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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Charles A
Non classifié
1 552
Piano & claviers
Piano seul
1 088
Piano, Voix
590
Piano, Voix et Guitare
282
Piano Facile
240
Accompagnement Piano
154
Orgue
148
Instruments en Do
65
1 Piano, 4 mains
38
Piano Trio: piano, violon, violoncelle
26
Piano grosses notes
19
Accordéon
9
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano (partie séparée)
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
Fake Book
1
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
82
Ligne De Mélodie, (Paroles) et Accords
51
Guitare
47
Ukulele
32
Basse electrique
13
Banjo
10
Paroles et Accords
8
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Guitare (partie séparée)
4
Dulcimer
3
4 Guitares (Quatuor)
3
Mandoline
2
Guitare, Quatuor à cordes
2
Ensemble de Ukulélés
1
Ukulele Baryton
1
Ensemble de guitares
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
598
Chorale TTBB
226
Chorale 3 parties
178
Chorale 2 parties
143
Chorale SSAA
73
Chorale Unison
55
Voix duo, Piano
40
Voix Tenor, Piano
27
Voix duo
27
Voix Soprano, Piano
18
Chorale
15
Pack Instrumental pour Chorale
11
Voix Alto, Piano
8
Voix Tenor
7
Voix seule
6
Voix basse, Piano
3
Voix haute
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
125
Flûte traversière et Piano
118
Clarinette et Piano
108
Saxophone Alto et Piano
92
Hautbois, Piano (duo)
82
Quatuor de Saxophones: 4 saxophones
80
Saxophone Tenor et Piano
70
2 Saxophones (duo)
57
Quatuor de Clarinettes: 4 clarinettes
57
Flûte, Hautbois, Clarinette, Basson
56
Saxophone Soprano et Piano
55
Quintette de Saxophone: 5 saxophones
54
2 Flûtes traversières (duo)
50
Flûte traversière
47
Saxophone (partie séparée)
47
2 Clarinettes (duo)
41
Saxophone Alto
38
Clarinette
35
Saxophone Tenor
32
Quatuor de Flûtes : 4 flûtes
29
Flûte, Clarinette (duo)
24
Cor anglais, Piano
23
Hautbois (partie séparée)
19
3 Saxophones (trio)
18
Ensemble de Clarinettes
17
3 Clarinettes (trio)
16
Flûte et Guitare
16
Quatuor de Flûtes à bec
16
Clarinette, Violon (duo)
15
Saxophone Baryton, Piano
14
Trio de Flûtes: 3 flûtes
13
Saxophone, Clarinette (duo)
13
Flûte, Violon
11
Flûte, Clarinette, Piano (trio)
10
Ensemble de saxophones
10
Clarinette, Trompette (duo)
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
8
Quintette de Clarinettes: 5 clarinettes
7
2 Hautbois (duo)
7
Hautbois
6
Flûte, Saxophone (duo)
6
Hautbois, Basson (duo)
6
Flûte à bec Soprano
6
Flûte, Violon, Piano
6
Clarinette et Alto
5
Hautbois, Clarinette (duo)
5
2 Flûte à bec (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Alto (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flute (partie séparée)
4
Flûte, Trompette (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Clarinette (partie séparée)
4
Flûte, Violoncelle
4
Clarinette, Harpe (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Basson et Piano
4
Ocarina
3
Hautbois, Flûte
3
Flûte, Violon et Violoncelle
3
Hautbois, Harpe
3
2 Clarinettes, Piano
3
Flûte à Bec
3
Flûte traversière, Orgue (duo)
3
Flûte irlandaise
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Clarinette et Basson
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Alto et Piano
2
Instruments en Mib
2
Flûte à bec Alto
2
Clarinette Basse
2
Flûte, Hautbois, Violon
2
Clarinette, Alto et Piano (trio)
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Basson, Piano (trio)
2
2 Flûtes traversières, Piano
2
Cor Anglais
1
Saxophone et Harpe
1
Flûte, Harpe et Violoncelle
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Clarinette, trompette et piano
1
Hautbois et alto (duo)
1
Piccolo
1
Flute, harpe et violon
1
Harmonica
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Ensemble à vent
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Flûte à bec, Harpe
1
Hautbois, violon (duo)
1
Clarinette, Orgue
1
Hautbois, Guitare (duo)
1
+ 101 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trombone et Piano
79
Trompette, Piano
67
Trompette
56
Cor et Piano
38
Trompette (partie séparée)
36
Trombone
35
Ensemble de Trompettes
29
2 Trompettes (duo)
27
Trombone (partie séparée)
23
Cor anglais, Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Cor
19
Tuba et Piano
17
Ensemble de Trombones
16
Euphonium, Piano (duo)
16
2 Trombones (duo)
16
Quatuor de Cuivres
15
Trompette, Saxophone (duo)
15
Tuba
12
Trompette, Trombone (duo)
10
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Euphonium
5
Trompette, Cor (duo)
4
2 Cors (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone, Piano
3
Trompette, Violoncelle et Piano
2
Ensemble de Tubas
2
Cor et Harpe
2
4 Tubas
2
3 Trombones (trio)
2
Trombone, Tuba (duo)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums et 2 Tubas
2
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Trio de Cuivres
2
Cor Anglais
1
Trompette, Harpe
1
Bass Clef Instruments
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
2 Trombones, Piano
1
Trombone, Orgue
1
Trombone, Cor (duo)
1
Instruments en Sib
1
3 Cors (trio)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
202
Violon et Piano
126
Alto, Piano
85
Violoncelle, Piano
83
Violon
59
Harpe
49
Violon, Violoncelle (duo)
47
Violoncelle
46
2 Violons (duo)
35
Trio à Cordes: violon, alto, violoncelle
28
Alto seul
22
Violon, Alto (duo)
21
Trio à Cordes: 2 violons, violoncelle
15
2 Violoncelles (duo)
15
Contrebasse, Piano (duo)
14
Piano Trio: Violon, Alto, Piano
12
Alto (partie séparée)
11
2 Harpes (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Altos (duo)
10
Harpe, Flûte (duo)
8
Contrebasse (partie séparée)
7
Ensemble de Violons
6
4 Violoncelles
6
Harpe, Violon (duo)
6
Alto, Violoncelle (duo)
6
Trio à Cordes: 2 violons, alto
5
Violon, Guitare (duo)
5
Ensemble d'Altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
3
Violon, Clarinette, Piano (trio)
3
Violoncelle (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Violon (partie séparée)
3
Harpe, Violon, Violoncelle
3
Trio à cordes
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Contre Basse
2
Harpe, Violoncelle (duo)
2
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Voix
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
205
Ensemble de cuivres
77
Ensemble Jazz
73
Orchestre à Cordes
58
Orchestre
56
Orchestre de chambre
52
Cloches
39
Jazz combo
25
Fanfare
17
Batterie
14
Ensemble de Percussions
7
Vibraphone
7
Marimba
5
Xylophone, Piano
3
Batterie (partie séparée)
3
Percussion
2
Quatuor à Vent : 4 instruments à vents
2
Percussion (partie séparée)
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Timbales (partie séparée)
1
Vibraphone (partie séparée)
1
+ 18 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FUNK
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Charles A
Saxophone Soprano et Piano
Partitions à imprimer
55 partitions trouvées
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51
What a friend we have in Jesus - TRIO (piano & 2 soprano saxophones)
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
David Kocijan
#
David Kocijan
#
What a friend we have in Jesus
#
David Kocijan
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.1111358 By David Kocijan. By Charles C. Converse. Arranged by Davi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.1111358 By David Kocijan. By Charles C. Converse. Arranged by David Kocijan. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. David Kocijan #713646. Published by David Kocijan (A0.1111358). What a friend we have in Jesus arranged for two Soprano Saxophones with Piano accompaniment. Available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/davidkocijan.
$15.00
What a friend we have in Jesus - EASY (piano & soprano sax)
#
Saxophone Soprano et Piano
#
DÉBUTANT
#
Charles C
#
David Kocijan
#
What a friend we have in Jesus
#
David Kocijan
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.772818 Composed by Charles C. Converse. Arranged by David Kocijan. Christian,Christmas,Contemporary,Gospel,S...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.772818 Composed by Charles C. Converse. Arranged by David Kocijan. Christian,Christmas,Contemporary,Gospel,Sacred. Score and part. 4 pages. David Kocijan #6320429. Published by David Kocijan (A0.772818). Piano & soprano saxophone transcription.Solo transcription available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.Backing track available!facebook.com/davidkocijan
$9.99
What a friend we have in Jesus (piano & soprano sax or clarinet in Bb)
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Charles Crozat Converse
#
David Kocijan
#
What a friend we have in Jesus
#
David Kocijan
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.772498 Composed by Charles Crozat Converse. Arranged by D...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.772498 Composed by Charles Crozat Converse. Arranged by David Kocijan. Christian,Gospel,Sacred,Spiritual. Score and parts. 4 pages. David Kocijan #5022181. Published by David Kocijan (A0.772498). Piano & soprano sax or clarinet in Bb transcription.Backup music available!
$9.99
Evening Prelude - Soprano Sax and Piano
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Saxophone Soprano et Piano
#
FACILE
#
Charles E
#
Evening Prelude - Soprano Sax
#
Charles E. & Maria A. Davis
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1177296 Composed by Charles E. Davis. Contemporary,Instructional,Jazz,Pop. Score and part. 6 pages. Charles ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1177296 Composed by Charles E. Davis. Contemporary,Instructional,Jazz,Pop. Score and part. 6 pages. Charles E. & Maria A. Davis #777304. Published by Charles E. & Maria A. Davis (A0.1177296). This simple yet beautiful piece for Soprano Sax and Piano is written for the advanced beginner or intermediate player. Â This piece makes a great recital piece and will charm performers and audiences alike. Â Package includes separate Soprano Sax and Piano parts.
$3.99
Summer Breeze - Soprano Sax and Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Charles E
#
Summer Breeze - Soprano Sax an
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Charles E. & Maria A. Davis
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1176390 Composed by Charles E. Davis. Contemporary,Instructional,Jazz,Pop. Score and part. 6 pages. Charles ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1176390 Composed by Charles E. Davis. Contemporary,Instructional,Jazz,Pop. Score and part. 6 pages. Charles E. & Maria A. Davis #776517. Published by Charles E. & Maria A. Davis (A0.1176390). This light airy contemporary jazz piece for Soprano Sax and Piano is written for the advanced beginner or intermediate player. Â This piece makes a great recital piece and will be an audience favorite. Â Package includes separate Soprano Sax and Piano parts.
$3.99
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
#
Paul Wehage
#
Ali Ben Sou Alle: Souvenirs d&
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
Eagles' Victory Song
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Saxophone Soprano et Piano
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DÉBUTANT
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Cent...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782360. Published by Zedas Couve (A0.1182615). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Solo de Concours, Opus 52 - Bb soprano or tenor saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Colin
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Paul Wehage
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Solo de Concours, Opus 52 - Bb
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1235396 Composed by Charles Colin. Arranged by Paul Wehage. 19th Century,Classical,Contest,Festival,Romantic...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1235396 Composed by Charles Colin. Arranged by Paul Wehage. 19th Century,Classical,Contest,Festival,Romantic Period. Score and part. 19 pages. Musik Fabrik Music Publishing #830930. Published by Musik Fabrik Music Publishing (A0.1235396). Charles Colin was born in Cherbourg, France on June 2, 1862.  He entered the Paris Conservatory  and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year).  In 1868, he became the Professor of Oboe at the Paris Conservatory.  His series of eight Solos were written for the exams of his class.  He died on July 26, 1881 in Paris.
$11.35
Stand By Me (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Charles Albert Tindley
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Stephen DeCesare
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Stand By Me
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622877 Composed by Charles Albert Tindley. Ar...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622877 Composed by Charles Albert Tindley. Arranged by Stephen DeCesare. Christian,Contemporary,Gospel,Graduation,Sacred. Score and parts. 12 pages. Exultet Music #3926159. Published by Exultet Music (A0.622877). The tender gospel hymn by Rev. Charles Albert Tindley has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle :Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
His Eye is on the Sparrow (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Civilla D
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John A
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His Eye is on the Sparrow
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.524803 Composed by Civilla D. Martin, Charles H. Gabriel. Arranged by John A. Dempsey. Christian,Religious,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.524803 Composed by Civilla D. Martin, Charles H. Gabriel. Arranged by John A. Dempsey. Christian,Religious,Sacred,Spiritual,Traditional. Score and part. 13 pages. John A. Dempsey #6342305. Published by John A. Dempsey (A0.524803). A perennially popular hymn, His Eye is on the Sparrow reflects the blessings of courage, comfort and calm assurance. Â Arranged as a duet for soprano sax and piano, this music is recommended for traditional church services and other worship events as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â Concert Key (Piano): Bb major. Â Soprano Sax Key: C major. Â 9 pages of music (that includes a separate two-page soprano sax part). Â Soprano Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
Christ the Lord is Risen Today (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.523807 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Wor...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.523807 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 16 pages. John A. Dempsey #3916913. Published by John A. Dempsey (A0.523807). Ours the cross, the grave, the skies, Alleluia. Â Arranged as a lively duet for soprano sax and piano, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship. Â 12 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major. Â Soprano Sax Level: Intermediate. Â Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$6.99
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
Hark! The Herald Angels Sing
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Saxophone Soprano et Piano
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FACILE
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Classique
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Noël
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Felix Bartholdy Mendelssohn an
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Andrea Neustaeter
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Hark! The Herald Angels Sing
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Andrea Neustaeter
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 2 - SKU: A0.835478 Composed by Felix Bartholdy Mendelssohn and lyrics Charles Wesley. Arranged b...
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Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 2 - SKU: A0.835478 Composed by Felix Bartholdy Mendelssohn and lyrics Charles Wesley. Arranged by Andrea Neustaeter. Christian,Christmas,Sacred. Score and parts. 6 pages. Andrea Neustaeter #3371725. Published by Andrea Neustaeter (A0.835478). A duet designed for a late elementary pianist accompanying a clarinet (or any Bb instrument) in a whimsical arrangement of a classic carol. This set includes score and separate parts.
$3.99
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