre
1
Ensemble de Percussions
1
+ 21 instrumentations
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Autres
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
BASSE
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Saxophone Soprano et Piano
Partitions à imprimer
7 partitions trouvées
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Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Come, Let Us Use The Grace Divine (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Come, Let Us Use The Grace Div
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.629606 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and p...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.629606 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6356181. Published by Exultet Music (A0.629606). One of the staple hymns in the Methodist hymnal has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used anytime throughout the liturgical year but especially in times of renewal. An accompaniment track is also available.
$4.99
Once To Every Soul And Nation (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Thomas J
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Stephen DeCesare
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Once To Every Soul And Nation
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.628977 Composed by Thomas J. Williams. Arranged by ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.628977 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 18 pages. Exultet Music #6252763. Published by Exultet Music (A0.628977). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged as a duet for a Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Come, Let Us Use The Grace Divine (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Come, Let Us Use The Grace Div
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Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.629596 Composed by Traditional. Arranged by Stephen...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.629596 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #6355977. Published by Exultet Music (A0.629596). One of the staple hymns in the Methodist hymnal has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used anytime throughout the liturgical year but especially in times of renewal. An accompaniment track is also available.
$4.99
Once To Every Soul And Nation (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
#
Musique Sacrée
#
Thomas J
#
Stephen DeCesare
#
Once To Every Soul And Nation
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.628993 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacre...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.628993 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #6253241. Published by Exultet Music (A0.628993). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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