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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chord Progression - Oboe
Non classifié
233
Piano & claviers
Piano seul
529
Piano Facile
231
Piano, Voix
148
Instruments en Do
55
Piano, Voix et Guitare
44
Piano grosses notes
36
1 Piano, 4 mains
10
Accompagnement Piano
7
Clavecin
4
Piano (partie séparée)
4
Orgue
4
2 Pianos, 4 mains
3
Accordéon
3
Accordéon, Voix
2
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
173
Guitare
67
Ligne De Mélodie, (Paroles) et Accords
56
Ukulele
36
Basse electrique
34
Mandoline
12
Guitare (partie séparée)
11
Dulcimer
7
2 Guitares (duo)
2
Banjo
1
Ukulele Baryton
1
Luth
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale Unison
28
Chorale 3 parties
14
Chorale TTBB
12
Chorale SSAA
10
Chorale 2 parties
9
Voix duo
3
Voix seule
2
Voix basse, Piano
2
Voix duo, Piano
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
31
Saxophone Alto
22
Flûte traversière et Piano
22
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière
18
Clarinette et Piano
16
Clarinette
16
Saxophone Tenor
16
Quintette de Saxophone: 5 saxophones
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Saxophone Tenor et Piano
8
Flute (partie séparée)
7
Ensemble de Clarinettes
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Clarinette (partie séparée)
4
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Baryton, Piano
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Saxophone et Harpe
2
Flûte, Alto (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Harmonica
2
Clarinette Basse, Piano
2
Ensemble de saxophones
2
Flûte à bec Soprano
1
Cor Anglais
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
3 Clarinettes (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
Trio de Flûtes: 3 flûtes
1
2 Clarinettes (duo)
1
+ 42 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
27
Trompette
19
Trompette (partie séparée)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor
11
2 Trombones (duo)
9
Trompette, Piano
8
Trombone
8
Trombone et Piano
7
Euphonium, Piano (duo)
6
Cor et Piano
6
Cor (partie séparée)
5
Cor anglais, Piano
5
Tuba (partie séparée)
5
2 Trompettes (duo)
5
2 Tubas (duo)
4
Quatuor de Cuivres
4
Tuba
3
Ensemble de Trombones
2
2 Cors (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba et Orgue
2
Cor et Harpe
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Cor anglais et Harpe (duo)
1
Euphonium
1
Trompette, Harpe
1
Trompette et Guitare
1
Tuba et Piano
1
Trompette, Saxophone (duo)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Harpe
24
Violon
24
Violon et Piano
20
Violoncelle
16
Alto, Piano
12
Alto seul
12
Violoncelle, Piano
9
Contrebasse (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
5
Alto (partie séparée)
5
Contre Basse
5
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
2
Contrebasse, Piano (duo)
2
Harpe et Piano
1
4 Contrebasses
1
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Trombone (duo)
1
2 Harpes (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
50
Jazz combo
26
Orchestre d'harmonie
21
Orchestre à Cordes
16
Orchestre
9
Cloches
9
Ensemble de cuivres
8
Batterie (partie séparée)
6
Ensemble de Percussions
3
Fanfare
2
Batterie
2
Orchestre de chambre
1
Ensemble d'École
1
Vibraphone
1
Xylophone, Piano
1
Percussion
1
Xylophone
1
+ 12 instrumentations
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Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
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CHANT - CHO…
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CLASSIQUE - BAROQUE …
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Chord Progression - Oboe
Saxophone Soprano et Piano
Partitions à imprimer
5 partitions trouvées
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1
A Night In Tunisia
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
#
Dizzy Gillespie
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Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Bach-Gounod
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James M
#
Piano - S0
#
Bach-Gounod: Ave Maria for Sop
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
FACILE
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Papa's New Shoes - Soprano Sax-Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Phil Beaman
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Papa's New Shoes - Soprano Sax
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.844521 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493121....
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Piano,Soprano Saxophone - Level 1 - SKU: A0.844521 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493121. Published by Phil Beaman (A0.844521). Papa's New Shoes is a catchy old-time melody that will stay in your head. The accompaniment has modern chord progressions which makes it a 20th century style piece with a touch of New Age and hints of Ravel. It begins fairly traditional and gets progressively more unsettled. It is really quite simple, yet sounds delightfully pleasant. 3 pages score, 1 page solo; 2 minutes
$3.99
PRN
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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PRN
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Brandon Nelson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 13 pages. Brandon Nelson #1954831. Published by Brandon Nelson (A0.912904). PRN, in this case, has numerous meanings. P, R, and N refer to types of harmonic progression within Hugo Riemann’s theoretical system. Starting from a given triad, P moves to the parallel major/minor triad, R goes to the relative major/minor triad, and N, if the previous chord was major goes to the minor subdominant and, if minor, goes to the major dominant. These relationships are exploited as the fundamental harmonic and melodic building blocks of the piece. Rhythmically, the PRN is regarded alphabetically. P is the 16th letter of the alphabet, R the 18th, and N the 14th letter. The distance from P to R is two letters and the distance from R to N is five letters. Taken with the difference between the two relationships (three), these are used to determine rhythm metric and proportional fashions. PRN also refers to the medical term pro re nata, or take as needed. As a nurse, PRN medications are a common encounter and serves in this case as a nod to my other professional vocation and my passion for healing. Learn more about me at: bnelsonmusic.wordpress.com.
$9.99
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Chord Progression - Oboe
