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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
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DULCIMER
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HARMONICA
HARPE
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LIVRES
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MARIMBA
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Non classifié
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61
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36
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20
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19
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9
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8
Piano Facile
7
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4
2 Pianos, 4 mains
1
Orgue
1
+ 5 instrumentations
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11
Guitare
10
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2
Ensemble de guitares
1
2 Guitares (duo)
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
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Chorale 2 parties
49
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35
Voix duo, Piano
23
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14
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12
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7
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6
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3
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1
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1
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1
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Flûte traversière et Piano
11
Saxophone Tenor et Piano
10
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7
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7
Saxophone Soprano et Piano
6
Clarinette
5
Hautbois, Piano (duo)
5
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4
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4
Saxophone Baryton, Piano
4
Saxophone Alto
3
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3
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3
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3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
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2
Saxophone Tenor
2
2 Saxophones (duo)
2
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1
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1
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1
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1
2 Clarinettes (duo)
1
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1
Clarinette, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette (duo)
1
Ensemble de Clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette, Piano
7
Trompette
7
Trombone et Piano
5
Euphonium, Piano (duo)
5
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
3
Cor anglais, Piano
3
2 Trombones, Piano
2
2 Trompettes (duo)
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
Cor et Orgue
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Orgue
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Saxophone (duo)
1
2 Trombones (duo)
1
+ 16 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Violoncelle (duo)
6
Violoncelle
4
Alto, Piano
3
Violon, Alto (duo)
3
Harpe
3
Violoncelle, Piano
3
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
+ 11 instrumentations
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Orchestre d'harmonie
13
Orchestre
12
Ensemble de cuivres
10
Orchestre de chambre
8
Ensemble Jazz
7
Cloches
5
Orchestre à Cordes
4
Jazz combo
2
Piano et Orchestre
1
2 Marimbas
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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Saxophone Soprano et Piano
Partitions à imprimer
6 partitions trouvées
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How Great Thou Art (for Soprano Saxophone Solo - Piano accompaniment)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Stephen DeCesare
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.626138 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred. Score and part....
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Piano,Soprano Saxophone - Level 2 - SKU: A0.626138 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred. Score and part. 12 pages. Exultet Music #5360045. Published by Exultet Music (A0.626138). One of the most favorite and requested hymns of all time has now been freshly arranged for a Soprano Saxophone Solo and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
How Great Thou Art (for Soprano Saxophone Solo - Organ accompaniment)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Stephen DeCesare
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.626145 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred. Score and part....
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Piano,Soprano Saxophone - Level 2 - SKU: A0.626145 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred. Score and part. 14 pages. Exultet Music #5360227. Published by Exultet Music (A0.626145). One of the most favorite and requested hymns of all time has now been freshly arranged for a Soprano Saxophone Solo and Organ accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
This Little Light Of Mine (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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This Little Light Of Mine
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1038392 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Broadway,Contemporary,Musical/Show,...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1038392 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Broadway,Contemporary,Musical/Show,Praise & Worship,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #643342. Published by Exultet Music (A0.1038392). A fresh, exciting new way that you can almost dance to that is scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert venue. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
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