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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Camille Saint-Saëns Saint Saens
Non classifié
154
Piano & claviers
Piano seul
68
Piano, Voix
60
Accordéon
12
Piano Facile
9
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue
3
Piano, Voix et Guitare
3
1 Piano, 4 mains
3
Piano (partie séparée)
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Instruments en Do
1
+ 8 instrumentations
Retracter
Guitares
Guitare
3
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Chorale SATB
21
Chorale 3 parties
4
Chorale TTBB
2
Chorale SSAA
1
Voix duo, Piano
1
Vents
Quatuor de Saxophones: 4 saxophones
33
Flûte traversière et Piano
29
2 Saxophones (duo)
24
Clarinette et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
3 Saxophones (trio)
17
Clarinette
16
Hautbois, Piano (duo)
14
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Alto et Piano
14
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Baryton, Piano
9
Saxophone Soprano et Piano
9
2 Flûte à bec (duo)
8
3 Clarinettes (trio)
7
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
2 Hautbois (duo)
6
5 Flûtes à bec
6
Saxophone Tenor
6
Quatuor de Flûtes à bec
6
Saxophone Alto
6
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
5
Cor anglais, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Piano (trio)
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Hautbois
4
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Flûte à Bec
2
3 Flûtes à bec (trio)
2
Flûte et Guitare
2
Cor Anglais
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano
1
Flûte, Clarinette et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 cors
6
Trombone et Piano
6
Euphonium, Piano (duo)
5
Cor anglais, Piano
5
Trompette, Piano
4
Trombone
4
Cor et Piano
3
Cor
3
Tuba et Piano
3
Trombone basse et Piano
2
Tuba
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Cor Anglais
2
Euphonium
2
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et orchestre
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
25
Violoncelle, Piano
23
Violoncelle
22
Violon
22
Quatuor à cordes: 2 violons, alto, violoncelle
22
Alto, Piano
15
Alto seul
11
2 Violoncelles (duo)
10
2 Violons (duo)
9
2 Altos (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Trio à cordes: 3 violins
6
4 Violoncelles
6
Violon, Alto (duo)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre
6
Ensemble de cuivres
6
Orchestre à Cordes
6
Orchestre de chambre
3
Ensemble Jazz
2
Percussion
2
Orchestre, Violon
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Camille Saint-Saëns Saint Saens
Saxophone Soprano et Piano
Partitions à imprimer
9 partitions trouvées
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1
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: Danse Macabre for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Halloween
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Camille Saint-Saens
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James M
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Saint-Saëns: Danse Macabr
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.549978 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Co...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.549978 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and parts. 58 pages. Jmsgu3 #4356069. Published by jmsgu3 (A0.549978). Full-length version. Score: 29 pages, 471 measures. Duration: ca. 7:27 Piano part: 19 pages. Solo part: 9 pages.
$24.95
Saint-Saëns: Danse Macabre for Soprano Sax & Piano Short Version
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Halloween
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Camille Saint-Saens
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James M
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Saint-Saëns: Danse Macabr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549979 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Stan...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549979 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and part. 23 pages. Jmsgu3 #4356207. Published by jmsgu3 (A0.549979). Abbreviated arrangement. Duration: 3:20, Score: 11 pages, 195 measures. Solo part: 4 pages. Piano part: 8 pages.
$21.95
Saint-Saëns: The Swan (for Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint- Saens
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Saint-Saëns: The Swan
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SCORE EDITIONS
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SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Romantic Period, Repertoire, Recital. Individual Part, Score. 8 pages. Publishe...
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Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Romantic Period, Repertoire, Recital. Individual Part, Score. 8 pages. Published by SCORE EDITIONS
$5.99
The Swan - Camille Saint-Saëns - Soprano Sax w/ Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Camille Saint-Saens
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Ygor Nunes
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The Swan - Camille Saint-Sa&eu
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Ygor Nunes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1419663 Composed by Camille Saint-Saens. Arranged by Ygor Nunes. Classical,Film/TV,Romantic Period,Wedding. ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1419663 Composed by Camille Saint-Saens. Arranged by Ygor Nunes. Classical,Film/TV,Romantic Period,Wedding. Score and part. 5 pages. Ygor Nunes #1001084. Published by Ygor Nunes (A0.1419663). Here is an easy and beautiful arrangement for soprano sax solo with piano accompaniment.
$6.99
Le Cygne
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Camille Saint-Saens
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James Pybus
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Le Cygne
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James Pybus
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Classical,Contest,Fes...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Classical,Contest,Festival. Score and part. 7 pages. James Pybus #1038991. Published by James Pybus (A0.1459980). Le cygne, or The Swan, is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for a solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo. This arrangement for Soprano Saxophone and Piano of this well-known piece is an excellent choice for recitals, festivals and many other performance venues. The duration is 2:26. Contact me at james.pybus56@gmail.com.
$7.99
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Camille Saint-Saëns Saint Saens
