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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
March from Symphony No. 1
Non classifié
15
Piano & claviers
Piano Facile
3
Piano seul
2
Guitares
Voix
Vents
2 Saxophones (duo)
5
2 Flûtes traversières (duo)
4
2 Hautbois (duo)
4
Flûte traversière et Piano
4
Saxophone (partie séparée)
4
2 Clarinettes (duo)
3
Clarinette (partie séparée)
3
Hautbois, Piano (duo)
2
Flute (partie séparée)
2
Clarinette et Piano
1
Hautbois
1
Saxophone Alto et Piano
1
Hautbois (partie séparée)
1
Saxophone Tenor et Piano
1
Clarinette
1
Saxophone Soprano et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
13
2 Trombones (duo)
3
2 Euphoniums (duo)
2
2 Cors (duo)
2
Cor
2
Trombone et Piano
2
Trompette (partie séparée)
2
Tuba et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Tuba
1
Tuba (partie séparée)
1
Tuba ou Euphonium ou Saxhorn
1
2 Tubas (duo)
1
Trompette, Piano
1
Trombone (partie séparée)
1
Cor et Piano
1
2 Trompettes (duo)
1
Trompette
1
+ 13 instrumentations
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Cordes
Violon (partie séparée)
6
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto, Piano
3
Contrebasse (partie séparée)
3
Violon, Alto (duo)
2
Violoncelle (partie séparée)
2
Violon et Piano
2
Violoncelle, Piano
2
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Alto seul
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
26
Orchestre à Cordes
4
Percussion (partie séparée)
2
Percussion
1
Orchestre
1
Timbales
1
+ 1 instrumentations
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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CLARINETTE
CLAVECIN
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Vous avez sélectionné:
March from Symphony No. 1
Saxophone Soprano et Piano
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Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Perio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646278. Published by Diego Marani (A0.1041524). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for soprano sax with piano is suitable for classroom, repertoire and recital.
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