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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Liszt
Sheetmusicplus
Non classifié
198
Piano & claviers
Piano seul
785
Piano, Voix
516
Piano Facile
71
Orgue
45
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
6
Piano, Voix et Guitare
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
8
2 Guitares (duo)
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Paroles et Accords
1
Mandoline
1
4 Guitares (Quatuor)
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Voix seule
72
Chorale SATB
15
Chorale SSAA
6
Chorale 3 parties
5
Voix basse, Piano
5
Chorale TTBB
3
Voix haute
3
Chorale 2 parties
2
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Saxophone Alto et Piano
25
Clarinette et Piano
21
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Tenor et Piano
13
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
13
2 Saxophones (duo)
12
Saxophone Baryton, Piano
10
Clarinette Basse, Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette
7
Flûte traversière
6
Cor anglais, Piano
5
Ensemble de Clarinettes
5
2 Flûtes traversières (duo)
5
Saxophone et Guitare
4
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes : 4 flûtes
4
Piccolo, Piano
3
Flûte, Clarinette (duo)
3
Clarinette (partie séparée)
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flute (partie séparée)
2
Saxophone Alto
2
Ensemble de saxophones
2
Saxophone Tenor
2
2 Hautbois (duo)
2
Flûte, Clarinette et Basson
2
Flûte à bec, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Violoncelle, Piano (trio)
1
Piccolo
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Flûte, Alto et Piano
1
Harmonica
1
3 Clarinettes (trio)
1
Flûte, Violon, Piano
1
Hautbois, Basson (duo)
1
Clarinette, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Flûte et Guitare
1
+ 46 instrumentations
Retracter
Cuivres
Trombone et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor et Piano
12
Euphonium, Piano (duo)
12
Trompette, Piano
11
Tuba et Piano
9
Trompette
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
3
Trombone
2
Cor (partie séparée)
2
Trompette et Guitare
2
2 Trompettes (duo)
2
Trombone basse et Piano
1
2 Cors (duo)
1
Ensemble de Trombones
1
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
Trombone, Orgue
1
Tuba (partie séparée)
1
Cor
1
Trompette (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
39
Violoncelle, Piano
34
Quatuor à cordes: 2 violons, alto, violoncelle
28
Alto, Piano
26
Violon (partie séparée)
10
Violon
10
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violoncelle
4
Violoncelle (partie séparée)
4
Contrebasse (partie séparée)
3
2 Altos (duo)
3
Alto seul
3
Violon, Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe
2
2 Violons, Piano
2
2 Violoncelles (duo)
2
Harpe, Violon (duo)
2
Trio à cordes
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
44
Orchestre d'harmonie
37
Orchestre à Cordes
26
Ensemble de cuivres
7
Piano et Orchestre
3
Orchestre de chambre
2
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Jazz combo
1
Batterie (partie séparée)
1
Vibraphone (partie séparée)
1
+ 6 instrumentations
Retracter
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COR ANGLAIS
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Liszt
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Liszt: Liebestraume for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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James M
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Liszt: Liebestraume for Sopran
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.550060 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.550060 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592341. Published by jmsgu3 (A0.550060). Duration: 4:25 Score: 11 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Liebestraum (Dream Of Love), Franz Liszt, For Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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Franz Liszt
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Eugene Egorov
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Liebestraum
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Eugene Egorov
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.637780 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.637780 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4845401. Published by Eugene Egorov (A0.637780).
$4.99
Liebestraum No.3 - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Soprano Sax
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1499352 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1499352 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1075407. Published by Sheet Music To Play Editions (A0.1499352). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
"Liebesträum No.3" (Asdur) Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Fr
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pfkaori
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"Liebesträum No.3&qu
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pfkaorimusic
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1371991 By Fr.Liszt. By Fr.Liszt. Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1371991 By Fr.Liszt. By Fr.Liszt. Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956177. Published by pfkaorimusic (A0.1371991). Composer: Fr.Liszt Song: Dream of love - Liebesträum No.3 Orchestration: Soprano Sax & Piano Tone:Aflat (Sax in Bâ™) *Part score included full ver.
$6.99
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Dreams of Love No. 3 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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Diego Marani
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Dreams of Love No. 3 for Sopra
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1102813 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1102813 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #706183. Published by Diego Marani (A0.1102813). Liebesträume (German for Dreams of Love) is a set of three solo piano works by Franz Liszt, published in 1850. Liebestraum No. 3 (also called Nocturne) is the last of the three that Liszt wrote and the most popular. This easy/intermediate arrangement for soprano sax (or tenor sax) with piano is suitable for classroom, repertoire, recital, wedding or simply for a beautiful encore.
$8.99
Romance
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Saxophone Soprano et Piano
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FACILE
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Classique
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Franz Liszt
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Timofei Dokshitser
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Romance
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 2 - SKU: R0.40100 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Soprano Saxophone...
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Soprano Saxophone & Piano - Grade 2 - SKU: R0.40100 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Soprano Saxophone & Piano. Score and parts. 7 pages. Duration 4'48. Editions Marc Reift - Digital #40100. Published by Editions Marc Reift - Digital (R0.40100).
$11.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Consolation No. 3
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Franz Liszt
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Timofei Dokshitser
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Consolation No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 3 - SKU: R0.46654 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Soprano Saxophone & Piano. Score and parts....
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Soprano Saxophone & Piano - Grade 3 - SKU: R0.46654 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Soprano Saxophone & Piano. Score and parts. 6 pages. Duration 3'55. Editions Marc Reift - Digital #46654. Published by Editions Marc Reift - Digital (R0.46654).
$11.95
The Wedding Album, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo So
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Sc...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
70 Easy Classical Pieces For Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For S
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 101 pages. Eugene Egorov #4854311. Published by E...
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Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 101 pages. Eugene Egorov #4854311. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier's March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty & Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor's Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose Edward.
$29.95
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