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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For No One
Non classifié
3 604
Piano & claviers
Piano seul
1 412
Piano, Voix
851
Piano, Voix et Guitare
325
Piano Facile
315
Instruments en Do
87
Orgue
67
Accompagnement Piano
56
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
4
Piano grosses notes
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavier
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
195
Guitare notes et tablatures
171
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
44
Guitare (partie séparée)
39
2 Guitares (duo)
27
Ukulele
24
Paroles et Accords
23
Piano, Guitare (duo)
16
4 Guitares (Quatuor)
10
Dulcimer
7
2 Dulcimers (duo)
6
Mandoline
6
Ensemble de guitares
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Banjo
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
416
Voix seule
191
Chorale 3 parties
133
Chorale TTBB
92
Chorale 2 parties
73
Chorale SSAA
39
Voix Baryton, Piano
35
Chorale Unison
29
Voix haute
16
Voix Soprano, Piano
16
Voix duo, Piano
13
Voix moyenne, Piano
9
Voix duo
7
Voix Alto, Piano
6
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Chorale SSAATTBB
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Saxophone
918
Quatuor de Saxophones: 4 saxophones
592
2 Saxophones (duo)
493
Saxophone (partie séparée)
444
Saxophone Alto
397
Saxophone Alto et Piano
348
Saxophone Tenor
309
Flûte traversière et Piano
279
Saxophone Tenor et Piano
232
3 Saxophones (trio)
202
Saxophone Soprano et Piano
189
Quintette de Saxophone: 5 saxophones
186
Clarinette et Piano
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Hautbois, Piano (duo)
132
Clarinette
129
2 Flûtes traversières (duo)
127
Ensemble de saxophones
123
Flûte, Hautbois, Clarinette, Basson
115
Quatuor de Clarinettes: 4 clarinettes
111
2 Clarinettes (duo)
109
Saxophone Baryton, Piano
101
Flûte traversière
87
Hautbois
73
Quatuor de Flûtes : 4 flûtes
57
Saxophone Soprano
53
Cor anglais, Piano
50
Flûte, Clarinette (duo)
48
Ensemble de Clarinettes
44
Quintette de Clarinettes: 5 clarinettes
41
2 Hautbois (duo)
37
Saxophone, Clarinette (duo)
36
Hautbois, Basson (duo)
34
Hautbois (partie séparée)
34
Hautbois, Clarinette (duo)
31
3 Clarinettes (trio)
27
Clarinette, Violon (duo)
25
Clarinette Basse, Piano
24
Ensemble de Flûtes
23
Flûte à Bec
21
3 Flûtes à bec (trio)
21
Quatuor de Flûtes à bec
20
Flute (partie séparée)
19
Hautbois, Flûte
19
Quintette de Flûte : 5 flûtes
18
Clarinette et Alto
17
Clarinette (partie séparée)
17
Flûte, Hautbois, Clarinette (trio)
17
Trio de Flûtes: 3 flûtes
17
Clarinette, Trompette (duo)
17
Saxophone Baryton
16
2 Flûte à bec (duo)
16
Flûte, Alto (duo)
15
Flûte, Saxophone (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Violon
14
Flûte et Guitare
14
Flûte à bec Soprano
12
Clarinette, Guitare (duo)
10
Flûte, Trompette (duo)
9
Ensemble De Flûte à bec
9
Piccolo, Piano
9
5 Flûtes à bec
9
Flûte, Violoncelle
8
Clarinette, Basson (duo)
8
Cor Anglais
8
Piccolo
6
Flûte à bec Tenor
6
Flûte, Trombone (duo)
6
Flûte à bec Alto, Piano
5
Flûte, Hautbois, Basson
5
Saxophone et Piano
5
Flûte à Bec, Piano
5
Flûte à bec Alto
5
Flûte, Violon, Piano
5
Ocarina
5
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
2 Saxophones, Piano
4
Instruments en Mib
4
Flute, harpe et violon
3
Flûte, Clarinette et Basson
3
Saxophone et Guitare
3
Flûte, Hautbois (duo)
3
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Guitare (duo)
2
3 Hautbois
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Piano
2
Harmonica
2
Saxophone et violoncelle
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette Basse
1
4 Hautbois
1
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Piano
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
606
Trombone
515
Trombone (partie séparée)
372
Trombone et Piano
310
Quatuor de Cuivres : 2 trompettes, trombone, tuba
300
2 Trombones (duo)
149
Trompette
116
Quatuor de cuivres: 4 trombones
96
Cor et Piano
92
Trompette, Piano
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
84
Trompette, Trombone (duo)
74
Quatuor de Cuivres
71
Trompette (partie séparée)
66
Euphonium, Piano (duo)
61
Ensemble de Trombones
55
Cor anglais, Piano
50
2 Trompettes (duo)
44
Tuba et Piano
40
Cor
37
Trio de Cuivres
33
Tuba
31
Ensemble de Trompettes
27
Trompette, Saxophone (duo)
26
2 Cors (duo)
26
3 Trombones (trio)
24
Trombone basse et Piano
21
Trombone basse
20
Quatuor de cuivres: 4 cors
19
Trombone, Tuba (duo)
15
4 Tubas
14
Cor (partie séparée)
14
Trombone, Cor (duo)
14
Tuba (partie séparée)
13
Quatuor de cuivres: 4 trompettes
13
Euphonium
13
Trompette, Cor (duo)
13
2 Tubas (duo)
9
Cor Anglais
8
Ensemble de Cors
8
Instruments en Sib
7
Euphonium, Tuba (duo)
7
Tuba et Orgue
6
2 Euphoniums (duo)
5
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
3 Trompettes (trio)
5
Bass Clef Instruments
4
Tuba ou Euphonium ou Saxhorn
4
Cornet A Pistons
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette et Guitare
3
3 Cors (trio)
3
Trombone, Orgue
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, violoncelle (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
425
Harpe
304
Violon et Piano
257
Violon
219
Violoncelle, Piano
206
Alto, Piano
164
Violoncelle
116
Trio à Cordes: violon, alto, violoncelle
101
Violon, Violoncelle (duo)
100
Violon, Alto (duo)
65
2 Violons (duo)
64
Alto seul
58
2 Violoncelles (duo)
52
2 Altos (duo)
45
Trio à Cordes: 2 violons, violoncelle
35
4 Violoncelles
27
Contrebasse, Piano (duo)
25
Contrebasse (partie séparée)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Contrebasse (duo)
18
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
17
Trio à Cordes: 3 violoncelles
15
Harpe, Flûte (duo)
15
Violon (partie séparée)
14
Violon, Guitare (duo)
13
Contre Basse
11
Alto (partie séparée)
11
Trio à cordes: 3 altos
11
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
10
Alto, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Harpe, Voix
5
Flûte, Contrebasse (duo)
5
Ensemble de Violons
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Ensemble d'Altos
2
5 Harpes
2
3 Harpes
2
4 Contrebasses
2
Violon, Basson (duo)
1
Alto et Harpe
1
Harpe, Quatuor à cordes
1
Violon, Basse continue
1
Ensemble de Violoncelles
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
582
Orchestre
326
Ensemble Jazz
248
Orchestre à Cordes
246
Ensemble de cuivres
197
Orchestre de chambre
86
Batterie
50
Cloches
49
Jazz combo
46
Percussion
36
Fanfare
28
Batterie (partie séparée)
21
Marimba
19
Ensemble de Percussions
11
Percussion (partie séparée)
7
2 Xylophones
7
Xylophone, Piano
5
Xylophone
3
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
Instrumentation Flexible
1
Marimba et Orgue
1
Orchestre, Violon
1
+ 21 instrumentations
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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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For No One
Saxophone Soprano et Piano
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189 partitions trouvées
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176
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Für Elise, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Soprano Sa
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Perio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646278. Published by Diego Marani (A0.1041524). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for soprano sax with piano is suitable for classroom, repertoire and recital.
$9.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044839. Published by David McKeown (A0.587926). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O Holy Night for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages....
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Jingle Bells for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. ...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Adagio Sostenuto from "Piano Concerto No. 2" for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1223077 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1223077 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 20 pages. Diego Marani #819267. Published by Diego Marani (A0.1223077). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for soprano sax with piano of the marvelous and very famous second movement includes two different keys: C major and D major. It is suitable for classroom, repertoire and recital.
$9.99
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
The Entertainer, by Scott Joplin, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Entertainer, by Scott Jopl
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1113235 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pa...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1113235 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715184. Published by David McKeown (A0.1113235). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Soprano Saxophone with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
My Only One (no Hay Nadie Mas)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1275184 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher W...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1275184 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Score and part. 11 pages. Fabio Britto #867136. Published by Fabio Britto (A0.1275184). Arrangement of the song  My Only One (No Hay Nadie Mas) for Soprano Saxophone Solo and Piano Accompaniment.
$8.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Nocturne Op. 9, No. 2 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 2 for Sopr
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528409 Composed by Frederic Chopin. Arranged by Di...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528409 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 5 pages. Diego Marani #5983279. Published by Diego Marani (A0.528409). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Soprano Sax with Piano Accompaniment reflects faithfully the original.
$8.99
Waltz No. 19 in A Minor for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Waltz No. 19 in A Minor for So
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.528600 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Perio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.528600 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #6245115. Published by Diego Marani (A0.528600). Frédéric Chopin's Waltz No. 19 in A minor, B. 150, is a waltz for solo piano. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. This waltz is structured as a single movement in rondo form marked allegretto. It is one of Chopin's shortest and technically easiest waltzes.This arrangement for Bb Soprano Sax and Piano includes two different versions: G Minor and F Minor.
$4.99
Hungarian Dance No. 5 by Brahms for Soprano Saxophone and Piano with Chords
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1308701 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Tradition...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1308701 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 2 pages. Rika K. #897941. Published by Rika K. (A0.1308701). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Soprano Saxophone and Piano with Chords. This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers seeking enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers. Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$3.99
Hungarian Dance No. 5 by Brahms for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1308705 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Tradition...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1308705 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 2 pages. Rika K. #897945. Published by Rika K. (A0.1308705). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Soprano Saxophone and Piano. This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers seeking enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers. Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$3.99
Nocturne Op. 9, No. 1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Sopr
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1281229 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Stand...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1281229 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872573. Published by Diego Marani (A0.1281229). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for soprano sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Etude Op. 10, No. 3 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Etude Op. 10, No. 3 for Sopran
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Piano,Soprano Saxophone - Level 3 - SKU: A0.540338 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Romantic Per...
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Instrumental Duet,Piano Piano,Soprano Saxophone - Level 3 - SKU: A0.540338 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Romantic Period,Wedding. Score and part. 5 pages. Diego Marani #150484. Published by Diego Marani (A0.540338). Étude Op. 10, No. 3 is a study for solo piano composed by Frédéric Chopin in 1832. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements. Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics. This arrangement for soprano sax with piano accompaniment reflects faithfully the original and is suitable for classroom, repertoire and recital.
$8.99
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