Partitions Numériques de Bird Call - Flute and Piano pour Saxophone Soprano et Piano

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 18

PIANO & CLAVIERS

Piano seul 33 Piano, Voix 10 Piano, Voix et Guitare 5 Piano Facile 3 Piano Trio: piano, violon, violoncelle 2

Instruments en Do 2 Accompagnement Piano 1

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GUITARES

VOIX

Chorale SATB 6 Chorale 2 parties 2 Chorale Unison 1 Chorale 3 parties 1 Voix duo, Piano 1

VENTS

Saxophone Soprano et Piano 6 Saxophone Alto et Piano 5 Saxophone (partie séparée) 4 Saxophone Alto 4 Saxophone Tenor 4

Saxophone Tenor et Piano 3 Quatuor de Saxophones: 4 saxophones 3 Clarinette et Piano 3 Hautbois, Piano (duo) 3 Quintette de Clarinettes: 5 clarinettes 2 Clarinette, Violoncelle, Piano (trio) 1 Cor anglais, Piano 1 Saxophone Baryton, Piano 1 Flûte à bec Soprano 1

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CUIVRES

Trompette 5 Trombone 4 Euphonium, Piano (duo) 4 Trombone et Piano 3 Cor et Piano 2

Trompette, Euphonium (duo) 1 Trompette, Piano 1 Cor anglais, Piano 1 Tuba et Orgue 1 Tuba 1

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CORDES

Alto, Piano 5 Violoncelle 4 Violon 4 Violon et Piano 4 Violoncelle, Piano 4

Quatuor à cordes: 2 violons, alto, violoncelle 3

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PERCUSSIONS & ORCHESTRES

Orchestre 2 Ensemble de cuivres 1

AUTRES

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Bird Call - Flute and Piano

Saxophone Soprano et Piano

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6 partitions trouvées

Korsakov: Flight of the Bumblebee for Soprano Sax & Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…(+)

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Â Korsakov Background Nikolai Rimsky-KorsakovÂ (1844 â€“1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. Â Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade.Â Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â

$32.95 30.19 € #Saxophone Soprano et Piano #Nikolay Andreyevich Rimsky-Korsakov #James M #Korsakov: Flight of the Bumblebee for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

Gabriel: His Eye Is On The Sparrow for Soprano Sax & Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548767 Composed by Gab…(+)

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548767 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416333. Published by jmsgu3 (A0.548767). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.

$24.95 22.86 € #Saxophone Soprano et Piano #Gabriel #James M #Gabriel: His Eye Is On The Sparrow for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

The Flight of the Bumble Bee - Rimsky Korsakov - for Soprano Sax and Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1039646 Composed by N.…(+)

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 25 pages. Raymond Fenech #644559. Published by Raymond Fenech (A0.1039646). Flight of the Bumblebee (Russian: ÐŸÐ¾Ð»Ñ‘Ñ‚ ÑˆÐ¼ÐµÐ»Ñ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899â€“1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

$3.99 3.66 € #Saxophone Soprano et Piano #N #Raymond Fenech #The Flight of the Bumble Bee - Rimsky Korsakov - for Soprano Sax and Piano #Raymond Fenech #SheetMusicPlus

A Night In Tunisia

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 8.24 € #Saxophone Soprano et Piano #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus