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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four in Hand
Non classifié
370
Piano & claviers
1 Piano, 4 mains
491
Piano seul
294
Piano Facile
92
2 Pianos, 4 mains
58
Piano, Voix
21
Orgue
17
Instruments en Do
5
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
2
Clavecin
2
Piano, Voix et Guitare
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
8
Mandoline
7
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
4
Dulcimer
3
Basse electrique
3
4 Guitares (Quatuor)
2
Banjo
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale TTBB
20
Chorale 3 parties
12
Chorale Unison
10
Chorale SSAA
7
Chorale 2 parties
7
Voix Baryton, Piano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix duo, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix haute
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte traversière et Piano
24
Clarinette et Piano
22
2 Saxophones (duo)
15
Quatuor de Saxophones: 4 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Saxophone Soprano et Piano
11
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
7
Flûte, Hautbois, Clarinette, Basson
6
2 Clarinettes (duo)
6
3 Saxophones (trio)
5
Saxophone Tenor
4
Quintette de Flûte : 5 flûtes
4
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Saxophone Alto
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Basse continue
2
2 Flûte à bec (duo)
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano
2
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson et Piano
1
2 Clarinettes, Basson
1
Clarinette Basse
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Clarinette
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
Clarinette et Alto
1
Flûte traversière
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Euphonium, Piano (duo)
13
Ensemble de Trompettes
12
Trombone et Piano
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
7
Cor anglais, Piano
4
Trompette
4
Ensemble de Trombones
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
2 Trompettes (duo)
3
2 Trombones (duo)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
1
Tuba et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Trombone (duo)
1
4 Tubas
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
Alto, Piano
27
Violon et Piano
27
Harpe
23
Violon
21
Violoncelle, Piano
19
Violon, Violoncelle (duo)
13
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
6
Ensemble de Violons
4
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
2
Contre Basse
2
Trio à cordes: 3 violins
2
2 Altos (duo)
2
2 Violons (duo)
2
2 Harpes (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
Harpe, Voix
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
157
Orchestre d'harmonie
59
Orchestre de chambre
26
Orchestre à Cordes
26
Orchestre
15
Ensemble de cuivres
12
Ensemble de Percussions
4
Batterie
3
Ensemble Jazz
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
Vibraphone
1
+ 8 instrumentations
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LUTH, THEOR…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
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POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Four in Hand
Saxophone Soprano et Piano
Partitions à imprimer
11 partitions trouvées
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1
Saint-Saens: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
FACILE
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Vivaldi: Sonata No. 3 for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 3 for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638423. Published by jmsgu3 (A0.550455). Sonata da Chiesa No. 3 in A Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 5 for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550507 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550507 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717175. Published by jmsgu3 (A0.550507). Sonata da Chiesa No. 5 in E Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550481 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550481 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641527. Published by jmsgu3 (A0.550481). Sonata da Chiesa No. 4 in Bb Major for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 1 for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550406 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550406 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628847. Published by jmsgu3 (A0.550406). Sonata da Chiesa in Bb for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550533 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550533 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727155. Published by jmsgu3 (A0.550533). Sonata da Chiesa No. 6 in Bb Major for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633069. Published by jmsgu3 (A0.550429). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Slavonic Dance Op. 72 No. 2 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 fo
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1266569 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1266569 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #859233. Published by Diego Marani (A0.1266569). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Slavonic Dance Op. 46 No. 2 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 fo
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1270348 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1270348 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #862758. Published by Diego Marani (A0.1270348). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Polonaise - F. Schubert - For Soprano Sax and Piano - Intermediate
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Raymond Fenech
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for Solo Piano
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Polonaise - F. Schubert - For
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.760772 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedd...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.760772 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score and part. 15 pages. Raymond Fenech #5955091. Published by Raymond Fenech (A0.760772). Franz Schubert composed a set of six Polonaise (D.824 Op.61 No 1) in 1826 for Piano Four Hands. This lovely Polonaise was arranged for Solo Piano. The Level is Intermediate/Advanced Intermediate and the duration is approximately 3.28 minutes. It could be played in any type of recital/concert.
$3.99
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