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James' March
Sheetmusicplus
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129
Piano & claviers
Piano seul
256
Orgue
39
Piano Facile
13
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
3
Piano, Voix
3
Accordéon
2
1 Piano, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Instruments en Do
1
Clavecin
1
+ 9 instrumentations
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Guitares
Basse électrique (partie séparée)
6
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Guitare notes et tablatures
2
Paroles et Accords
1
Guitare
1
Basse electrique
1
Ukulele
1
+ 3 instrumentations
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10
Chorale 3 parties
4
Chorale TTBB
3
Chorale Unison
2
Chorale 2 parties
1
Chorale
1
Chorale SSAA
1
+ 2 instrumentations
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63
Clarinette (partie séparée)
38
Flute (partie séparée)
28
Flûte traversière et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Hautbois, Piano (duo)
12
Ensemble de Clarinettes
11
Quatuor de Saxophones: 4 saxophones
10
Hautbois (partie séparée)
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette et Piano
6
Saxophone Alto et Piano
6
Saxophone Baryton, Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto
5
Saxophone Tenor
5
Saxophone Tenor et Piano
4
Clarinette
4
3 Clarinettes (trio)
4
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
3
Cor anglais, Piano
3
2 Saxophones (duo)
3
3 Saxophones (trio)
2
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2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
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2
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2
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2
2 Flûte à bec (duo)
1
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1
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1
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1
Flûte traversière
1
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59
Trompette (partie séparée)
55
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34
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23
Tuba (partie séparée)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor
6
Trombone et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Piano
5
Cor et Piano
5
Trompette
4
Quatuor de cuivres: 4 trombones
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Tuba
3
Euphonium (partie séparée)
2
Trombone
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trompettes
2
Tuba et Piano
1
Trompette, Saxophone (duo)
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Tuba ou Euphonium ou Saxhorn
1
4 Tubas
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
13
Violoncelle, Piano
9
Alto, Piano
8
Violon
6
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
3
Violoncelle
3
Violon, Violoncelle (duo)
3
Harpe
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
2 Altos (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Alto, Violoncelle (duo)
1
+ 12 instrumentations
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Fanfare
527
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146
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36
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19
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19
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16
Orchestre
11
Ensemble Jazz
8
Cloches
7
Batterie
6
Timbales (partie séparée)
6
Orchestre à Cordes
6
Jazz combo
2
Timbales
1
Marimba
1
Xylophone
1
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Vous avez sélectionné:
James' March
SheetMusicPlus
Partitions à imprimer
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Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Tchaikovsky: March from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549663 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romanti...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549663 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3518959. Published by jmsgu3 (A0.549663). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is great for Christmas programs. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
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James' March
