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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day Opera
Non classifié
251
Piano & claviers
Piano seul
89
Piano, Voix
50
Accompagnement Piano
36
Piano Facile
23
Piano, Voix et Guitare
20
1 Piano, 4 mains
18
Accordéon
14
Orgue
13
Instruments en Do
9
Piano grosses notes
5
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
13
Guitare
5
Guitare notes et tablatures
5
Orchestre à Plectres
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Voix seule
55
Chorale SATB
41
Chorale 3 parties
29
Voix Tenor, Piano
16
Chorale SSAA
11
Chorale 2 parties
6
Voix duo
4
Chorale TTBB
4
Voix haute
4
Voix Soprano, Piano
3
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Chorale Unison
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
39
Saxophone
34
Clarinette
34
Saxophone Alto et Piano
30
Clarinette et Piano
29
Flûte traversière
28
Saxophone Alto
25
Hautbois, Piano (duo)
22
2 Saxophones (duo)
20
Quatuor de Saxophones: 4 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Saxophone Tenor
16
Saxophone Soprano et Piano
16
2 Flûtes traversières (duo)
16
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Hautbois, Clarinette, Basson
13
2 Clarinettes (duo)
13
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
7
2 Flûte à bec (duo)
6
Flûte à Bec
6
Ensemble de Clarinettes
6
Saxophone, Clarinette (duo)
6
Hautbois
5
Hautbois (partie séparée)
5
Clarinette Basse, Piano
5
2 Hautbois (duo)
5
3 Clarinettes (trio)
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
3
Ensemble de saxophones
3
Saxophone (partie séparée)
3
Saxophone Baryton, Piano
3
Clarinette, Trompette (duo)
3
Ensemble de Flûtes
3
3 Saxophones (trio)
3
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette et Basson
2
Harmonica
2
Clarinette et Alto
2
Flûte, Violon
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte, Violon, Violoncelle et Piano
1
Flûte de Pan
1
Flûte, Violon, Piano
1
Flûte à bec, Guitare (duo)
1
Piccolo
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson et Piano
1
3 Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette (duo)
1
Flûte à bec Soprano
1
Hautbois, Harpe
1
+ 56 instrumentations
Retracter
Cuivres
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trombone
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette, Piano
14
Trombone et Piano
14
Cor et Piano
11
Cor
9
Euphonium, Piano (duo)
8
Tuba
7
2 Trombones (duo)
7
Cor anglais, Piano
7
2 Trompettes (duo)
6
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Ensemble de Trombones
4
Trompette, Saxophone (duo)
4
Euphonium
3
2 Tubas (duo)
2
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Quatuor de Cuivres
1
+ 22 instrumentations
Retracter
Cordes
Violon et Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violoncelle, Piano
31
Violon
26
Alto, Piano
25
Violoncelle
19
Violon, Violoncelle (duo)
17
Alto seul
14
2 Harpes (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
8
2 Altos (duo)
8
2 Violoncelles (duo)
7
2 Violons (duo)
7
Contre Basse
6
Alto (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: 2 violons, violoncelle
3
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Violon (partie séparée)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Harpe
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre
47
Orchestre à Cordes
22
Ensemble de cuivres
13
Orchestre de chambre
10
Big band
4
Ensemble de Percussions
2
Ensemble Jazz
2
Piano et Orchestre
1
Cloches
1
+ 5 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Day Opera
Saxophone Soprano et Piano
Partitions à imprimer
16 partitions trouvées
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1
The Flight of the Bumble Bee - Rimsky Korsakov - for Soprano Sax and Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 25 pages. Raymond Fenech #644559. Published by Raymond Fenech (A0.1039646). Flight of the Bumblebee (Russian: Полёт шмелÑ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Handel: Largo from Xerxes for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wed...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
The Wedding Album, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo So
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Sc...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
The Swan (Le Cygne) by Saint-Saens - Soprano Sax and Piano (Individual Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1222982 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,R...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1222982 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819184. Published by Sheet Music To Play Editions (A0.1222982). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Soprano Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
The Swan (Le Cygne) by Saint-Saens - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1179176 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Fi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1179176 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. Score and part. 11 pages. Sheet Music To Play Editions #779149. Published by Sheet Music To Play Editions (A0.1179176). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
The Swan (Le Cygne) by Saint-Saens - Soprano Sax and Piano (Full Score)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1222983 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Cl...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1222983 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Classical,Romantic Period. Score and part. 6 pages. Sheet Music To Play Editions #819185. Published by Sheet Music To Play Editions (A0.1222983). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Soprano Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Pictures at an Exhibition - Promenade - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Modest Petrovich Mussorgsky
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César Madeira
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Pictures at an Exhibition - Pr
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1510539 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1510539 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #1085737. Published by Sheet Music To Play Editions (A0.1510539). Promenade from Pictures at an Exhibition. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Soprano Sax and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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John A
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.523887 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Peri...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.523887 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. Score and part. 15 pages. John A. Dempsey #4296779. Published by John A. Dempsey (A0.523887). Two Italian masterpieces combined, this duet medley for soprano sax and piano includes melody augmentation, mood shifts, tempo fluctuations, rich dynamic shading and a lavish finale, all built on two of the most beautiful melodies Puccini ever composed. Â Included: Un Bel Di (One Fine Day) from Madame Butterfly and Quando M'en Vo (Musetta's Waltz) from La Boheme. Recommended for weddings, as a prelude, unity candle music, or a bridesmaid processional. Â Also popular as a soaring, romantic selection for recitals, concerts and more. Â 11 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): Eb major. Â Soprano Sax Part: F major. Â Soprano Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Easter Hymn from Cavaliera Rusticana - Soprano Sax and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Mascagni
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Easter Hymn from Cavaliera Rus
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Music-Scores.com
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.722373 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Lo...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.722373 Composed by Mascagni (Pietro). Arranged by Anne L Christopherson GRSM ARCM. Concert,Easter,Holiday,Love,Opera. Score and part. 7 pages. Music-Scores.com #6439071. Published by Music-Scores.com (A0.722373). Easter Hymn, Regina Coeli, from the opera Cavaliera Rusticana. This is a shortened version of that wonderful dialogue with villagers and Santuzza. For Soprano Sax and Piano.Duration 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Deux Pièces: Lamento et Scherzetto for Bb soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468858. Published by Musik Fabrik Music Publishing (A0.862378). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb soprano saxophone, violoncello and pian
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362081. Published by Musik Fabrik Music Publishing (A0.534730). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
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