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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
18586
PIANO & CLAVIERS
Piano seul
31868
Piano, Voix
4747
Piano Facile
4142
Piano, Voix et Guitare
2210
Accordéon
2203
Instruments en Do
854
Orgue
829
Accompagnement Piano
474
1 Piano, 4 mains
314
Piano Trio: piano, violon, violoncelle
129
Piano (partie séparée)
97
Orgue, Trompette (duo)
74
2 Pianos, 4 mains
73
Piano Quatuor: piano, violon, alto, violoncelle
47
Piano Quintette: piano, 2 violons, alto, violoncelle
45
Piano Quatuor: piano, 2 violons, violoncelle
27
Orgue, Piano (duo)
24
Piano grosses notes
18
Clavecin
17
Clavier
5
2 Pianos, 8 mains
5
1 Piano, 6 mains
3
Ensemble d'Accordéons
2
Accordéon, Voix
1
2 Accordéons
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Guitare
5318
Guitare notes et tablatures
5279
Basse electrique
3507
Ukulele
749
Ligne De Mélodie, (Paroles) et Accords
421
Guitare (partie séparée)
190
Dulcimer
190
2 Guitares (duo)
110
Paroles et Accords
104
Piano, Guitare (duo)
95
Mandoline
75
4 Guitares (Quatuor)
46
Banjo
39
3 Guitares (trio)
25
2 Dulcimers (duo)
22
Ensemble de guitares
18
Mandoline, Guitare (duo)
7
2 Ukuleles
6
2 Mandolines (duo)
3
Dobro
3
Mandoline, Piano (duo)
2
Ukulele Baryton
2
Guitare, Orchestre
1
Luth
1
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
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VOIX
Voix seule
5688
Chorale SATB
4439
Chorale 3 parties
1702
Chorale 2 parties
1116
Chorale Unison
672
Chorale TTBB
556
Chorale SSAA
361
Voix duo, Piano
172
Voix duo
115
Voix Soprano, Piano
70
Chorale
45
Voix haute
23
Voix moyenne, Piano
20
Voix basse, Piano
15
Chorale SSAATTBB
15
Chorale SSATB
13
Voix Alto, Piano
11
Voix Tenor
11
Voix Tenor, Piano
10
Chorale SSATTB
9
Voix basse
6
Chorale SSAB a cappella
5
Voix Soprano
4
Soli, choeur mixte et accompagnement
4
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
4
Chorale SAATB A Cappella
3
Chorale SATTBB A Cappella
2
Chorale SSAB, Piano
2
Voix, Guitare
2
Instrumentations suivantes
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VENTS
Saxophone
16026
Flûte traversière
7854
Clarinette
7349
Saxophone Alto
1668
Saxophone Tenor
1313
Flûte à Bec
1217
Flûte traversière et Piano
1160
Saxophone (partie séparée)
1037
Quatuor de Saxophones: 4 saxophones
897
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
852
Hautbois
747
Flûte, Hautbois, Clarinette, Basson
721
Clarinette et Piano
709
Quatuor de Clarinettes: 4 clarinettes
637
Saxophone Soprano
611
Saxophone Alto et Piano
602
Hautbois, Piano (duo)
566
2 Saxophones (duo)
476
Saxophone Tenor et Piano
443
Quintette de Saxophone: 5 saxophones
434
2 Flûtes traversières (duo)
405
2 Clarinettes (duo)
347
Saxophone Soprano et Piano
293
Quatuor de Flûtes : 4 flûtes
268
Flûte à bec Soprano
263
Ensemble de Clarinettes
257
Flûte à bec Alto
212
Saxophone Baryton, Piano
189
Hautbois (partie séparée)
188
Ensemble de saxophones
174
Flûte, Clarinette (duo)
164
Ensemble de Flûtes
158
3 Saxophones (trio)
151
Quintette de Clarinettes: 5 clarinettes
138
Clarinette (partie séparée)
115
Clarinette, Violon (duo)
112
Cor anglais, Piano
111
Flûte, Violon
100
Flûte et Guitare
99
3 Clarinettes (trio)
96
Trio de Flûtes: 3 flûtes
95
Saxophone, Clarinette (duo)
89
2 Hautbois (duo)
86
Flute (partie séparée)
77
Quintette de Flûte : 5 flûtes
71
Quatuor de Flûtes à bec
67
Hautbois, Basson (duo)
61
2 Flûte à bec (duo)
59
Clarinette Basse, Piano
56
Hautbois, Clarinette (duo)
55
Clarinette, Trompette (duo)
52
Hautbois, Flûte
46
Flûte à bec Alto, Piano
45
Flûte, Clarinette et Basson
42
Clarinette, Basson (duo)
41
Clarinette et Alto
36
Clarinette, Guitare (duo)
35
Flûte, Saxophone (duo)
32
Hautbois, Clarinette, Basson (trio d'anches)
32
Cor Anglais
30
Saxophone Baryton
24
Flûte, Violoncelle
24
Flûte, Alto (duo)
24
Flûte, Violoncelle, Piano (trio)
23
Flûte, Hautbois, Clarinette (trio)
23
3 Flûtes à bec (trio)
22
Flûte, Trompette (duo)
22
Flûte, Violon, Piano
21
Clarinette, Violoncelle (duo)
21
Harmonica
20
Flûte, Hautbois (duo)
19
Flûte, Violon et Violoncelle
19
5 Flûtes à bec
18
Flûte, Clarinette, Piano (trio)
17
Flûte à bec Soprano, Piano
16
2 Clarinettes, Piano
15
Flûte, Trombone (duo)
15
Flûte, Hautbois, Basson
14
Clarinette, Harpe (duo)
14
Instruments en Mib
13
2 Saxophones, Piano
13
Clarinette, Violoncelle, Piano (trio)
11
Flûte, Basson et Piano
11
2 Flûtes traversières, Piano
10
Flûte à bec Tenor
10
Flute, harpe et violon
9
Saxophone et Guitare
9
Flûte, Hautbois, Piano (trio)
8
Ensemble De Flûte à bec
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
7
Clarinette Basse
7
Hautbois, Harpe
7
Piccolo, Piano
7
Flûte irlandaise
6
Hautbois, Guitare (duo)
6
Saxophone et Orgue
6
Hautbois, Basson et Piano
6
Hautbois, Violoncelle
6
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Alto et Piano
5
2 Clarinettes, Basson
5
Saxophone et Harpe
5
Ocarina
5
Piccolo
5
Clarinette, Alto et Piano (trio)
4
Clarinette, Orgue
4
Hautbois et alto (duo)
4
Clarinette, Basson, Piano (trio)
4
Ensemble à vent
4
2 Cors Anglais Et Pianoforte
4
Flûte, Violon, Violoncelle et Piano
4
Hautbois, Clarinette et Piano (Trio)
4
Cor anglais, Guitare (duo)
3
Flûte traversière, Orgue (duo)
3
Hautbois, Violoncelle et Piano
3
4 Hautbois
3
Flûte, trombone et piano
3
Hautbois, violon (duo)
2
Saxophone et Piano
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte de Pan
2
Flûte à Bec, Piano
2
3 Hautbois
2
Flûte, Harpe et Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte traversière, Basse continue
1
Clarinette, Saxophone, Piano
1
2 Hautbois, Piano
1
Cor anglais et Harpe (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Quatuor à Cordes
1
Hautbois, Violon, Piano
1
Ensemble de Hautbois
1
Cornemuse
1
Flute, Cor (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette
6455
Trombone
5860
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1031
Quatuor de Cuivres : 2 trompettes, trombone, tuba
626
Cor
620
Trombone (partie séparée)
613
Trompette, Piano
551
Trombone et Piano
509
Trompette (partie séparée)
504
Tuba
420
Euphonium
387
Cor et Piano
353
Quatuor de Cuivres
211
Quatuor de Cuivres: 2 trompettes, Cor, trombone
189
Tuba et Piano
165
2 Trombones (duo)
155
Euphonium, Piano (duo)
155
2 Trompettes (duo)
151
Quatuor de cuivres: 4 trombones
146
Ensemble de Trompettes
119
Cor anglais, Piano
111
Trompette, Trombone (duo)
104
Cor (partie séparée)
102
Ensemble de Trombones
90
Trio de Cuivres
87
Tuba (partie séparée)
75
Trompette, Saxophone (duo)
66
2 Cors (duo)
62
Quatuor de cuivres: 4 cors
48
2 Tubas (duo)
32
Cor Anglais
30
Ensemble de Cors
26
2 Euphoniums et 2 Tubas
26
Trompette, Cor (duo)
25
Euphonium, Tuba (duo)
24
Trombone, Tuba (duo)
23
Quatuor de cuivres: 4 trompettes
23
3 Trompettes (trio)
19
4 Tubas
18
Trombone, Orgue
16
3 Trombones (trio)
14
Trombone basse
11
Cor, Tuba (duo)
10
Trombone, Cor (duo)
10
Trompette, violon (duo)
10
Cor et Harpe
10
Trombone basse et Piano
10
Trompette, Harpe
9
Bass Clef Instruments
9
Instruments en Sib
9
Quatuor de cuivres: 2 trompettes, 2 trombones
8
3 Cors (trio)
8
2 Euphoniums (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trompette, Trombone, Piano
5
Tuba et Orgue
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Tuba (duo)
4
Ensemble de Tubas
3
Cor et Basson (duo)
3
Cor, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
3
Clarinette, Cor (duo)
3
Trompette et Guitare
3
Trompette, Euphonium (duo)
3
3 Euphoniums
2
3 Tubas (trio)
2
Trombone et orchestre
2
Cor, Trompette, Trombone (trio)
1
Cor et Orgue
1
2 Cors, Piano
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle (duo)
1
Cornet et orchestre
1
Instrumentations suivantes
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CORDES
Violon
5102
Violoncelle
2853
Quatuor à cordes: 2 violons, alto, violoncelle
2534
Alto seul
2482
Harpe
1531
Violon et Piano
1486
Violoncelle, Piano
824
Alto, Piano
659
Trio à Cordes: violon, alto, violoncelle
508
Violon, Violoncelle (duo)
447
2 Violons (duo)
376
Violoncelle (partie séparée)
367
Contre Basse
291
Trio à Cordes: 2 violons, violoncelle
221
2 Violoncelles (duo)
212
Quintette à cordes: 2 violons, alto, violoncelle, basse
203
Violon, Alto (duo)
198
Contrebasse (partie séparée)
197
2 Harpes (duo)
187
2 Altos (duo)
146
Harpe, Flûte (duo)
137
Violon (partie séparée)
123
Contrebasse, Piano (duo)
114
Alto (partie séparée)
98
Violon, Guitare (duo)
80
Alto, Violoncelle (duo)
74
4 Violoncelles
73
Piano Trio: Violon, Alto, Piano
57
Quatuor à cordes: 4 violons
47
Quatuor à cordes : 4 altos
37
2 Contrebasses (duo)
32
Ensemble de Violons
30
Trio à Cordes: 3 violoncelles
30
2 Violons, Piano
28
Ensemble d'Altos
28
Violoncelle , Guitare (duo)
28
Violoncelle, Contrebasse (duo)
24
Trio à Cordes: 2 violons, alto
23
4 Contrebasses
22
Harpe, Violon (duo)
21
Trio à cordes: 3 violins
16
Harpe, Voix
14
Alto, Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
Trio à cordes: 3 altos
12
Violon, Clarinette, Piano (trio)
7
Violon, Basson (duo)
7
Violon, Orgue
7
Harpe, Violoncelle (duo)
7
Alto et Harpe
7
Autoharp
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe, Violon, Violoncelle
5
2 Violoncelles, Piano
4
3 Harpes
4
Alto et Basson
4
Trio à cordes
3
Ensemble de Violoncelles
3
Violoncelle, Orgue
3
Harpe, Trombone (duo)
2
Flûte, Contrebasse (duo)
2
5 Harpes
2
Violoncelle, Basse continue
2
2 Altos, Piano
1
4 Harpes
1
Alto et orchestre
1
3 Contrebasses
1
Alto, Orgue
1
Violon, Basse continue
1
Harpe et Piano
1
Violoncelle, Orchestre
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
5915
Orchestre d'harmonie
3341
Orchestre
2272
Orchestre à Cordes
1162
Ensemble Jazz
1019
Ensemble de cuivres
758
Cloches
644
Orchestre de chambre
500
Jazz combo
326
Percussion
301
Ensemble de Percussions
235
Fanfare
189
Percussion (partie séparée)
116
Batterie (partie séparée)
107
Caisse Claire
55
Timbales
50
Marimba
37
Vibraphone
31
Xylophone
13
Xylophone, Piano
12
Big band
9
Ensemble d'École
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Piano et Orchestre
4
Instrumentation Flexible
3
2 Xylophones
3
Vibraphone et Marimba
2
Quintette de Cuivres: autres combinaisons
2
Cajon
2
Quintette à Vent
2
2 Percussions
1
Marimba, Piano (duo)
1
2 Marimbas
1
Timbales (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
45
Théorie de la musique
1
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Saxophone Soprano et Piano
Partitions à imprimer
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Moulded Clay - Chiselled Rock
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Digital Download SKU: A0.924832 Composed by Stanley M. Ho…
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Piano,Soprano Saxophone - Digital Download SKU: A0.924832 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and part. 5 pages. Stanleymhoffman.com #3913051. Published by stanleymhoffman.com (A0.924832). This is a transcription of a song I composed for which I could not secure the rights to the text. The music that remains behind is austere and serious.
$2.50
2.3 €
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Saxophone Soprano et Piano
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Stanley M
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Moulded Clay - Chiselled Rock
#
stanleymhoffman.com
#
SheetMusicPlus
Eagles' Victory Song
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn …
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782360. Published by Zedas Couve (A0.1182615). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
4.6 €
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Saxophone Soprano et Piano
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Dirk Quinn Band
#
Marcony Carvalho
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Eagles' Victory Song
#
Zedas Couve
#
SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.35 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.35 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Amazing Grace (Soprano Sax and Piano)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.524744 Composed by Joh…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.524744 Composed by John Newton, Virginia Harmony. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #6273123. Published by John A. Dempsey (A0.524744). A duet for soprano sax and piano, this hymn arrangement of Amazing Grace begins in shaded tranquility but soon triumphant, effervescent touches emerge as the music continues, with tempo variation, dynamic shading, expanded note range and embellishments. Â Recommended for traditional church services, youth rallies, praise gatherings and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Also makes a touching performance piece for concerts and recitals. Â 9 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major.
$6.99
6.44 €
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Saxophone Soprano et Piano
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John Newton, Virginia Harmony
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John A
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Amazing Grace
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John A. Dempsey
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SheetMusicPlus
Nessun Dorma by Puccini - Soprano Sax and Piano (Individual Parts)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223322 Composed by Gi…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223322 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #819531. Published by Sheet Music To Play Editions (A0.1223322). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Soprano Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Saxophone Soprano et Piano
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Soprano Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Nessun Dorma by Puccini - Soprano Sax and Piano (Full Score and Parts)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1179763 Composed by Gi…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1179763 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #779711. Published by Sheet Music To Play Editions (A0.1179763). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.36 €
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Saxophone Soprano et Piano
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Soprano Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Nessun Dorma by Puccini - Soprano Sax and Piano (Full Score)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223324 Composed by Gi…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223324 Composed by Giacomo Puccini. Arranged by César Madeira. Classical,Film/TV,Multicultural,Opera,Romantic Period,World. Score and part. 4 pages. Sheet Music To Play Editions #819533. Published by Sheet Music To Play Editions (A0.1223324). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Soprano Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.6 €
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Saxophone Soprano et Piano
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Soprano Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Dichterliebe, Op.48 No.1 - Soprano Sax and Piano (Full Score and Parts)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1421257 Composed by Ro…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1421257 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #1002650. Published by Sheet Music To Play Editions (A0.1421257). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.36 €
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Saxophone Soprano et Piano
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Robert Schumann
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César Madeira
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Dichterliebe, Op.48 No.1 - Soprano Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Traumerei by Schumann - Soprano Sax and Piano (Full Score and Parts)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1200118 Composed by Ro…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1200118 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Contest,Festival,Romantic Period. Score and part. 6 pages. Sheet Music To Play Editions #798922. Published by Sheet Music To Play Editions (A0.1200118). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.36 €
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Saxophone Soprano et Piano
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Robert Schumann
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César Madeira
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Traumerei by Schumann - Soprano Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
PRN
Saxophone Soprano et Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 13 pages. Brandon Nelson #1954831. Published by Brandon Nelson (A0.912904). PRN, in this case, has numerous meanings. P, R, and N refer to types of harmonic progression within Hugo Riemann’s theoretical system. Starting from a given triad, P moves to the parallel major/minor triad, R goes to the relative major/minor triad, and N, if the previous chord was major goes to the minor subdominant and, if minor, goes to the major dominant. These relationships are exploited as the fundamental harmonic and melodic building blocks of the piece. Rhythmically, the PRN is regarded alphabetically. P is the 16th letter of the alphabet, R the 18th, and N the 14th letter. The distance from P to R is two letters and the distance from R to N is five letters. Taken with the difference between the two relationships (three), these are used to determine rhythm metric and proportional fashions. PRN also refers to the medical term pro re nata, or take as needed. As a nurse, PRN medications are a common encounter and serves in this case as a nod to my other professional vocation and my passion for healing. Learn more about me at: bnelsonmusic.wordpress.com.
$9.99
9.2 €
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Saxophone Soprano et Piano
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Brandon Nelson
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PRN
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Brandon Nelson
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.35 €
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Saxophone Soprano et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Sonatina (op. 100) for soprano saxophone (or Bb clarinet) and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1253199 Composed by An…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1253199 Composed by Antonin Dvorak. Arranged by Jeffrey Heisler. 19th Century,Chamber,Classical,Instructional,Multicultural,World. Score and part. 40 pages. Jeffrey Heisler #846950. Published by Jeffrey Heisler (A0.1253199). The Sonatina, Op. 100, (arranged by saxophonist Jeffrey Heisler for soprano saxophone [or Bb clarinet] and piano) was written during Dvořák's stay in the USA in 1893, and is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit.Inspired by the fascinating landscape of North America and by meetings with the native inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.  Designed as a recital or pedagogical piece with great musicial depth, perfect for students and professionals alike.
$9.99
9.2 €
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Saxophone Soprano et Piano
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Antonin Dvorak
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Jeffrey Heisler
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Sonatina
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Jeffrey Heisler
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SheetMusicPlus
A Night In Tunisia
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.28 €
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Saxophone Soprano et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Danny Boy
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1369113 Composed by Tr…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1369113 Composed by Traditional. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. Score and part. 3 pages. Standard Time #953461. Published by Standard Time (A0.1369113). This traditional Irish tune is arranged in the key of A-flat for soprano sax solo with piano accompaniment. Â The solo part includes idiomatic Irish embellishments, while extended harmonies lend a lush setting for the accompaniment. Â A live recording will be added soon.
$7.99
7.36 €
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Saxophone Soprano et Piano
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Traditional
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Debra E
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Danny Boy
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Standard Time
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SheetMusicPlus
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Digital Download SKU: A0.1380395 Composed by C. A. Debuss…
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Piano,Soprano Saxophone - Digital Download SKU: A0.1380395 Composed by C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #965171. Published by Brandon C Stanley (A0.1380395). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.Duration: 2 minutesThis arrangement for solo soprano saxophone and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Soprano Saxophone (English)Saxophone Soprano (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo soprano saxophone alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
4.6 €
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Saxophone Soprano et Piano
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C
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
I Got It Bad And That Ain't Good
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1223689 By Oscar Peter…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1223689 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819839. Published by Standard Time (A0.1223689). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for soprano sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
9.2 €
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Saxophone Soprano et Piano
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Oscar Peterson Trio
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Debra E
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I Got It Bad And That Ain't Good
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Standard Time
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SheetMusicPlus
Feast of Love - Soprano Saxophone/Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844551 Composed by Rob…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844551 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517847. Published by Phil Beaman (A0.844551). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.6 €
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Saxophone Soprano et Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Soprano Saxophone/Piano
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Phil Beaman
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SheetMusicPlus
Swan Lake Theme, for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587687 Composed by Pet…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737761. Published by David McKeown (A0.587687). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
9.53 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549620 Composed by Pet…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549620 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515113. Published by jmsgu3 (A0.549620). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.35 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549685 Composed by Tca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 13 pages. Jmsgu3 #3520287. Published by jmsgu3 (A0.549685). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.35 €
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Saxophone Soprano et Piano
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Tcahikovsky
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James M
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: March from Nutcracker Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549663 Composed by Pet…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549663 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3518959. Published by jmsgu3 (A0.549663). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is great for Christmas programs. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.35 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: March from Nutcracker Suite for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
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