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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cello Solo
Sheetmusicplus
Non classifié
2 491
Piano & claviers
Piano seul
553
Piano Trio: piano, violon, violoncelle
80
Orgue
62
Piano, Voix
43
Accompagnement Piano
42
Piano Facile
38
Piano Quatuor: piano, violon, alto, violoncelle
33
Piano, Voix et Guitare
23
Piano Quintette: piano, 2 violons, alto, violoncelle
20
Instruments en Do
10
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
7
1 Piano, 4 mains
5
Piano (partie séparée)
2
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
89
Guitare notes et tablatures
36
Guitare, Violon, Violoncelle (trio)
7
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
4
Ukulele
2
Basse electrique
2
Dulcimer
1
Piano, Guitare (duo)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
160
Pack Instrumental pour Chorale
32
Chorale 3 parties
30
Voix duo
21
Voix Soprano, Piano
17
Chorale Unison
14
Chorale 2 parties
14
Voix Tenor, Piano
12
Chorale TTBB
9
Voix duo, Piano
8
Voix Alto, Piano
6
Voix moyenne, Piano
6
Voix haute
5
Chorale SSAA
5
Soli, choeur mixte et accompagnement
5
Voix Baryton, Piano
4
Voix seule
2
Voix basse, Piano
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
81
Flûte traversière et Piano
76
Hautbois, Piano (duo)
69
Saxophone Alto et Piano
68
Clarinette et Piano
68
2 Saxophones (duo)
52
2 Clarinettes (duo)
36
Clarinette
28
Saxophone (partie séparée)
27
Flûte traversière
24
Saxophone Baryton, Piano
23
Flûte, Violoncelle
22
Flûte, Violoncelle, Piano (trio)
22
Quatuor de Saxophones: 4 saxophones
22
Quatuor de Clarinettes: 4 clarinettes
22
2 Flûtes traversières (duo)
21
Clarinette Basse, Piano
18
2 Hautbois (duo)
17
Saxophone Alto
16
Hautbois (partie séparée)
16
3 Clarinettes (trio)
14
Flûte et Guitare
14
Quatuor de Flûtes : 4 flûtes
13
Saxophone Tenor
13
3 Saxophones (trio)
12
Clarinette, Guitare (duo)
12
Clarinette, Violoncelle (duo)
12
Saxophone Soprano et Piano
10
Ensemble de Flûtes
10
Trio de Flûtes: 3 flûtes
10
Flûte, Violon et Violoncelle
9
Quintette de Flûte : 5 flûtes
8
4 Hautbois
8
Flûte, Violoncelle, Guitare
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
3 Hautbois
7
Flûte, Hautbois, Clarinette, Basson
7
Flûte, Violon, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte à bec Soprano
4
Flute, harpe et violon
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte et Trio à cordes
4
Cor anglais, Guitare (duo)
4
2 Flûte à bec (duo)
4
Flûte à bec Alto
3
Flûte à bec Tenor
3
Clarinette Basse
3
Clarinette, Harpe (duo)
3
Flute (partie séparée)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois
2
Hautbois, Violoncelle
2
Ensemble de Clarinettes
2
Cor anglais, Piano
2
Clarinette (partie séparée)
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
2
Saxophone
2
Quintette de Saxophone: 5 saxophones
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Alto et Violoncelle
1
Flûte à Bec
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle et Piano
1
Saxophone Baryton
1
Saxophone Soprano
1
Flûte, Clarinette (duo)
1
Ensemble de saxophones
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Saxophone, Clarinette (duo)
1
Hautbois, Harpe
1
+ 70 instrumentations
Retracter
Cuivres
Trombone et Piano
83
Cor et Piano
72
Tuba et Piano
47
Trombone
44
Trompette, Piano
34
Trompette
30
2 Trombones (duo)
24
2 Cors (duo)
19
2 Trompettes (duo)
19
2 Tubas (duo)
16
Cor
15
Trombone (partie séparée)
10
Tuba
8
Euphonium, Piano (duo)
7
Euphonium, Tuba (duo)
7
Euphonium
6
Trompette (partie séparée)
6
Trompette, Violoncelle et Piano
4
Cor anglais, Guitare (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor anglais, Piano
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Trombone basse et Piano
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
+ 24 instrumentations
Retracter
Cordes
Violoncelle
8 668
Violoncelle, Piano
2 951
Quatuor à cordes: 2 violons, alto, violoncelle
1 506
Trio à Cordes: violon, alto, violoncelle
422
Violon, Violoncelle (duo)
406
Violon
203
Violoncelle , Guitare (duo)
186
Quintette à cordes: 2 violons, alto, violoncelle, basse
179
2 Violoncelles (duo)
173
Violon et Piano
133
Alto, Piano
115
Trio à Cordes: 2 violons, violoncelle
85
Alto seul
79
Alto, Violoncelle (duo)
55
Violoncelle (partie séparée)
38
Trio à Cordes: 3 violoncelles
38
4 Violoncelles
32
Harpe, Violoncelle (duo)
29
Violoncelle, Orgue
28
Contre Basse
28
Alto (partie séparée)
26
Harpe
25
2 Violons (duo)
24
Contrebasse, Piano (duo)
23
2 Altos (duo)
23
Violoncelle, Orchestre
20
Violoncelle, Contrebasse (duo)
17
2 Contrebasses (duo)
16
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Alto (duo)
15
Harpe, Flûte (duo)
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Trio à cordes: 3 violins
12
Violon, Guitare (duo)
10
Ensemble de Violoncelles
9
Violon (partie séparée)
9
Trio à cordes: 3 altos
8
Trio à cordes
4
Alto, Guitare (duo)
4
Contrebasse (partie séparée)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Violoncelles, Piano
4
Violon, Basse continue
3
Harpe, Voix
2
2 Violons et Basse continue
2
Alto et orchestre
1
Violoncelle, Basse continue
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
418
Orchestre
163
Orchestre de chambre
125
Orchestre d'harmonie
54
Ensemble de Percussions
26
Ensemble Jazz
22
Xylophone, Piano
9
Cloches
9
Ensemble de cuivres
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Orchestre, Violon
3
Batterie (partie séparée)
3
Piano et Orchestre
2
Marimba
2
Batterie
2
Xylophone
1
Fanfare
1
Marimba, Piano (duo)
1
Ensemble d'École
1
Percussion
1
Percussion (partie séparée)
1
Vibraphone
1
+ 17 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
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SYNTHE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Cello Solo
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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1
Marcello's Adagio for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
#
Classique
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Allesandro Marcello
#
Diego Marani
#
Marcello's Adagio for Soprano
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1189993 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1189993 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #789615. Published by Diego Marani (A0.1189993). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
Le Cygne
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Camille Saint-Saens
#
James Pybus
#
Le Cygne
#
James Pybus
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Classical,Contest,Fes...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1459980 Composed by Camille Saint-Saens. Arranged by James Pybus. 20th Century,Chamber,Classical,Contest,Festival. Score and part. 7 pages. James Pybus #1038991. Published by James Pybus (A0.1459980). Le cygne, or The Swan, is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for a solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo. This arrangement for Soprano Saxophone and Piano of this well-known piece is an excellent choice for recitals, festivals and many other performance venues. The duration is 2:26. Contact me at james.pybus56@gmail.com.
$7.99
Adagio from BWV 974 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Diego Marani
#
Adagio from BWV 974 for Sopran
#
Diego Marani
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1206934 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1206934 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #805117. Published by Diego Marani (A0.1206934). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
FACILE
#
Classique
#
Antonin Dvorak
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James M
#
dynamic control
#
DvoÅ™ák: Largo from
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
I Love You Truly-Soprano saxophone/piano
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Saxophone Soprano et Piano
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FACILE
#
Phil Beaman
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I Love You Truly-Soprano saxop
#
Phil Beaman
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beam...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413831. Published by Phil Beaman (A0.844634). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
#
Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
J. S. Bach: Sonata no. 3 in E major, bwv 1016, - soprano saxophone and keyboard by Paul W
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Sonata no. 3 in E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533436 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533436 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 43 pages. Musik Fabrik Music Publishing #2914069. Published by Musik Fabrik Music Publishing (A0.533436). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords. 
$16.95
J. S. Bach: Sonata no. 1 in b minor, bwv 1014, - soprano saxophone and keyboard by Paul W
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Sonata no. 1 in b
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533434 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533434 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2914065. Published by Musik Fabrik Music Publishing (A0.533434). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
$16.95
J. S. Bach: Sonata no. 2 in A major, bwv 1015, - soprano saxophone and keyboard by Paul W
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Sonata no. 2 in A
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533435 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533435 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2914067. Published by Musik Fabrik Music Publishing (A0.533435). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
$16.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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