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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fairy Ring
Non classifié
148
Piano & claviers
Piano seul
82
Piano Facile
44
Piano, Voix et Guitare
13
Piano, Voix
11
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
6
Instruments en Do
3
Piano grosses notes
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
14
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
3
Dulcimer
1
Banjo
1
Mandoline
1
+ 3 instrumentations
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Voix
Chorale Unison
25
Chorale SATB
17
Chorale TTBB
4
Voix duo, Piano
4
Chorale 3 parties
4
Chorale
1
Chorale SSATBB
1
Voix Baryton, Piano
1
+ 3 instrumentations
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Vents
Saxophone (partie séparée)
8
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Saxophones: 4 saxophones
7
Saxophone Soprano et Piano
5
Flûte à bec Soprano
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette
5
Clarinette (partie séparée)
4
Saxophone Alto
4
Quintette de Saxophone: 5 saxophones
3
Flûte traversière
3
Hautbois (partie séparée)
3
Hautbois, Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton, Piano
3
Ocarina
3
2 Saxophones (duo)
3
2 Flûtes traversières (duo)
3
Clarinette et Piano
3
Ensemble de saxophones
2
Flûte à bec Alto
2
Hautbois, violon (duo)
2
Flute (partie séparée)
2
Clarinette Basse, Piano
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Basson (duo)
2
Saxophone Tenor
2
Ensemble de Clarinettes
2
Clarinette, Contrebasse (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
3 Saxophones (trio)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Flûte, Tuba (duo)
1
Clarinette, Tuba
1
Clarinette, Trompette (duo)
1
2 Saxophones, Piano
1
2 Flûte à bec (duo)
1
2 Clarinettes (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
Hautbois et alto (duo)
1
Ensemble de Flûtes
1
Cor anglais, Piano
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Alto
1
3 Clarinettes (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
2 Hautbois (duo)
1
Hautbois, Trompette (duo)
1
+ 60 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
5
Trompette
4
Trompette, Piano
4
Trompette (partie séparée)
3
Cor
3
Cor et Piano
3
Trombone
3
Tuba
2
Trombone (partie séparée)
2
Euphonium, Piano (duo)
2
Trompette, Trombone (duo)
2
Euphonium
2
Cor (partie séparée)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Basson (duo)
2
Tuba (partie séparée)
1
Instruments en Sib
1
2 Trombones (duo)
1
Cor anglais, Piano
1
Trompette, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres
1
Trompette, Cor (duo)
1
Trompette, Tuba (duo)
1
Trompette, violon (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
85
Trio à Cordes: violon, alto, violoncelle
13
Harpe
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Violons (duo)
11
Violon
10
Violon, Violoncelle (duo)
10
Violon et Piano
10
Trio à cordes: 3 violins
7
Violoncelle, Piano
7
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Alto, Piano
4
Violon (partie séparée)
4
Violoncelle
4
Alto seul
3
2 Violoncelles (duo)
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Contre Basse
2
Alto, Violoncelle (duo)
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon, Tuba (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre à Cordes
27
Orchestre de chambre
19
Ensemble de cuivres
8
Orchestre
7
Percussion (partie séparée)
4
Xylophone
2
Xylophone, Piano
2
Ensemble de Percussions
1
Timbales (partie séparée)
1
+ 5 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Fairy Ring
Saxophone Soprano et Piano
Partitions à imprimer
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Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Tcahikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 13 pages. Jmsgu3 #3520287. Published by jmsgu3 (A0.549685). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Sugar Plum Fairy theme
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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Peter Ilyich Tchaikovsky
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Rodrigo Faleiros
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Sugar Plum Fairy theme
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1280685 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1280685 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871721. Published by Rodrigo Faleiros (A0.1280685). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy soprano sax arrangement tailored for beginners. This easy soprano sax piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the soprano sax can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy soprano sax sheet music contains a piano accompaniment with chords markings.
$2.99
Sugar Plum Fairy theme
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Saxophone Soprano et Piano
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
#
Rodrigo Faleiros
#
Sugar Plum Fairy theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1280705 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1280705 Composed by Peter Ilyich Tchaikovsky. Arranged by Rodrigo Faleiros. 19th Century,Children,Christmas,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #871765. Published by Rodrigo Faleiros (A0.1280705). Immerse yourself in the enchanting world of Tchaikovsky's The Nutcracker with this delightful easy soprano sax arrangement tailored for beginners. This easy soprano sax piano sheet music focuses on the iconic main theme of the Sugar Plum Fairy, allowing novice players to effortlessly bring the magical melody to life. Even those new to the soprano sax can evoke the whimsy and elegance of this timeless ballet classic in a charming and accessible rendition. This easy soprano sax sheet music contains a piano accompaniment.
$2.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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