Partitions Numériques de Free At Last! pour Saxophone Soprano et Piano

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 33

PIANO & CLAVIERS

Instruments en Do 186 Piano seul 41 Piano, Voix 20 Orgue 7 Piano, Voix et Guitare 4

Piano Facile 2 Orgue, Trompette (duo) 1 1 Piano, 4 mains 1 Piano Quatuor: piano, violon, alto, violoncelle 1 Piano Quatuor: piano, 2 violons, violoncelle 1

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GUITARES

Basse electrique 6 Ligne De Mélodie, (Paroles) et Accords 2 Guitare 2 Paroles et Accords 1

VOIX

Chorale SATB 23 Voix Soprano, Piano 7 Chorale 2 parties 6 Chorale 3 parties 5 Voix duo, Piano 4

Chorale Unison 4 Chorale TTBB 2 Voix seule 2 Chorale SSAA 2 Voix haute 1 Voix Alto, Piano 1

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VENTS

Saxophone 15 Flûte traversière 8 Saxophone Alto et Piano 6 Quintette de Saxophone: 5 saxophones 5 Quatuor de Saxophones: 4 saxophones 5 Flûte, Hautbois, Clarinette, Basson 4 Flûte traversière et Piano 4 3 Saxophones (trio) 4 2 Saxophones (duo) 4 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4 Saxophone Soprano et Piano 4

Hautbois, Piano (duo) 3 Clarinette et Piano 3 Saxophone Tenor et Piano 3 Saxophone Alto 3 Flûte, Clarinette, Piano (trio) 2 Quintette de Flûte : 5 flûtes 2 Quatuor de Clarinettes: 4 clarinettes 2 Clarinette 2 Saxophone Tenor 2 Saxophone (partie séparée) 1 Trio de Flûtes: 3 flûtes 1 Clarinette Basse, Piano 1 2 Flûtes traversières (duo) 1 Saxophone Baryton, Piano 1 3 Clarinettes (trio) 1 Quintette de Clarinettes: 5 clarinettes 1 Clarinette Basse 1 Quatuor de Flûtes à bec 1 Ensemble de Hautbois 1 Flûte, Hautbois, Clarinette (trio) 1 2 Clarinettes, Piano 1 Hautbois, Clarinette et Piano (Trio) 1 Flûte, Clarinette (duo) 1

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CUIVRES

Trombone et Piano 4 Trompette 4 Trompette, Piano 4 Trombone 3 Cor et Piano 2

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 3 Euphoniums 1 2 Trombones (duo) 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Euphonium, Piano (duo) 1 2 Cors (duo) 1 Trompette, Cor (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 16 Violon 9 Violon et Piano 6 Violoncelle, Piano 4 Violoncelle 4

Alto, Piano 4 Alto seul 3 Trio à Cordes: violon, alto, violoncelle 2 Piano Trio: Violon, Alto, Piano 2 2 Altos (duo) 1 Violon, Violoncelle (duo) 1 2 Violoncelles (duo) 1 Trio à Cordes: 3 violoncelles 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 9 Orchestre 4 Cloches 3 Orchestre à Cordes 3 Ensemble Jazz 3

Ensemble de cuivres 2 Orchestre de chambre 2

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AUTRES

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Free At Last!

Saxophone Soprano et Piano

Partitions à imprimer

4 partitions trouvées

Free At Last (Soprano Saxophone and Piano)

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.628776 Composed by Spi…(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.628776 Composed by Spiritual. Arranged by Stephen DeCesare. Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #6214951. Published by Exultet Music (A0.628776). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.

$4.99 4.58 € #Saxophone Soprano et Piano #Spiritual #Stephen DeCesare #Free At Last #Exultet Music #SheetMusicPlus

Free At Last (Duet for Soprano and Alto Saxophone)

Saxophone Soprano et Piano

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…(+)

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.628761 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and parts. 13 pages. Exultet Music #6213659. Published by Exultet Music (A0.628761). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.

$4.99 4.58 € #Saxophone Soprano et Piano #Spiritual #Stephen DeCesare #Free At Last #Exultet Music #SheetMusicPlus

Saint-Saens: The Swan for Soprano Sax & Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns Background Charles-Camille Saint-SaÃ«ns (1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the AnimalsÂ (1886) to the list. Childhood It is important to realize that Saint-SaÃ«ns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-SaÃ«ns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought. Â A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-SaÃ«ns taught for a short time in Paris, where his students included namely Gabriel FaurÃ©. To clarify, Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.22 € #Saxophone Soprano et Piano #Camille Saint-SaÃ«ns #James M #Saint-Saens: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus

Saint-Saëns: The Swan for Soprano Sax & Piano

Saxophone Soprano et Piano

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.22 € #Saxophone Soprano et Piano #Camille Saint-Saens #James M #Saint-Saëns: The Swan for Soprano Sax & Piano #jmsgu3 #SheetMusicPlus