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PIANO & CLAVIERS
Piano seul
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Piano, Voix
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Piano Facile
102
Piano, Voix et Guitare
59
Orgue
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Instruments en Do
17
Accompagnement Piano
12
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
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GUITARES
Guitare
73
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Banjo
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2
Mandoline
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1
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VOIX
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35
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Voix Soprano, Piano
8
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4
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3
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3
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2
Chorale SSAATTBB
1
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1
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1
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1
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Chorale
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
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31
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31
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27
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26
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25
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21
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19
2 Flûtes traversières (duo)
18
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17
Ensemble de Clarinettes
16
Hautbois, Piano (duo)
16
2 Saxophones (duo)
15
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13
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13
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11
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11
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10
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8
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7
Clarinette
7
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7
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6
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Quatuor de Flûtes à bec
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2
Clarinette Basse, Piano
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5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte à Bec
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle, Piano (trio)
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Flûte, Violon et Violoncelle
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Flûte à bec Alto
1
Flûte, Violon, Piano
1
Flûte à bec Alto, Piano
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Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
Saxophone
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano
1
Clarinette, Harpe (duo)
1
3 Flûtes à bec (trio)
1
Ensemble de Hautbois
1
Saxophone et Harpe
1
Saxophone et Orgue
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Clarinette Basse
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2 Hautbois (duo)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone (partie séparée)
23
Trompette (partie séparée)
19
Trompette
16
Quatuor de Cuivres
13
Trompette, Piano
13
Trombone
11
Ensemble de Trombones
11
Cor et Piano
11
Tuba et Piano
9
Trombone et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Ensemble de Trompettes
7
Cor (partie séparée)
6
Ensemble de Cors
6
Tuba
6
Trompette, Trombone (duo)
5
Cor
5
2 Trompettes (duo)
5
Trio de Cuivres
4
Tuba (partie séparée)
4
2 Trombones (duo)
3
2 Cors (duo)
3
3 Trompettes (trio)
2
Cor anglais, Piano
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
Cor et Orgue
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
Trombone basse
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Euphonium, Piano (duo)
1
Trompette, Harpe
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
281
Violon, Violoncelle (duo)
159
Trio à Cordes: violon, alto, violoncelle
140
Violon
130
Violon et Piano
37
Harpe
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Alto, Piano
15
Violon, Alto (duo)
13
Violoncelle, Piano
13
2 Violoncelles (duo)
13
2 Violons (duo)
11
2 Altos (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
7
Violoncelle (partie séparée)
7
Violon (partie séparée)
6
Contrebasse (partie séparée)
5
Alto seul
5
Trio à Cordes: 3 violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
4
2 Harpes (duo)
3
Violoncelle , Guitare (duo)
3
Violoncelle
3
Harpe, Voix
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
4 Contrebasses
2
Harpe, Flûte (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
4 Harpes
1
Violoncelle, Orchestre
1
Violon, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
160
Orchestre d'harmonie
146
Orchestre
76
Cloches
61
Ensemble de cuivres
46
Ensemble Jazz
28
Orchestre de chambre
26
Fanfare
13
Ensemble de Percussions
12
Batterie
11
Jazz combo
8
Batterie (partie séparée)
7
Marimba
4
Percussion (partie séparée)
4
Vibraphone
3
Orchestre, Violon
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Piano et Orchestre
1
Xylophone, Piano
1
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AUTRES
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A Night In Tunisia
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.24 €
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Saxophone Soprano et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Prelude from "Suite Bergamasque" for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1094727 Composed by Cl…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1094727 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #698798. Published by Diego Marani (A0.1094727). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for soprano sax with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
7.33 €
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Saxophone Soprano et Piano
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Claude Debussy
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Diego Marani
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Prelude from "Suite Bergamasque" for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
8 Swinging Xmas Carols for Bb Soprillo Saxophone & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1315135 By Keith Terre…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1315135 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Praise & Worship. Score and part. 39 pages. Keith Terrett #903878. Published by Keith Terrett (A0.1315135). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Soprillo/Soprano Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.66 €
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Saxophone Soprano et Piano
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bb Soprillo Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
Grace
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021994 Composed by Ma…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021994 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 29 pages. Effiny Music #6273879. Published by Effiny Music (A0.1021994). Grace is a piano version of the second movement of a larger Concerto for soprano saxophone and orchestra. It is a highly ornamented adagio that is harmonically and expressively rooted in the tradition of the jazz standard. The entire Concerto for Soprano Saxophone and Orchestra was completed in 2012 for saxophonist Susan Fancher. The project was supported by the North Carolina Arts Council, a division of the Department of Cultural Resorces, with funding from the National Endowment for the Arts. The work is in three movements, entitled Groove, Grace, and Burn. The first movement takes inspiration from electronic, pop and hip-hop worlds, and features a cadenza played over the top of looped orchestral parts. The third movement is a flashy tour-de-force that fully displays the technical virtuosity of the soloist. Overall, the Concerto continues my interest in developing pieces in close collaboration with stellar performers, so that the composition is imbued with aspects of the musicality, performance abilities and personality of the dedicatee. Susan Fancher is set to give the first performance of the entire work on April 15, 2012 with conductor Ligia Amadio and the Symphonic Orchestra of the University of Sao Paulo in Sala Sao Paulo, Brazil.
$10.00
9.17 €
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Saxophone Soprano et Piano
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Mark Engebretson
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Grace
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Effiny Music
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.21 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.21 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
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