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Accordéon
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2 Pianos, 4 mains
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4
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64
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46
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29
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14
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7
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7
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5
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3 Clarinettes (trio)
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2
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1
Clarinette, Harpe (duo)
1
3 Flûtes à bec (trio)
1
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1
Saxophone, Clarinette (duo)
1
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1
Flûte et Quatuor à Cordes
1
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1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor
1
Flûte irlandaise
1
Flûte, Violoncelle
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Hautbois, Basson (duo)
1
Flûte, Clarinette et Basson
1
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1
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1
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148
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101
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92
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67
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47
2 Trompettes (duo)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone
20
Cor et Piano
16
Trompette (partie séparée)
12
Euphonium, Piano (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
Trombone (partie séparée)
3
2 Cors (duo)
2
2 Trombones (duo)
2
Cor
2
Trompette, Trombone (duo)
2
Trio de Cuivres
1
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
4 Tubas
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
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CORDES
Alto, Piano
180
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168
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148
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103
Violon
49
2 Violons (duo)
27
Violoncelle (partie séparée)
17
Harpe
15
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle
7
2 Altos (duo)
5
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes
2
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Contre Basse
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Violon (partie séparée)
1
Autoharp
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Harpe et Piano
1
Trio à cordes: 3 violins
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
187
Orchestre
49
Ensemble de cuivres
49
Orchestre à Cordes
39
Batterie
33
Ensemble Jazz
27
Orchestre de chambre
18
Cloches
14
Ensemble de Percussions
8
Fanfare
6
Jazz combo
4
Percussion
3
Cajon
2
Marimba
1
Bodhran
1
Quatuor à Vent : 4 instruments à vents
1
Bongos
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Caisse Claire
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AUTRES
Théorie de la musique
2
Formation musicale - Solfège
1
Vous avez sélectionné:
AST Publications
Saxophone Soprano et Piano
Partitions à imprimer
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Castaways
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1080646 Composed by Do…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1080646 Composed by Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Levy Nunes. Children,Film/TV,Instructional. Score and part. 10 pages. Cambiata #684866. Published by Cambiata (A0.1080646). Castaway - From the Backyardigans Arrangement for solo soprano saxophone and piano accompaniment. Easy solo. Score and parts available. See other publications by Cambiata Sheet Music Editions. Subscribe to our channel and check out our playlist (Play Along) - https://bit.ly/subtoCAMBIATA FOLLOW US on instagram https://bit.ly/followCAMBIATA.
$4.99
4.58 €
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Saxophone Soprano et Piano
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Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith
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Levy Nunes
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Castaways
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Cambiata
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SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.91 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.26 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
#
James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.26 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Saxophone Soprano et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Saxophone Soprano et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Suo Gan for Bb Soprano Saxophone & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Digital Download SKU: A0.746766 Composed by Trad. Arrange…
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Piano,Soprano Saxophone - Digital Download SKU: A0.746766 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3492267. Published by Keith Terrett (A0.746766). An arrangement Bb Soprano Saxophone & Piano of the Welsh lullaby Suo Gan. Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800 and the lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$4.99
4.58 €
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Saxophone Soprano et Piano
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Trad
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Keith Terrett
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Suo Gan for Bb Soprano Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Saxophone Soprano et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Adagio from BWV 974 for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1206934 Composed by Jo…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1206934 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #805117. Published by Diego Marani (A0.1206934). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.26 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Marcello's Adagio for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1189993 Composed by Al…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1189993 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #789615. Published by Diego Marani (A0.1189993). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
7.34 €
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Saxophone Soprano et Piano
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Amazing Grace - Solo soprano saxophone and piano accompaniment (Easy)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1041008 Composed by Jo…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1041008 Composed by John Newton. Arranged by Levy Nunes. Christmas,Easter,Instructional,Praise & Worship,Traditional. Score and part. 5 pages. Cambiata #645739. Published by Cambiata (A0.1041008). Amazing Grace For soprano saxophone (solo) and piano accompaniment. Easy. Score and parts available. See other publications by Cambiata - Sheet Music Editions. Arrangement for solo soprano saxophone. Subscribe to our channel and check out our playlist (Play Along) - https://bit.ly/subtoCAMBIATA Follow us on instagram https://bit.ly/followCAMBIATA.
$4.99
4.58 €
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Saxophone Soprano et Piano
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John Newton
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Levy Nunes
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Amazing Grace - Solo soprano saxophone and piano accompaniment
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Cambiata
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587749 Composed by Pet…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587749 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839887. Published by David McKeown (A0.587749). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
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