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701
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35
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28
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28
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14
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12
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7
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4
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3
Piano Trio: piano, violon, violoncelle
1
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52
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24
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5
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2
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1
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187
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31
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18
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5
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4
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3
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3
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2
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2
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2
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1
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95
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91
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90
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78
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67
Saxophone Alto et Piano
67
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61
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61
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51
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38
2 Clarinettes (duo)
33
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31
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27
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27
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21
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21
2 Flûtes traversières (duo)
21
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20
Clarinette
14
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14
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12
2 Hautbois (duo)
11
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10
Hautbois, Clarinette (duo)
10
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9
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
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9
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9
Flûte et Guitare
9
Flûte, Trompette (duo)
8
3 Saxophones (trio)
8
Saxophone Alto
7
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7
3 Clarinettes (trio)
7
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6
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5
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4
Hautbois (partie séparée)
4
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4
Flûte traversière
3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
Cor anglais, Piano
1
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1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Flute, harpe et violon
1
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1
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1
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1
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1
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1
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62
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58
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34
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31
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29
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19
2 Trompettes (duo)
13
2 Trombones (duo)
13
Quatuor de Cuivres
12
Trompette, Trombone (duo)
10
Cor
7
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5
Cor et Piano
4
Trombone
4
Quatuor de cuivres: 4 cors
4
Tuba
2
Euphonium, Piano (duo)
2
Tuba et Piano
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1
3 Trombones (trio)
1
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1
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Ensemble de Trombones
1
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2 Cors (duo)
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106
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91
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69
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66
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34
Harpe
23
Violon
23
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18
2 Violoncelles (duo)
16
Violoncelle
14
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14
Violon, Alto (duo)
12
2 Altos (duo)
11
Trio à Cordes: 2 violons, violoncelle
7
Violoncelle , Guitare (duo)
6
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6
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4
4 Violoncelles
3
Alto (partie séparée)
3
Alto seul
3
Violon (partie séparée)
2
Contre Basse
2
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1
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1
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1
Harpe et Piano
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
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41
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13
Jazz combo
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Saxophone Soprano et Piano
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Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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PRN
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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PRN
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Brandon Nelson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 13 pages. Brandon Nelson #1954831. Published by Brandon Nelson (A0.912904). PRN, in this case, has numerous meanings. P, R, and N refer to types of harmonic progression within Hugo Riemann’s theoretical system. Starting from a given triad, P moves to the parallel major/minor triad, R goes to the relative major/minor triad, and N, if the previous chord was major goes to the minor subdominant and, if minor, goes to the major dominant. These relationships are exploited as the fundamental harmonic and melodic building blocks of the piece. Rhythmically, the PRN is regarded alphabetically. P is the 16th letter of the alphabet, R the 18th, and N the 14th letter. The distance from P to R is two letters and the distance from R to N is five letters. Taken with the difference between the two relationships (three), these are used to determine rhythm metric and proportional fashions. PRN also refers to the medical term pro re nata, or take as needed. As a nurse, PRN medications are a common encounter and serves in this case as a nod to my other professional vocation and my passion for healing. Learn more about me at: bnelsonmusic.wordpress.com.
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