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PIANO & CLAVIERS
Piano seul
158
Piano, Voix
24
Piano, Voix et Guitare
19
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue
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Piano Facile
5
1 Piano, 4 mains
5
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2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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37
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36
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31
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28
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26
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25
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25
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20
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20
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Saxophone
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13
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10
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Clarinette (partie séparée)
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3
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3
Flute (partie séparée)
2
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2
Cor Anglais
2
Quintette de Clarinettes: 5 clarinettes
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Piccolo, Piano
2
2 Hautbois et Cor anglais
2
Flûte, Clarinette et Basson
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Saxophone et Piano
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Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Harmonica
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
Flûte, trombone et piano
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
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Cor et Piano
44
Trombone et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette
26
Trompette, Piano
26
Euphonium, Piano (duo)
17
Trombone
14
Cor anglais, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
7
Trompette (partie séparée)
6
Trombone (partie séparée)
5
2 Trompettes (duo)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 cors
4
2 Trombones (duo)
4
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
Cor
3
Ensemble de Trompettes
2
Trombone basse et Piano
2
Trombone basse
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Cor Anglais
2
Trompette, Cor (duo)
2
Tuba
2
3 Trombones (trio)
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon et Piano
85
Violoncelle, Piano
49
Alto, Piano
42
Violon
19
2 Harpes (duo)
11
2 Violoncelles (duo)
10
Harpe
8
2 Violons (duo)
8
Alto seul
8
Violoncelle
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Alto (duo)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
Violoncelle (partie séparée)
5
Violoncelle, Contrebasse (duo)
4
Trio à cordes: 3 violins
4
Contrebasse (partie séparée)
3
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Violon (partie séparée)
1
Ensemble de Violons
1
Harpe, Voix
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
190
Orchestre
27
Orchestre à Cordes
27
Batterie
16
Ensemble de cuivres
14
Orchestre de chambre
11
Cloches
6
Jazz combo
4
Ensemble de Percussions
4
Percussion (partie séparée)
4
Ensemble Jazz
4
Percussion
1
Timbales (partie séparée)
1
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Saxophone Soprano et Piano
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Schubert: Moment Musicaux for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549026 Composed by Fra…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549026 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447469. Published by jmsgu3 (A0.549026). Description Schubert Soprano Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score: 6 pg. Soprano Sax part: 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is a great recital encore because it's short and very expressive. Soprano Sax The Soprano Sax works very well in this arrangement. The music portrays a melancholy character that the Soprano Sax can express quite naturally. Works well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. Performance
$32.95
30.34 €
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Saxophone Soprano et Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.97 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
#
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.34 €
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Saxophone Soprano et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549775 Composed by Pet…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549775 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 10 pages. Jmsgu3 #3535019. Published by jmsgu3 (A0.549775). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.34 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Chinese Dance from Nutcracker Suite for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Russian Dance from Nutcracker Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549707 Composed by Pet…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549707 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530259. Published by jmsgu3 (A0.549707). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.34 €
#
Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance from Nutcracker Suite for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
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Saxophone Soprano et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.34 €
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Saxophone Soprano et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.34 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by Geo…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.34 €
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Saxophone Soprano et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edv…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.97 €
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Saxophone Soprano et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edv…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.97 €
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Saxophone Soprano et Piano
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Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Fauré: Sicilienne for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549076 Composed by Gab…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549076 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards. Score and part. 16 pages. Jmsgu3 #3450091. Published by jmsgu3 (A0.549076). Gabriel Fauré: Sicilienne Op. 78. Duration: ca. 3:30 Score: 11 pg. 86 ms. meter: 6/8 pages: Parts: 2 pg. Very nice recital encore piece. Very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity.
$32.95
30.34 €
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Saxophone Soprano et Piano
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Gabriel Faure
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James M
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Fauré: Sicilienne for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Swan Lake Theme by Tchaikovsky
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1455223 Composed by Pe…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1455223 Composed by Peter Ilyich Tchaikovsky. Arranged by Rika K. 19th Century,Chamber,Romantic Period. Score and part. 3 pages. Rika K. #1034309. Published by Rika K. (A0.1455223). We proudly present the sheet music for a unique arrangement of Pyotr Ilyich Tchaikovsky’s Swan Lake Theme, a short version adapted for Soprano Sax and Piano. This iconic ballet score, known for its deep emotion and complex beauty, has been gracefully simplified to make it accessible to a diverse range of performers. Ideal for music instructors seeking valuable teaching resources, families wanting to immerse their children in classic music, or professional musicians in need of an elegant yet straightforward piece for encores or intimate performances. This arrangement is also perfectly suited for academic showcases or community concerts.Delve into the enchanting world of Tchaikovsky’s song and experience the magic of one of the most beloved works in the classical music repertoire. Embrace the opportunity to explore the narrative depths and emotional highs of this timeless ballet.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Swan Lake Theme!
$3.99
3.67 €
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Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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Rika K
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Swan Lake Theme by Tchaikovsky
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Rika K.
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SheetMusicPlus
Swan Lake Theme by Tchaikovsky
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1455224 Composed by Pe…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1455224 Composed by Peter Ilyich Tchaikovsky. Arranged by Rika K. 19th Century,Chamber,Romantic Period. Score and part. 3 pages. Rika K. #1034310. Published by Rika K. (A0.1455224). We proudly present the sheet music for a unique arrangement of Pyotr Ilyich Tchaikovsky’s Swan Lake Theme, a short version adapted for Soprano Sax and Piano. This iconic ballet score, known for its deep emotion and complex beauty, has been gracefully simplified to make it accessible to a diverse range of performers. Ideal for music instructors seeking valuable teaching resources, families wanting to immerse their children in classic music, or professional musicians in need of an elegant yet straightforward piece for encores or intimate performances. This arrangement is also perfectly suited for academic showcases or community concerts.Delve into the enchanting world of Tchaikovsky’s song and experience the magic of one of the most beloved works in the classical music repertoire. Embrace the opportunity to explore the narrative depths and emotional highs of this timeless ballet.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Swan Lake Theme!
$3.99
3.67 €
#
Saxophone Soprano et Piano
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Peter Ilyich Tchaikovsky
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Rika K
#
Swan Lake Theme by Tchaikovsky
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Rika K.
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SheetMusicPlus
The Sleeping Beauty Waltz for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1411413 Composed by P.…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1411413 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #993679. Published by Diego Marani (A0.1411413). The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets.This arrangement for soprano sax with piano accompaniment of the marvelous Grande valse villageoise (a.k.a. The Garland Waltz) is maybe one of the most famous composition of Tchaikovsky used also in the Disney's film Sleeping Beauty.It suitable for any occasion: repertoire, recital, classroom or also for an outstanding and beautiful encore.
$8.99
8.28 €
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Saxophone Soprano et Piano
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P
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Diego Marani
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The Sleeping Beauty Waltz for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Contradanza - Duo
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1098569 Composed by Pa…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1098569 Composed by Paquito D Rivera. Arranged by Diego Marani. 20th Century,Instructional,Jazz,Latin,Standards. Score and part. 4 pages. Diego Marani #702430. Published by Diego Marani (A0.1098569). Francisco de Jesús Rivera Figueras (born 4 June 1948), known as Paquito D'Rivera, is a Cuban-American alto saxophonist, clarinetist and composer. He has established himself as a bandleader in the United States. His smooth saxophone tone and his frequent combination of Latin jazz and classical music have become his trademarks. This arrangement for soprano sax (or tenor sax) and piano of one of his most famous pieces is suitable for classroom, repertoire, recital and for a funny encore.
$9.99
9.2 €
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Saxophone Soprano et Piano
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Paquito D Rivera
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Diego Marani
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Contradanza - Duo
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Diego Marani
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SheetMusicPlus
Pineapple Rag (Trio for Soprano Sax, Alto Sax and Piano)
Saxophone Soprano et Piano
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - Digital Download SKU:…
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.524495 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5802243. Published by John A. Dempsey (A0.524495). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a trio for soprano sax, alto sax and piano. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes separate two-page parts for each sax). Â Concert Key: Bb major / modulates to Eb major. Â .
$11.99
11.04 €
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Saxophone Soprano et Piano
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Scott Joplin
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John A
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Soprano Sax and Piano)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.524372 Composed by Sco…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.524372 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and part. 14 pages. John A. Dempsey #5354947. Published by John A. Dempsey (A0.524372). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime duet for soprano sax and piano. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 10 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): F major / modulates to Bb major. Â Soprano Sax Key: G major / modulates to C major.
$6.99
6.44 €
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Saxophone Soprano et Piano
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Scott Joplin
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John A
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Funiculì Funiculà for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528751 Composed by Luigi Denza. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6431523. Published by Diego Marani (A0.528751). Funiculì, Funiculà is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. The sheet music was published by Ricordi and sold over a million copies within a year. Since its publication, it has been widely adapted (Richard Strauss, Nikolai Rimsky-Korsakov, Arnold Schoenberg) and recorded (Luciano Pavarotti, Beniamino Gigli, Il Volo).This arrangement for Bb Soprano Sax with Piano Accompaniment is suitable for any occasion: from concert to wedding or even for a brilliant encore.
$9.90
9.12 €
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Saxophone Soprano et Piano
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Luigi Denza
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Diego Marani
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Funiculì Funiculà for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Italian Polka for Soprano Saxophone & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Ser…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278251. Published by Diego Marani (A0.669255). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
7.36 €
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Saxophone Soprano et Piano
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Soprano Saxophone & Piano
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Diego Marani
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SheetMusicPlus
Pie In The Face Polka
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528627 Composed by Hen…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528627 Composed by Henry Mancini. Arranged by Diego Marani. 20th Century,Contemporary,Film/TV,Instructional,Standards. Score and part. 9 pages. Diego Marani #6274329. Published by Diego Marani (A0.528627). The Great Race is a 1965 American Technicolor slapstick comedy film starring Jack Lemmon, Tony Curtis, and Natalie Wood, with music by Henry Mancini. It is known for one scene that was promoted as the greatest pie fight ever.This arrangement for Soprano Sax with Piano is suitable for classroom, repertoire, recital or for a funny encore.
$12.99
11.96 €
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Saxophone Soprano et Piano
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Henry Mancini
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Diego Marani
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Pie In The Face Polka
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Diego Marani
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SheetMusicPlus
This Is Gallifrey: Our Childhood. Our Home
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.770403 By Murray Gold.…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.770403 By Murray Gold. By Murray Gold. Arranged by Ivan Marini. Contemporary. Score and part. 9 pages. Www.dalsegno.eu #4760255. Published by www.dalsegno.eu (A0.770403). Interesting complete arrangement of the powerful and evocative Gold's music.Ideal as a suggestive concert piece or encore for your Saxophone recital or even as examination piece.The Piano part needs a good player, the Saxophone part is slightly easier.ERRATA: Saxophone part, bar 49 on beat 2 please play D instead of C!Duration ca. 3'20'', 9 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
4.59 €
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Saxophone Soprano et Piano
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Murray Gold
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Ivan Marini
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This Is Gallifrey: Our Childhood. Our Home
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www.dalsegno.eu
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Ale…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
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Saxophone Soprano et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
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