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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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Life Is Short Music
Non classifié
86
Piano & claviers
Piano seul
62
Piano grosses notes
36
Piano, Voix et Guitare
28
Piano Facile
14
Orgue
13
Piano, Voix
10
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
+ 5 instrumentations
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Guitare
5
Guitare notes et tablatures
1
Voix
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26
Chorale 3 parties
15
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9
Chorale SSAA
4
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2
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2
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2
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1
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1
Chorale 2 parties
1
Chorale
1
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2 Saxophones (duo)
21
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16
Quatuor de Saxophones: 4 saxophones
11
2 Clarinettes (duo)
10
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Quintette de Saxophone: 5 saxophones
6
Clarinette et Piano
6
2 Hautbois (duo)
5
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
4
Saxophone Alto et Piano
4
Ensemble de Clarinettes
4
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3
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
3
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3
2 Saxophones, Piano
2
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2
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2
Clarinette et Alto
2
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2
Saxophone Soprano et Piano
2
Flûte à bec, Guitare (duo)
1
Saxophone Tenor et Piano
1
Flûte traversière
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Saxophone Alto
1
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1
2 Flûtes traversières, Piano
1
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1
Clarinette, Basson (duo)
1
+ 29 instrumentations
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10
Trompette
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trombones (duo)
5
2 Trompettes (duo)
5
2 Cors (duo)
4
Cor et Piano
3
Trombone et Piano
3
Trompette, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Piano
2
2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Cor et Orgue
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
Ensemble de Trompettes
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
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Quatuor à cordes: 2 violons, alto, violoncelle
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon et Piano
10
2 Harpes (duo)
7
Violon
7
Violoncelle, Piano
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Alto, Piano
5
Trio à Cordes: violon, alto, violoncelle
3
Violon, Guitare (duo)
3
Alto et Harpe
2
Contre Basse
2
Violon, Clarinette, Piano (trio)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto seul
2
2 Contrebasses (duo)
2
Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
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Orchestre d'harmonie
33
Orchestre
21
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Orchestre de chambre
5
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Ensemble Jazz
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3
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Life Is Short Music
Saxophone Soprano et Piano
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Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Bridal Chorus (Wedding March): Soprano Sax and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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John A
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Bridal Chorus
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.524005 Composed by Richard Wagner. Arranged by John A. Dempsey. Contemporary,Film/TV,Romantic Period,Traditi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.524005 Composed by Richard Wagner. Arranged by John A. Dempsey. Contemporary,Film/TV,Romantic Period,Traditional,Wedding. Score and part. 7 pages. John A. Dempsey #4608311. Published by John A. Dempsey (A0.524005). In this sparkling version of classic wedding music, the soprano sax has the melody; the piano part is varied and embellished. A fresh elegant rendition of a traditional, well-known theme, this romantic music is a must-have for a once-in-a-lifetime wedding. This duet arrangement is both fresh and versatile, in terms of length. If a shorter version is required, simply end at the first chord of measure 11. Â Concert Key: F major. Â 4 pages of music (that includes a separate one-page soprano sax part).
$6.99
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