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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
LATER
Non classifié
1 157
Piano & claviers
Piano seul
592
Piano, Voix
240
Piano, Voix et Guitare
177
Piano Facile
125
Instruments en Do
76
Orgue
67
Accompagnement Piano
63
Accordéon
36
1 Piano, 4 mains
21
Piano grosses notes
14
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
71
Guitare notes et tablatures
67
Ligne De Mélodie, (Paroles) et Accords
58
Ukulele
20
2 Guitares (duo)
12
Paroles et Accords
10
Piano, Guitare (duo)
8
Basse electrique
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
276
Chorale 3 parties
70
Chorale TTBB
49
Voix Tenor, Piano
48
Chorale 2 parties
40
Voix Soprano, Piano
36
Chorale SSAA
35
Voix Alto, Piano
32
Voix Baryton, Piano
30
Chorale Unison
17
Voix duo
6
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
5
Voix haute
4
Voix basse, Piano
3
Chorale
3
Voix Soprano
2
Voix basse
1
Voix seule
1
Chorale SSATB
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
136
2 Saxophones (duo)
127
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
113
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Hautbois, Piano (duo)
87
Saxophone Alto et Piano
85
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
65
2 Clarinettes (duo)
61
Saxophone Tenor et Piano
59
Saxophone Soprano et Piano
56
Saxophone, Clarinette (duo)
50
Flûte traversière
49
Saxophone Alto
47
2 Flûtes traversières (duo)
46
Saxophone Tenor
44
Clarinette
43
Saxophone Baryton, Piano
42
Saxophone (partie séparée)
40
Cor anglais, Piano
38
Clarinette, Violon (duo)
34
Quintette de Saxophone: 5 saxophones
32
Clarinette, Trompette (duo)
28
Flûte, Clarinette (duo)
27
3 Saxophones (trio)
25
2 Hautbois (duo)
23
Hautbois, Basson (duo)
21
Clarinette Basse, Piano
20
Hautbois, Clarinette (duo)
19
Quatuor de Flûtes : 4 flûtes
19
Flûte, Saxophone (duo)
19
Flûte, Violon
18
Clarinette et Alto
18
Ensemble de Clarinettes
16
Flûte, Trompette (duo)
14
Hautbois, Flûte
14
Hautbois (partie séparée)
12
Ensemble de Flûtes
12
2 Flûte à bec (duo)
11
Ensemble de saxophones
11
Quintette de Flûte : 5 flûtes
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
9
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois, Clarinette (trio)
7
Clarinette, Violoncelle (duo)
5
Flûte à bec Soprano
5
Flûte, Violon, Piano
5
Cor Anglais
4
3 Flûtes à bec (trio)
4
Flûte à bec Soprano, Piano
4
Clarinette, Guitare (duo)
4
Piccolo, Piano
3
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto, Piano
3
Clarinette, Orgue
3
Flûte à Bec
3
Flûte, Violon et Violoncelle
3
Flûte, Basson et Piano
2
Clarinette, Trombone (duo)
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Saxophone Soprano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Violoncelle
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Orgue
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Clarinette Basse
2
4 Hautbois
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Flûte et Guitare
1
2 Saxophones, Piano
1
Flute (partie séparée)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Harmonica
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières, Piano
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Ocarina
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trombone et Piano
77
Trompette
61
Trompette, Piano
56
Cor et Piano
53
Euphonium, Piano (duo)
42
Cor anglais, Piano
38
Trompette, Saxophone (duo)
34
Trombone
29
2 Trombones (duo)
28
Trompette, Trombone (duo)
26
2 Trompettes (duo)
24
Tuba et Piano
19
Cor
16
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
9
Ensemble de Trombones
8
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Euphonium
5
Trombone, Cor (duo)
4
Tuba
4
Cor (partie séparée)
4
Cor Anglais
4
Ensemble de Cors
4
Ensemble de Trompettes
4
Trompette, Cor (duo)
3
2 Euphoniums (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
2
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Tuba et Orgue
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse et Piano
1
4 Tubas
1
Trio de Cuivres
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
172
Alto, Piano
102
Violoncelle, Piano
94
Violon
65
Violon, Violoncelle (duo)
57
Violoncelle
53
2 Violons (duo)
43
Trio à Cordes: violon, alto, violoncelle
36
Violon, Alto (duo)
28
Alto seul
27
Harpe
26
Trio à Cordes: 2 violons, violoncelle
25
2 Altos (duo)
22
2 Violoncelles (duo)
21
2 Harpes (duo)
13
Alto, Violoncelle (duo)
8
2 Contrebasses (duo)
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
4 Violoncelles
5
Alto (partie séparée)
4
Alto, Guitare (duo)
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 altos
4
Contre Basse
4
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Harpe, Flûte (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Orchestre
108
Orchestre à Cordes
92
Ensemble de cuivres
70
Ensemble Jazz
52
Orchestre de chambre
36
Cloches
24
Jazz combo
14
Fanfare
10
Batterie
5
Marimba
5
Ensemble de Percussions
4
Vibraphone
3
Batterie (partie séparée)
2
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
style (tous)
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Saxophone Soprano et Piano
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Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
#
FACILE
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
O When the Saints, Gospel Song for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Traditional
#
David McKeown
#
O When the Saints, Gospel Song
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.593100 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritua...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.593100 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416307. Published by David McKeown (A0.593100). O When the Saints is a beautiful spiritual arranged here for Solo Soprano Saxophone and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
Après un rêve, Op.7 - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. Score and part. 10 pages. Sheet Music To Play Editions #1052351. Published by Sheet Music To Play Editions (A0.1474764). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
I Write The Songs
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549335 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549335 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486307. Published by jmsgu3 (A0.549335). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Love Lifted Me, Gospel Hymn for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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James Rowe
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David McKeown
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Love Lifted Me, Gospel Hymn fo
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.593009 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.593009 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415213. Published by David McKeown (A0.593009). Love Lifted Me is a beautiful hymn arranged here for Solo Soprano Saxophone and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
Vivaldi: Sonata No. 3 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638423. Published by jmsgu3 (A0.550455). Sonata da Chiesa No. 3 in A Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Tu del ciel ministro eletto, Aria by G F Handel, for Soprano Saxophone, Clarinet and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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Tu del ciel ministro eletto, A
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David McKeown
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - SKU: A0.587990 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Stand...
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Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - SKU: A0.587990 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. Score and parts. 8 pages. David McKeown #5205735. Published by David McKeown (A0.587990). Tu del ciel ministro eletto is a beautiful and serene aria from Handel’s Oratorio Il trionfo del Tempo. The oratorio premiered in Rome in 1707, but Handel twice revised it later in his career. In this aria Beauty turns her back on pleasure and dedicates her heart to the Elected Minister of Heaven. The soprano voice and solo violin are in constant dialogue throughout.This version of Tu del ciel ministro eletto is arranged as a Duet for Soprano Saxophone, Clarinet and Piano. The piano part is straightforward, but the saxophone and clarinet parts will set challenges for control, breathing and tuning. Performance time is around five minutes. The pdf file contains both the piano score and both instrumental parts. You can listen to a full-length performance of the Clarinet version of Tu del ciel minstrel eletto via the YouTube link above. Musicians at an intermediate level and above will find Tu del ciel ministro eletto ideal for formal and informal performances.Teachers will enjoy using this arrangement to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Après un rêve (Fauré) for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1303417 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1303417 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892991. Published by SCORE EDITIONS (A0.1303417). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Vivaldi: Sonata No. 5 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550507 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550507 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717175. Published by jmsgu3 (A0.550507). Sonata da Chiesa No. 5 in E Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Onward Christian Soldiers, Gospel Hymn for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.593152 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.593152 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416493. Published by David McKeown (A0.593152). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Three Gymnopedies by Satie - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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Contemporain
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Erik Satie
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César Madeira
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Three Gymnopedies by Satie - S
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1222642 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instruction...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1222642 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818920. Published by Sheet Music To Play Editions (A0.1222642). Three Gymnopédies by Satie. Arrangement for Soprano Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Nessun Dorma by Puccini - Soprano Sax and Piano (Individual Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Sopr
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1223322 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1223322 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #819531. Published by Sheet Music To Play Editions (A0.1223322). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Soprano Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Tu del ciel ministro eletto, Aria by G F Handel, for Clarinet, Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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Tu del ciel ministro eletto, A
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David McKeown
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - SKU: A0.587978 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Stand...
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Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - SKU: A0.587978 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. Score and parts. 8 pages. David McKeown #5205709. Published by David McKeown (A0.587978). Tu del ciel ministro eletto is a beautiful and serene aria from Handel’s Oratorio Il trionfo del Tempo. The oratorio premiered in Rome in 1707, but Handel twice revised it later in his career. In this aria Beauty turns her back on pleasure and dedicates her heart to the Elected Minister of Heaven. The soprano voice and solo violin are in constant dialogue throughout.This version of Tu del ciel ministro eletto is arranged as a Duet for Clarinet, Soprano Saxophone and Piano. The piano part is straightforward, but the clarinet and saxophone parts will set challenges for control, breathing and tuning. Performance time is around five minutes. The pdf file contains both the piano score and both instrumental parts. You can listen to a full-length performance of the Clarinet version of Tu del ciel minstrel eletto via the YouTube link above. Musicians at an intermediate level and above will find Tu del ciel ministro eletto ideal for formal and informal performances.Teachers will enjoy using this arrangement to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Nessun Dorma by Puccini - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Sopr
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1179763 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1179763 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #779711. Published by Sheet Music To Play Editions (A0.1179763). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Three Gymnopedies by Satie - Soprano Sax and Piano (Full Score)
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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Contemporain
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Erik Satie
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César Madeira
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Three Gymnopedies by Satie - S
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.1222643 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instruction...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.1222643 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818921. Published by Sheet Music To Play Editions (A0.1222643). Three Gymnopédies by Satie. Arrangement for Soprano Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
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