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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About Time
Non classifié
1 474
Piano & claviers
Piano seul
4 614
Piano, Voix
2 780
Piano, Voix et Guitare
523
Piano Facile
370
Accompagnement Piano
109
Piano grosses notes
58
Orgue
54
1 Piano, 4 mains
50
Instruments en Do
38
Piano Trio: piano, violon, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
7
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
2
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
83
Guitare notes et tablatures
52
Basse electrique
23
2 Guitares (duo)
19
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
9
Guitare (partie séparée)
6
Mandoline
6
Piano, Guitare (duo)
4
Paroles et Accords
4
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Banjo
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 131
Chorale 2 parties
179
Chorale 3 parties
168
Chorale Unison
69
Voix Tenor, Piano
63
Chorale TTBB
57
Voix duo, Piano
48
Voix Soprano, Piano
42
Voix Alto, Piano
41
Chorale SSAA
39
Voix duo
30
Voix Baryton, Piano
28
Voix Tenor
9
Voix seule
7
Voix haute
7
Voix moyenne, Piano
3
Chorale SSAATTBB
1
Chorale SAATB A Cappella
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
Flûte traversière et Piano
104
Quintette de Saxophone: 5 saxophones
85
Hautbois, Piano (duo)
83
Clarinette et Piano
78
Saxophone Alto et Piano
75
Flûte traversière
73
Clarinette
67
Quatuor de Saxophones: 4 saxophones
65
Flûte, Hautbois, Clarinette, Basson
60
2 Saxophones (duo)
53
Saxophone Soprano et Piano
49
Saxophone Alto
46
Saxophone
43
Saxophone Tenor et Piano
42
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
33
Hautbois
29
2 Flûtes traversières (duo)
29
Saxophone Baryton, Piano
28
Flûte, Clarinette (duo)
27
Hautbois (partie séparée)
25
Saxophone (partie séparée)
25
3 Saxophones (trio)
22
Quatuor de Flûtes : 4 flûtes
19
Ensemble de Clarinettes
19
Saxophone Tenor
18
2 Hautbois (duo)
18
Saxophone, Clarinette (duo)
14
Clarinette Basse, Piano
12
Ensemble de saxophones
12
Clarinette, Violon (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Cor anglais, Piano
11
Clarinette, Trompette (duo)
10
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
10
Hautbois, Basson (duo)
10
Ensemble de Flûtes
10
Hautbois, Clarinette (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flute (partie séparée)
8
Flûte à Bec
8
Flûte, Violon
8
Saxophone Soprano
8
Harmonica
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Flûte
7
Flûte à bec Soprano
7
Quatuor de Flûtes à bec
5
3 Clarinettes (trio)
5
Saxophone Baryton
5
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Clarinette (partie séparée)
3
Ensemble De Flûte à bec
3
2 Flûtes traversières, Piano
3
2 Flûte à bec (duo)
3
3 Flûtes à bec (trio)
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
Clarinette, Guitare (duo)
2
Flûte et Guitare
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Alto
2
Ensemble à vent
2
Clarinette, Basson (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Piccolo
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
Saxophone et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orchestre
1
4 Hautbois
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
167
Trombone et Piano
83
Trompette
75
Trompette, Piano
72
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Cor et Piano
58
Trombone
55
Tuba et Piano
46
Cor
42
Tuba
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Euphonium, Piano (duo)
21
2 Trompettes (duo)
20
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trombone (partie séparée)
16
Trompette (partie séparée)
16
Quatuor de Cuivres
16
Trompette, Cor (duo)
16
Ensemble de Trombones
15
2 Cors (duo)
12
Cor anglais, Piano
11
Trompette, Saxophone (duo)
10
Cor (partie séparée)
7
Quatuor de cuivres: 4 trombones
6
Trio de Cuivres
5
Euphonium
5
2 Tubas (duo)
4
Tuba (partie séparée)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
3
Tuba et Orgue
3
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
2 Cors, Piano
1
Trombone basse
1
4 Tubas
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon
138
Violon et Piano
116
Violon, Violoncelle (duo)
109
Trio à Cordes: violon, alto, violoncelle
98
Alto, Piano
85
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Violoncelle, Piano
83
Violoncelle
75
Alto seul
56
Harpe
36
2 Violons (duo)
32
Violon, Alto (duo)
30
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
21
Contrebasse, Piano (duo)
18
2 Altos (duo)
17
Alto, Violoncelle (duo)
11
Contre Basse
11
Piano Trio: Violon, Alto, Piano
10
Alto (partie séparée)
8
Violon (partie séparée)
7
Ensemble de Violons
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
Ensemble d'Altos
5
Harpe, Flûte (duo)
4
Violoncelle , Guitare (duo)
3
2 Altos, Piano
3
2 Harpes (duo)
2
4 Violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
353
Orchestre à Cordes
103
Orchestre
95
Ensemble de cuivres
65
Ensemble Jazz
56
Batterie
37
Orchestre de chambre
31
Cloches
25
Jazz combo
20
Fanfare
13
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Ensemble d'École
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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BLUEGRASS
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
About Time
Saxophone Soprano et Piano
Partitions à imprimer
49 partitions trouvées
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1
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There's Something About That Name
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622314 Composed by Bill Gaither. Arranged by Stephe...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622314 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and parts. 9 pages. Exultet Music #3620889. Published by Exultet Music (A0.622314). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
There's Something About That Name
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.630738 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exulte...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.630738 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473917. Published by Exultet Music (A0.630738). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Head in the Clouds
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Saxophone Soprano et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Head in the Clouds
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NoteForge
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1094540 Composed by Kyle Vanderburg. 20th Century,Classical,Contemporary. Score and part. 13 pages. NoteForg...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1094540 Composed by Kyle Vanderburg. 20th Century,Classical,Contemporary. Score and part. 13 pages. NoteForge #698593. Published by NoteForge (A0.1094540). I’ve written pieces about daydreaming before—nostalgic, yearning reveries. This isn’t that kind of daydream. This is the sort of overstimulated thinking process with too many ideas and not enough time, jumping from thought to thought, sometimes speeding through motives just to get to the next one, and occasionally taking a breath and restating the theme. It’s a musical distraction, and it has rhythms only a saxophonist could live (my apologies to the accompanist).
$15.00
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissem
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Fo...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
Wichita Lineman
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1077924 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1077924 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682116. Published by jmsgu3 (A0.1077924). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Precious Lord, Take My Hand (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Christian contemporain
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George Nelson Allen
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Stephen DeCesare
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Precious Lord, Take My Hand
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.628486 Composed by George Nelson Allen. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.628486 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 9 pages. Exultet Music #6140081. Published by Exultet Music (A0.628486). One of the most favorite and requested hymns of all time when the topic is about trusting in God or for a funeral, has now been freshly arranged as a duet for a Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Precious Lord, Take My Hand (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Christian contemporain
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George Nelson Allen
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Stephen DeCesare
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Precious Lord, Take My Hand
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.628499 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worshi...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.628499 Composed by George Nelson Allen. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 7 pages. Exultet Music #6140335. Published by Exultet Music (A0.628499). One of the most favorite and requested hymns of all time when the topic is about trusting in God or for a funeral, has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Waltz in A Minor (Chopin) -Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4621893. Published by Raymond Fenech (A0.760532). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Three Songs
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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David Osbon
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Three Songs
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Forton Music - Digital
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SheetMusicPlus
Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. ...
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Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Can't Help Falling In Love
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.845296 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. F...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.845296 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6683861. Published by Phil Beaman (A0.845296). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
Silent Night (Stille Nacht)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Henrique F Mangoni
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1141807 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1141807 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #742194. Published by Henrique Franke Mangoni (A0.1141807). Silent Night (Stille Nacht) by Franz Xaver Gruber. Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
Silent Night (Stille Nacht)
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Saxophone Soprano et Piano
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FACILE
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Noël
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Franz Xaver Gruber
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Henrique F Mangoni
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1141129 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1141129 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #741385. Published by Henrique Franke Mangoni (A0.1141129). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. This edition includes the chords of the song. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
Silent Night (Stille Nacht)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Henrique F Mangoni
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1141808 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1141808 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #742195. Published by Henrique Franke Mangoni (A0.1141808). Silent Night (Stille Nacht) by Franz Xaver Gruber. Intermediate arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Clean sheet music edition. Subscribe to my YouTube channel to know more about my work! silent night soprano sax sheet music, stille nacht soprano sax sheet music, silent night piano sheet music, stille nacht piano sheet music, silent night piano chords, stille nacht piano chords, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols soprano sax sheet music, christmas carols on the soprano sax for beginners, soprano sax christmas songs, christmas soprano sax sheet music.
$2.99
Silent Night (Stille Nacht)
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Saxophone Soprano et Piano
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DÉBUTANT
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Noël
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Franz Xaver Gruber
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Henrique F Mangoni
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Silent Night
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1140306 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1140306 Composed by Franz Xaver Gruber. Arranged by Henrique F Mangoni. Children,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Henrique Franke Mangoni #740562. Published by Henrique Franke Mangoni (A0.1140306). Silent Night (Stille Nacht) by Franz Xaver Gruber. Easy/Beginner arrangement for soprano sax and piano accompaniment. Learn how to play Silent Night (Stille Nacht) on the soprano sax! This traditional christmas carol is perfect for Christmas time. Perfect for students, beginners, children, preschoolers, music teachers, singing teachers and piano teachers. Clean sheet music edition. Subscribe to my YouTube channel to know more about my work! silent night easy soprano sax sheet music, stille nacht easy soprano sax sheet music, silent night easy piano sheet music, stille nacht easy piano sheet music, how to play silent night on the soprano sax, how to play stille nacht on the soprano sax, how to play silent night on the piano, how to play stille nacth on the piano, christmas carols easy soprano sax sheet music, christmas carols on the soprano sax for beginners, easy soprano sax christmas songs, christmas easy soprano sax sheet music.
$2.99
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