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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Enter The Day
Non classifié
484
Piano & claviers
Piano seul
388
Piano, Voix
108
Piano Facile
52
Piano, Voix et Guitare
28
2 Pianos, 4 mains
25
Orgue
22
1 Piano, 4 mains
17
Accompagnement Piano
12
Accordéon
8
Instruments en Do
7
Piano grosses notes
6
Orgue, Piano (duo)
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
111
Guitare
25
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
3
2 Guitares (duo)
1
Banjo
1
Dulcimer
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
120
Chorale 3 parties
39
Voix Soprano, Piano
20
Voix Tenor, Piano
20
Chorale 2 parties
19
Voix Baryton, Piano
16
Voix Alto, Piano
15
Chorale Unison
12
Chorale TTBB
11
Voix duo, Piano
10
Chorale SSAA
8
Voix duo
3
Voix basse, Piano
2
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
205
Clarinette et Piano
188
Flûte traversière et Piano
173
Saxophone Alto et Piano
132
Saxophone Tenor et Piano
128
2 Saxophones (duo)
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Clarinette
27
Quintette de Saxophone: 5 saxophones
26
Quatuor de Saxophones: 4 saxophones
25
Flûte traversière
24
Hautbois (partie séparée)
17
Flûte, Hautbois, Clarinette, Basson
15
2 Flûtes traversières (duo)
13
Ensemble de Clarinettes
11
Saxophone Alto
11
2 Clarinettes (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Ensemble de Flûtes
8
Ensemble de saxophones
7
Saxophone Soprano et Piano
7
Saxophone Tenor
7
2 Hautbois (duo)
6
Saxophone, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Baryton, Piano
5
Saxophone (partie séparée)
5
Hautbois
4
Flûte, Clarinette (duo)
4
Saxophone Soprano
3
Clarinette, Violon (duo)
3
Clarinette, Basson (duo)
3
Clarinette (partie séparée)
3
Hautbois, Basson (duo)
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
2
Flûte, Violon
2
2 Flûte à bec (duo)
2
Clarinette, Harpe (duo)
2
Cor anglais, Piano
2
Clarinette, Trompette (duo)
2
3 Saxophones (trio)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte et Quatuor à Cordes
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Clarinette, Guitare (duo)
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
Quintette de Flûte : 5 flûtes
1
Instruments en Mib
1
5 Flûtes à bec
1
+ 56 instrumentations
Retracter
Cuivres
Trombone et Piano
151
Trompette
91
Trompette, Piano
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone
22
Trompette (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba
9
Cor et Piano
9
Cor
9
2 Trombones (duo)
8
2 Trompettes (duo)
7
Quatuor de Cuivres
7
Ensemble de Trombones
6
2 Cors (duo)
5
Tuba et Piano
5
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Trompette, Tuba (duo)
3
Trompette, Trombone (duo)
3
Cor et Harpe
2
Trombone (partie séparée)
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Clarinette, Cor (duo)
2
2 Euphoniums (duo)
2
Instruments en Sib
1
Cor (partie séparée)
1
Bass Clef Instruments
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
Tuba (partie séparée)
1
+ 29 instrumentations
Retracter
Cordes
Alto, Piano
172
Violon et Piano
162
Violoncelle, Piano
145
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon
26
Violoncelle
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto seul
14
Alto (partie séparée)
13
Violon (partie séparée)
9
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
7
Contre Basse
6
Contrebasse, Piano (duo)
5
2 Altos (duo)
5
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
3
Harpe
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
87
Orchestre
55
Orchestre à Cordes
32
Ensemble de cuivres
24
Jazz combo
9
Ensemble Jazz
6
Cloches
6
Percussion (partie séparée)
5
Big band
4
Fanfare
3
Marimba
2
Percussion
2
Orchestre de chambre
2
2 Xylophones
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
+ 11 instrumentations
Retracter
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CLAIRON
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Enter The Day
Saxophone Soprano et Piano
Partitions à imprimer
7 partitions trouvées
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1
The Wedding Album, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Film Walt Disney
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Various
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David McKeown
#
The Wedding Album, for Solo So
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David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Sc...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Ton...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
Five Ragtime Solos by Scott Joplin for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1118292 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 p...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1118292 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719810. Published by David McKeown (A0.1118292). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Soprano Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
All I Want For Christmas Is You
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Saxophone Soprano et Piano
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FACILE
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Noël
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Mariah Carey
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Gispert
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All I Want For Christmas Is Yo
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clara lamonaca
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1329895 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holid...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1329895 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop. Score and part. 15 pages. Clara lamonaca #917882. Published by clara lamonaca (A0.1329895). Introducing a delightful musical arrangement that will add a touch of festive magic to your holiday celebrations! Immerse yourself in the timeless charm of Mariah Carey's classic All I Want for Christmas Is You with this specially crafted arrangement for soprano sax and piano, tailored for intermediate-level musicians.This enchanting adaptation captures the heartwarming essence of the original song while infusing it with the unique warmth and expressiveness of soprano sax and piano. The soprano sax takes center stage, delivering the iconic melody with grace and flair, while the piano provides a rich and harmonious backdrop, creating a perfect balance between the two instruments.Ideal for musicians seeking a joyful yet accessible challenge, this arrangement strikes the perfect balance between playability and musicality. Whether you're performing at a holiday concert, family gathering, or simply indulging in some festive solo play, this arrangement promises to evoke the spirit of the season and spread cheer to all who listen.Don't miss the opportunity to bring a new dimension to your holiday repertoire. Elevate your musical experience with this enchanting soprano sax and piano arrangement of All I Want for Christmas Is You – because the gift of music is truly the most magical one of all.
$4.99
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