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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Marked
Non classifié
428
Piano & claviers
Piano seul
189
Piano Facile
76
Instruments en Do
31
Piano, Voix et Guitare
24
Piano, Voix
22
1 Piano, 4 mains
7
Orgue
6
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Banjo
2
Ukulele
2
2 Guitares (duo)
2
Basse electrique
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale 3 parties
18
Chorale 2 parties
5
Chorale TTBB
5
Chorale Unison
4
Chorale SSAA
3
Voix duo, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
Quintette de Saxophone: 5 saxophones
56
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière et Piano
29
Quatuor de Saxophones: 4 saxophones
27
Flûte traversière
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
19
Clarinette et Piano
19
Saxophone Soprano et Piano
17
Clarinette
16
Ensemble de Clarinettes
13
Flûte et Guitare
11
Saxophone Baryton, Piano
10
Saxophone Tenor
9
Saxophone Alto
9
Saxophone Tenor et Piano
9
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
7
Clarinette, Harpe (duo)
7
3 Clarinettes (trio)
7
Clarinette Basse, Piano
6
Ensemble de Flûtes
5
3 Saxophones (trio)
5
2 Clarinettes (duo)
5
Hautbois, Harpe
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone et Harpe
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Cor anglais, Piano
3
2 Flûte à bec (duo)
3
Flûte, Clarinette, Piano (trio)
2
Saxophone (partie séparée)
2
Quatuor de Flûtes à bec
2
Ensemble De Flûte à bec
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Hautbois (partie séparée)
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Saxophone et Guitare
1
Cor Anglais
1
Piccolo
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Basson et Piano
1
Hautbois, Basson et Piano
1
Harmonica
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Cor anglais et Harpe (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
16
Trombone et Piano
14
Trompette, Piano
12
Cor
11
Cor et Piano
11
Trombone
10
Ensemble de Trombones
9
Trompette, Harpe
9
Cor et Harpe
8
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Tuba
3
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Cor Anglais
1
2 Trompettes (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Cor anglais et Harpe (duo)
1
+ 27 instrumentations
Retracter
Cordes
2 Harpes (duo)
196
Quatuor à cordes: 2 violons, alto, violoncelle
127
Harpe
104
Violon et Piano
31
Violoncelle, Piano
21
Violon
16
Alto, Piano
12
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
11
Harpe, Violon (duo)
10
2 Violons (duo)
10
Harpe, Flûte (duo)
8
Ensemble de Violons
7
Violon (partie séparée)
7
Ensemble d'Altos
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
4
Violon, Alto (duo)
4
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Contre Basse
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
5 Harpes
2
Harpe, Trombone (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
3 Harpes
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Alto et orchestre
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Harpe, Voix
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Orchestre à Cordes
88
Cloches
21
Orchestre
21
Ensemble Jazz
18
Ensemble de cuivres
13
Orchestre de chambre
9
Jazz combo
6
Batterie
6
Vibraphone
2
Ensemble de Percussions
2
2 Marimbas
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Marked
Saxophone Soprano et Piano
Partitions à imprimer
17 partitions trouvées
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1
XVIII Hour Day
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Roma Cafolla
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XVIII Hour Day
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Forton Music - Digital
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SheetMusicPlus
Ssax. Pft - Intermediate-Advanced - SKU: F2.FM442 Composed by Roma Cafolla. Soprano Saxophone and piano. Score and part. 16 pages. Forton Music - Digita...
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Ssax. Pft - Intermediate-Advanced - SKU: F2.FM442 Composed by Roma Cafolla. Soprano Saxophone and piano. Score and part. 16 pages. Forton Music - Digital #FM442. Published by Forton Music - Digital (F2.FM442). ISBN 9790570483419.Marked Presto con energia and in 5/4 - 6/4 - 4/4 the opening soon changes to a Moderato passage in 4/4 before returning to the original tempo and timing but with slight variation. The short coda marked crotchet=100 ends in a descending glissando. Using practically the full range of the instrument, this is a piece for more advanced players.
$7.95
Pleasant Landscape-Schumann-Soprano Sax-Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Robert Schumann
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Phil Beaman
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Pleasant Landscape-Schumann-So
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.844539 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509457. Published by Phil Beaman (A0.844539). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.
$5.99
Via Dolorosa
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Sandi Patty
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Glauco Fernandes
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Via Dolorosa
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Glauco Fernandes
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1398296 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Ho...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1398296 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holiday,Sacred. Score and part. 10 pages. Glauco Fernandes #981572. Published by Glauco Fernandes (A0.1398296). Title: Exclusive Sheet Music Arrangement of Via Dolorosa - Elevate Your Music to a New Level!Description:Immerse yourself in the majestic beauty of sacred music with our exclusive sheet music arrangement of the iconic Via Dolorosa. This stirring composition, depicting a journey of sacrifice and passion, has touched hearts around the globe, standing out as a cornerstone of Christian music. Now, through this detailed sheet music, we offer you the opportunity to bring this powerful story to life, enriching your musical repertoire with a deeply emotional and personal interpretation.Via Dolorosa is renowned for its unique ability to evoke deep emotions through its engaging melody and meaningful lyrics, narrating the steps of Jesus Christ on his way to Calvary. With our carefully crafted arrangement, musicians of intermediate and professional levels can explore the nuances of this piece, challenging their skills while providing a memorable experience for listeners.Our sheet music is an essential tool for those wishing to delve into sacred music, perfectly suited for performances in churches, themed concerts, and religious events, where the music speaks directly to the heart.Features:- Professional Arrangement: This arrangement has been developed by renowned musicians, enriching the original composition with a new layer of emotional depth and harmonic complexity.- Clear and Precise Notation: Each page of our sheet music is marked by impeccable musical notation, including all the dynamics, articulations, and expressions needed for an expressive and technically flawless performance.- Ideal for Intermediate and Professional Musicians: Regardless of your level, this sheet music will challenge and develop your musical ability, offering a unique opportunity for artistic and personal growth.Don't miss the opportunity to add this exceptional arrangement of Via Dolorosa to your repertoire. This sheet music not only challenges your technical capabilities but also fosters a deep spiritual connection with your audience.Purchase your copy of the Via Dolorosa sheet music arrangement today and be ready to inspire and move with the transformative power of music.
$6.99
Via Dolorosa
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Sandi Patty
#
Glauco Fernandes
#
Via Dolorosa
#
Glauco Fernandes
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1398297 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Ho...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1398297 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Glauco Fernandes. Chamber,Christian,Holiday,Sacred. Score and part. 10 pages. Glauco Fernandes #981573. Published by Glauco Fernandes (A0.1398297). Title: Exclusive Sheet Music Arrangement of Via Dolorosa - Elevate Your Music to a New Level!Description:Immerse yourself in the majestic beauty of sacred music with our exclusive sheet music arrangement of the iconic Via Dolorosa. This stirring composition, depicting a journey of sacrifice and passion, has touched hearts around the globe, standing out as a cornerstone of Christian music. Now, through this detailed sheet music, we offer you the opportunity to bring this powerful story to life, enriching your musical repertoire with a deeply emotional and personal interpretation.Via Dolorosa is renowned for its unique ability to evoke deep emotions through its engaging melody and meaningful lyrics, narrating the steps of Jesus Christ on his way to Calvary. With our carefully crafted arrangement, musicians of intermediate and professional levels can explore the nuances of this piece, challenging their skills while providing a memorable experience for listeners.Our sheet music is an essential tool for those wishing to delve into sacred music, perfectly suited for performances in churches, themed concerts, and religious events, where the music speaks directly to the heart.Features:- Professional Arrangement: This arrangement has been developed by renowned musicians, enriching the original composition with a new layer of emotional depth and harmonic complexity.- Clear and Precise Notation: Each page of our sheet music is marked by impeccable musical notation, including all the dynamics, articulations, and expressions needed for an expressive and technically flawless performance.- Ideal for Intermediate and Professional Musicians: Regardless of your level, this sheet music will challenge and develop your musical ability, offering a unique opportunity for artistic and personal growth.Don't miss the opportunity to add this exceptional arrangement of Via Dolorosa to your repertoire. This sheet music not only challenges your technical capabilities but also fosters a deep spiritual connection with your audience.Purchase your copy of the Via Dolorosa sheet music arrangement today and be ready to inspire and move with the transformative power of music.
$6.99
Waltz No. 19 in A Minor for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Classique
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Frederic Chopin
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Diego Marani
#
Waltz No. 19 in A Minor for So
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Diego Marani
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.528600 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Perio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.528600 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #6245115. Published by Diego Marani (A0.528600). Frédéric Chopin's Waltz No. 19 in A minor, B. 150, is a waltz for solo piano. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. This waltz is structured as a single movement in rondo form marked allegretto. It is one of Chopin's shortest and technically easiest waltzes.This arrangement for Bb Soprano Sax and Piano includes two different versions: G Minor and F Minor.
$4.99
Turkish March for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
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Diego Marani
#
Turkish March for Soprano Saxo
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Diego Marani
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.528082 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standa...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.528082 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728395. Published by Diego Marani (A0.528082). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Bb Soprano Sax with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
Habanera Sunrise-sop sax, piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Phil Beaman
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Habanera Sunrise-sop sax, pian
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.845247 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497495. Published...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.845247 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497495. Published by Phil Beaman (A0.845247). Habanera Sunrise is a contemporary Latin Jazz solo that evokes the latent energy of a sunrise. The piano accompaniment is a pure milonga rhythm which is derived from tango and habanera. As one music scholar says milonga is an excited habanera. The melody is influenced by the African rhythms of cinquillo and tresillo which are also at the core of habaneras. This fusion sets up cross-rhythms and a challenging polymetric feel within a brisk 5/8 time signature. The accompaniment is mostly 3+2, but the melody is constantly shifting between 2+3, or 3+2, or 5 equal. Habanera Sunrise is for fun vibes, technique practice, rhythm challenges, and crowd-pleasing performances.Solo part has a 2 octave rangemarked Intermediate; notes are Early Intermediate, keeping the shifting 5/8 rhythm is Advanced Intermediate for some6 page score, 2 page part 3:10 minutes
$4.99
Calamity - For Soprano Sax and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Raymond Fenech
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Calamity - For Soprano Sax and
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Raymond Fenech
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.760580 Composed by Raymond Fenech. Contemporary,Easter,Holiday,Multicultural,Video Game,World. Score and par...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.760580 Composed by Raymond Fenech. Contemporary,Easter,Holiday,Multicultural,Video Game,World. Score and part. 8 pages. Raymond Fenech #5320231. Published by Raymond Fenech (A0.760580). This is an original composition. The title ‘Calamity’ was derived from the disastrous event marked by great loss and lasting distress that the World is facing at the moment, hence this relaxing composition. The level is intermediate and the duration is 2.05 minutes.
$3.99
Rondo alla latina
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Saxophone Soprano et Piano
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Hans-Andre Stamm
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Rondo alla latina
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Hans-Andre Stamm
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SheetMusicPlus
Piano,Soprano Saxophone - SKU: A0.1166012 Composed by Hans-Andre Stamm. 20th Century,Chamber,Latin. Score and part. 12 pages. Hans-Andre Stamm #766390. ...
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Piano,Soprano Saxophone - SKU: A0.1166012 Composed by Hans-Andre Stamm. 20th Century,Chamber,Latin. Score and part. 12 pages. Hans-Andre Stamm #766390. Published by Hans-Andre Stamm (A0.1166012). Based on a sort Habanera rhythm marked mainly in the pedal, the flowing of the triplet figuration theme includes melodic lines and a pedal solo leading to the final climax. Duration: 3.30 min.
$8.99
Feast of Love - Soprano Saxophone/Piano
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Saxophone Soprano et Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Soprano Saxoph
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Phil Beaman
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.844551 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.844551 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517847. Published by Phil Beaman (A0.844551). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
Prelude from "Suite Bergamasque" for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Diego Marani
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Prelude from "Suite Berga
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1094727 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1094727 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #698798. Published by Diego Marani (A0.1094727). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for soprano sax with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
Handel: Largo from Xerxes for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wed...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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