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11
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AUTRES
Vous avez sélectionné:
Cry Cry
Saxophone Soprano et Piano
Partitions à imprimer
4 partitions trouvées
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No Woman No Cry
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1155068 By Bob Marley.…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1155068 By Bob Marley. By Vincent Ford. Arranged by Guima's Editions. Early Music,Film/TV,Historic,Multicultural,Religious,World. Score and part. 5 pages. Guima's Editions #755350. Published by Guima's Editions (A0.1155068). I made a basic piano and soprano saxophone arrangement for beginning students to play. Inspired by the interpretation of Bob Marley. Currently, it was included in the soundtrack of the movie Black Panther, Wakanda forever.
$4.99
4.56 €
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Saxophone Soprano et Piano
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Bob Marley
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Guima's Editions
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No Woman No Cry
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Guima's Editions
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SheetMusicPlus
Ad Ventum
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.911315 Composed by Chr…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.911315 Composed by Christopher Hernandez. 20th Century,Contemporary,Film/TV. Score and part. 12 pages. Christopher Alexis Hernandez #517357. Published by Christopher Alexis Hernandez (A0.911315). This piece features an ethereal, crystalline piano as the soprano saxophone calls out to the open wind with ornate quintuplet ostinatos and soaring melodic lines. The soundscape captivates the listener in a verdant chant before bursting into life when the leaves begin to dance in the fall.
$15.00
13.72 €
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Saxophone Soprano et Piano
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Christopher Hernandez
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Ad Ventum
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Christopher Alexis Hernandez
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SheetMusicPlus
Luther: Out of the Depths for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.82 €
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Saxophone Soprano et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Al…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984760. Published by jmsgu3 (A0.1401579). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
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jmsgu3
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SheetMusicPlus
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