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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fly - Guitar 2
Non classifié
256
Piano & claviers
Piano seul
256
Piano Facile
142
Instruments en Do
68
Piano, Voix
51
Piano grosses notes
11
Orgue
9
Accompagnement Piano
9
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano, Voix et Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Clavier
1
+ 12 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
40
Ukulele
31
Paroles et Accords
15
Banjo
3
Basse électrique (partie séparée)
3
Mandoline
3
Ensemble de Ukulélés
2
Dulcimer
1
+ 3 instrumentations
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Voix
Chorale 2 parties
87
Chorale SATB
38
Pack Instrumental pour Chorale
34
Chorale 3 parties
26
Chorale Unison
24
Chorale TTBB
10
Voix Soprano, Piano
3
Chorale
3
Voix duo, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix seule
2
Chorale SSAA
1
Chorale SSAB a cappella
1
Voix Baryton, Piano
1
Voix haute
1
Chorale SSATB
1
Voix Tenor
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
Saxophone (partie séparée)
79
Clarinette (partie séparée)
25
2 Saxophones (duo)
22
Flûte traversière et Piano
21
2 Flûtes traversières (duo)
21
Flûte traversière
19
Flute (partie séparée)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Saxophone Alto
17
Hautbois (partie séparée)
17
Ocarina
15
Clarinette et Piano
13
Saxophone Alto et Piano
13
Clarinette
12
Harmonica
12
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Tenor
8
Hautbois, Piano (duo)
8
2 Clarinettes (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Saxophones: 4 saxophones
7
Trio de Flûtes: 3 flûtes
7
3 Clarinettes (trio)
6
Flûte à bec Alto
6
Quatuor de Flûtes : 4 flûtes
6
Flûte à bec Soprano
6
2 Flûte à bec (duo)
5
Ensemble de Flûtes
4
Saxophone Soprano et Piano
3
2 Hautbois (duo)
3
Saxophone
3
Flûte, Violon
2
Ensemble de Clarinettes
2
Flûte à Bec
2
Saxophone et Orgue
2
Piccolo
2
Instruments en Mib
2
3 Saxophones (trio)
2
Saxophone Tenor et Piano
2
Quatuor de Flûtes à bec
2
Clarinette Basse
1
Ensemble de saxophones
1
Hautbois, Violoncelle
1
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
Hautbois, Basson (duo)
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte, Violon, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Basson
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trompette (partie séparée)
55
Trombone (partie séparée)
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette
19
Cor (partie séparée)
16
Cor
11
Tuba (partie séparée)
9
Trombone
8
Trombone et Piano
7
2 Trompettes (duo)
6
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Bass Clef Instruments
4
Tuba
3
Instruments en Sib
3
2 Euphoniums et 2 Tubas
3
Euphonium, Piano (duo)
3
Tuba et Piano
2
Quatuor de Cuivres
2
2 Trombones (duo)
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
Trombone basse
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
121
Violon
49
Violon et Piano
19
Harpe
16
Violoncelle, Piano
15
Violon (partie séparée)
14
Violoncelle
14
Alto, Piano
12
Violon, Violoncelle (duo)
11
2 Violons (duo)
10
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Altos (duo)
6
Alto (partie séparée)
6
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Harpes (duo)
3
Contre Basse
3
Alto, Violoncelle (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
2
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Violoncelle, Orchestre
1
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
178
Ensemble Jazz
30
Orchestre à Cordes
27
Batterie
26
Fanfare
22
Percussion (partie séparée)
17
Ensemble de cuivres
15
Orchestre
15
Batterie (partie séparée)
10
Orchestre de chambre
5
Cloches
4
Percussion
4
Ensemble de Percussions
2
Vibraphone
2
Timbales (partie séparée)
2
Xylophone
2
Caisse Claire
1
Piano et Orchestre
1
Jazz combo
1
+ 14 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Fly - Guitar 2
Saxophone Soprano et Piano
Partitions à imprimer
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The Flight of the Bumble Bee - Rimsky Korsakov - for Soprano Sax and Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Opera
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Classique
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 25 pages. Raymond Fenech #644559. Published by Raymond Fenech (A0.1039646). Flight of the Bumblebee (Russian: Полёт шмелÑ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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Fly - Guitar 2
