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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian Clar
Non classifié
12 898
Piano & claviers
Piano seul
1 692
Piano, Voix et Guitare
888
Piano, Voix
575
Piano Facile
575
Accompagnement Piano
496
Instruments en Do
125
Piano Trio: piano, violon, violoncelle
88
Piano (partie séparée)
46
Orgue
45
Piano grosses notes
27
1 Piano, 4 mains
23
2 Pianos, 4 mains
14
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 8 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
1 Piano, 6 mains
3
Accordéon et Orchestre
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
54
Guitare
43
Guitare notes et tablatures
21
Guitare (partie séparée)
12
Paroles et Accords
9
Ukulele
8
Basse electrique
5
Piano, Guitare (duo)
4
Guitare, Flûte, Clarinette
3
Mandoline
3
Dulcimer
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
571
Pack Instrumental pour Chorale
503
Chorale 3 parties
181
Chorale 2 parties
110
Chorale Unison
63
Chorale SSAA
56
Voix seule
49
Chorale TTBB
44
Voix duo, Piano
31
Voix Soprano, Piano
25
Voix haute
20
Voix Tenor, Piano
15
Voix duo
15
Voix Alto, Piano
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Clarinette et Piano
10 289
Clarinette
10 113
Flûte, Hautbois, Clarinette, Basson
2 650
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 598
2 Clarinettes (duo)
1 661
Quatuor de Clarinettes: 4 clarinettes
1 548
Flûte, Clarinette (duo)
921
Clarinette Basse, Piano
728
Ensemble de Clarinettes
726
Clarinette (partie séparée)
722
3 Clarinettes (trio)
713
2 Saxophones (duo)
502
Hautbois, Piano (duo)
427
Quintette de Clarinettes: 5 clarinettes
379
Clarinette, Violon (duo)
372
Flûte, Clarinette, Piano (trio)
364
Hautbois, Clarinette (duo)
358
Saxophone, Clarinette (duo)
337
Flûte traversière et Piano
303
Saxophone Alto et Piano
270
Flûte, Clarinette et Basson
215
Saxophone Tenor et Piano
214
Clarinette, Basson (duo)
211
2 Clarinettes, Piano
206
Flûte, Hautbois, Clarinette (trio)
202
Clarinette, Trompette (duo)
196
2 Flûtes traversières (duo)
195
Hautbois, Clarinette, Basson (trio d'anches)
167
Saxophone Soprano et Piano
165
Clarinette et Alto
147
Clarinette, Guitare (duo)
139
Clarinette, Violoncelle, Piano (trio)
132
Clarinette, Violoncelle (duo)
113
2 Hautbois (duo)
107
Hautbois, Basson (duo)
104
Flûte, Violon
97
Flûte, Saxophone (duo)
82
Clarinette, Basson, Piano (trio)
76
Flûte, Trompette (duo)
75
Flûte, Alto (duo)
69
Saxophone (partie séparée)
64
Hautbois, Flûte
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
50
3 Saxophones (trio)
46
Clarinette, Alto et Piano (trio)
44
Flûte, Clarinette, Cor, Basson (Quartet)
35
Saxophone Baryton, Piano
34
Clarinette, Trombone (duo)
33
Trio de Flûtes: 3 flûtes
31
Clarinette, Harpe (duo)
30
Quintette de Saxophone: 5 saxophones
27
Clarinette Basse
25
Clarinette, trompette et piano
25
Flûte à bec Soprano
24
2 Clarinettes, Basson
24
Saxophone Tenor
23
Saxophone Alto
22
Flûte et Guitare
21
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Piano
20
Flûte, Hautbois (duo)
17
Saxophone
16
Flûte à bec Soprano, Piano
16
Cor Anglais
16
Clarinette, Tuba
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte à bec Alto, Piano
14
Hautbois (partie séparée)
12
Flûte à Bec, Piano
11
Hautbois, violon (duo)
11
Flute (partie séparée)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Clarinette, Orgue
9
Quintette de Flûte : 5 flûtes
7
Hautbois
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violon, Piano
7
Flûte, Alto et Piano
6
Ensemble à vent
6
2 Flûte à bec (duo)
6
3 Flûtes à bec (trio)
5
Clarinette, Orchestre
5
Flûte, Basson et Piano
5
Flûte, Hautbois, Basson
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Saxophone, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à Bec
3
Cor anglais, Guitare (duo)
3
Piccolo, Piano
3
Ensemble de Flûtes
2
5 Flûtes à bec
1
Piccolo
1
Flûte traversière, Orchestre
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson et Piano
1
+ 112 instrumentations
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Cuivres
Trompette, Piano
171
Trompette, Saxophone (duo)
157
Trombone et Piano
141
Trompette
135
Trompette, Trombone (duo)
103
2 Trombones (duo)
98
2 Trompettes (duo)
97
Cor et Piano
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Tuba et Piano
33
Trombone (partie séparée)
31
Trompette (partie séparée)
29
Instruments en Sib
28
Trombone
26
Euphonium, Piano (duo)
23
Cor anglais, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor Anglais
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
11
Clarinette, Cor (duo)
11
Euphonium
10
Cor (partie séparée)
9
Tuba
7
3 Trompettes (trio)
7
2 Cors (duo)
5
Tuba et Orgue
5
Tuba (partie séparée)
5
Quatuor de Cuivres
4
Ensemble de Trombones
4
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
3 Cors (trio)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Cor et Orgue
1
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Violon et Piano
364
Alto, Piano
265
Violoncelle, Piano
233
Quatuor à cordes: 2 violons, alto, violoncelle
176
2 Altos (duo)
118
2 Violoncelles (duo)
118
Violon
112
Violon, Clarinette, Piano (trio)
105
Violon, Alto (duo)
104
Violon, Violoncelle (duo)
98
2 Violons (duo)
96
Violoncelle
71
Alto seul
58
Contrebasse, Piano (duo)
41
4 Violoncelles
38
Harpe
35
Trio à Cordes: violon, alto, violoncelle
31
Harpe, Flûte (duo)
18
Harpe, Violon (duo)
16
Alto et Harpe
15
Violon, Guitare (duo)
14
Harpe, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse (partie séparée)
12
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: 3 violoncelles
6
Violon (partie séparée)
6
Alto, Guitare (duo)
5
Alto (partie séparée)
4
Contre Basse
4
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Voix
4
Violon, Violoncelle, Clarinette
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Ensemble de Violons
1
+ 41 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
1 777
Orchestre
953
Ensemble Jazz
507
Orchestre de chambre
272
Fanfare
78
Ensemble de cuivres
69
Jazz combo
66
Orchestre à Cordes
54
Vibraphone
21
Marimba
18
Batterie
13
Piano et Orchestre
13
Xylophone, Piano
11
Cloches
8
Batterie (partie séparée)
8
Ensemble de Percussions
8
Ensemble d'École
6
Quintette à Vent
5
Big band
2
Percussion (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
Marimba, Piano (duo)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
2 Xylophones
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
+ 24 instrumentations
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CHORALE - CHAN…
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Ian Clar
Saxophone Soprano et Piano
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165 partitions trouvées
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151
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
What a friend we have in Jesus (piano & soprano sax or clarinet in Bb)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Charles Crozat Converse
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David Kocijan
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.772498 Composed by Charles Crozat Converse. Arranged by D...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Soprano Saxophone - Level 3 - SKU: A0.772498 Composed by Charles Crozat Converse. Arranged by David Kocijan. Christian,Gospel,Sacred,Spiritual. Score and parts. 4 pages. David Kocijan #5022181. Published by David Kocijan (A0.772498). Piano & soprano sax or clarinet in Bb transcription.Backup music available!
$9.99
Bach: Siciliano from Flute Sonata in Eb-major (soprano sax & piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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David Kocijan
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David Kocijan
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Bach: Siciliano from Flute Son
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1452457 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Classical,Jazz,Pop. S...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1452457 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Classical,Jazz,Pop. Score and part. 6 pages. David Kocijan #1031789. Published by David Kocijan (A0.1452457). - piano & soprano saxophone transcription- available for violin, viola, flute, clarinet, soprano, alto and tenor saxophone- backing track availableFacebook.com/David.Kocijan.Music
$14.99
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
O Holy Night for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages....
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Trumpet Voluntary (Duet for Soprano and Alto Saxophone - Piano Accompaniment)
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Saxophone Soprano et Piano
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FACILE
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Jeremiah Clarke
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Stephen DeCesare
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Trumpet Voluntary
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619810 Composed by Jeremiah Clarke. Arranged by Ste...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619810 Composed by Jeremiah Clarke. Arranged by Stephen DeCesare. Baroque,Classical,Concert,Holiday,Wedding. Score and parts. 13 pages. Exultet Music #3042583. Published by Exultet Music (A0.619810). Also known as the Prince of Denmark's March, a composition by Jeremiah Clarke has been freshly arranged as a duet for Soprano and Alto Saxophone and Piano accompaniment. It is very popular as a wedding processional or recessional and was played at the 1981 wedding of Charles, Prince of Wales, and Lady Diana Spencer. Accessible and appropriate for any church or concert setting. .
$4.99
Trumpet Voluntary, (Prince of Denmark's March), for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Weddi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367450. Published by David McKeown (A0.587595). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Soprano Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810591. Published by David McKeown (A0.587704). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Soprano Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
Trumpet Tune and Air, by Purcell; for solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587653 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587653 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728541. Published by David McKeown (A0.587653). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Soprano Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Swan Lake Theme, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Sopr
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737761. Published by David McKeown (A0.587687). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Moonlight Sonata for Soprano Sax and Piano Accompaniment
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Saxophone Soprano et Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Valdir Maia
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Moonlight Sonata for Soprano S
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Valdir Maia
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1437258 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Tr...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1437258 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Score and part. 7 pages. Valdir Maia #1017331. Published by Valdir Maia (A0.1437258). **Moonlight Sonata for Soprano Saxophone and Piano**Embark on a captivating musical journey with our rendition of Moonlight Sonata for Soprano Saxophone and Piano. Tailored for intermediate saxophonists, this arrangement beautifully blends the expressive tones of the soprano saxophone with the elegant accompaniment of the piano.Crafted with precision and care, our high-quality PDF ensures clarity in every note, while the included score and parts facilitate seamless ensemble performance. Perfect for musicians eager to explore the romantic era, this arrangement offers a captivating journey through Beethoven's musical genius.Key Features:- Impeccable PDF quality for enhanced readability.- Score and parts included for convenient ensemble playing.- Ideal for intermediate saxophonists seeking a rewarding challenge.- Experience the beauty of Moonlight Sonata on soprano saxophone and piano today.Unlock the magic of Moonlight Sonata and add a touch of romance to your repertoire. Seize the opportunity to bring Beethoven's timeless masterpiece to life – purchase your copy now and let the music inspire you.
$9.99
'Twas The Eve Of Christ's Birth (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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'Twas The Eve Of Christ's Birt
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1506757 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1506757 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 14 pages. Exultet Music #1082128. Published by Exultet Music (A0.1506757). A new poem about the first Christmas in the style of Clement Clark Moore's 'Twas The Night Before Christmas is interspersed with Silent Night. This harmonically lush version of Silent Night starts off as a tender 4/4 ballad then progresses to the a lullaby-like 6/8 for the second verse to a glorious 3/4 finale. Scored for a Soprano Saxophone solo with Piano accompaniment. An accompaniment track is also available.
$5.99
The Best Of Herbert L. Clarke
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Contemporain
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Herbert L
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Bertrand Moren
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Piano
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The Best Of Herbert L. Clarke
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Editions Marc Reift - Digital
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SheetMusicPlus
12 Solos. Composed by Herbert L. Clarke (1867-1945). Arranged by Bertrand Moren. Soprano Saxophone & Piano. Score and parts. 58 pages. Editions Ma...
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12 Solos. Composed by Herbert L. Clarke (1867-1945). Arranged by Bertrand Moren. Soprano Saxophone & Piano. Score and parts. 58 pages. Editions Marc Reift - Digital #34537. Published by Editions Marc Reift - Digital
$20.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Menuet II - EASY (soprano sax & piano)
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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David Kocijan
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David Kocijan
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Menuet II - EASY
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1138964 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Po...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1138964 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Pop. Score and part. 4 pages. David Kocijan #739252. Published by David Kocijan (A0.1138964). Menuet II from Cello suite No.1 (BWV 1077) cover arranged for piano and soprano saxophone. Transcription available for Violin, Viola, Flute, Clarinet, Trumpet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/SmoothBach.
$9.99
Arioso (soprano sax & piano) - INT
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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David Kocijan
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David Kocijan
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Arioso
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1150339 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Po...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1150339 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Pop. Score and part. 4 pages. David Kocijan #750518. Published by David Kocijan (A0.1150339). Arioso from Cantata 156 (BWV 156) - cover arranged for piano and soprano saxophone. From The Smooth Bach collection - Volume 1 https://youtu.be/vWqZmiIe0YE Available for Violin, Viola, Flute, Clarinet, Trumpet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/SmoothBach
$9.99
Minuet in G-minor, BWV Anh 115 (soprano sax & piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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David Kocijan
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David Kocijan
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Minuet in G-minor, BWV Anh 115
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1119223 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Po...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1119223 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Pop. Score and part. 7 pages. David Kocijan #720638. Published by David Kocijan (A0.1119223). Minuet in G-minor, BWV Anh 115 arranged for piano and soprano saxophone. Transcription available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/SmoothBach.
$9.99
Menuet II (soprano sax & piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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David Kocijan
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David Kocijan
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Menuet II
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1150689 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Po...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1150689 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Pop. Score and part. 6 pages. David Kocijan #750870. Published by David Kocijan (A0.1150689). Menuet II from Cello suite No. 1 (BWV 1007) - cover arranged for piano and soprano saxophone. From The Smooth Bach collection - Volume 1 https://youtu.be/vWqZmiIe0YE Available for Violin, Viola, Flute, Clarinet, Trumpet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/SmoothBach.
$9.99
Air on the G String (soprano sax & piano) - EASY
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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David Kocijan
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David Kocijan
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Air on the G String
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David Kocijan
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1138724 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Po...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1138724 By David Kocijan. By Johann Sebastian Bach. Arranged by David Kocijan. Baroque,Instructional,Jazz,Pop. Score and part. 6 pages. David Kocijan #739026. Published by David Kocijan (A0.1138724). Air on the G String - Suite No. 3 (BWV 1068) cover arranged for piano and soprano saxophone. Transcription available for Violin, Viola, Flute, Clarinet, Trumpet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/SmoothBach
$9.99
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