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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mos
Non classifié
9 830
Piano & claviers
Piano seul
6 046
Piano grosses notes
3 319
Orgue
2 119
Piano, Voix
1 980
Piano Facile
1 449
Piano, Voix et Guitare
1 326
Accompagnement Piano
1 244
Instruments en Do
435
Accordéon
237
1 Piano, 4 mains
123
Piano Trio: piano, violon, violoncelle
99
Clavier
61
Piano Quatuor: piano, 2 violons, violoncelle
48
Piano (partie séparée)
39
2 Pianos, 4 mains
35
Piano Quatuor: piano, violon, alto, violoncelle
30
Orgue, Trompette (duo)
18
Orgue, Piano (duo)
14
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Clavecin
6
Ligne De Mélodie, Piano
4
Ensemble d'Accordéons
2
Accordéon, Voix
2
Orgue, Voix
2
1 Piano, 6 mains
2
Fake Book
1
Tous Les Instruments
1
2 Pianos, 8 mains
1
2 Accordéons
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
847
Guitare
772
Ligne De Mélodie, (Paroles) et Accords
346
Basse electrique
297
Ukulele
204
2 Guitares (duo)
71
Paroles et Accords
68
Guitare (partie séparée)
38
Mandoline
29
Dulcimer
27
4 Guitares (Quatuor)
26
Piano, Guitare (duo)
25
Banjo
22
Ensemble de guitares
9
3 Guitares (trio)
7
Partitions De Groupes
6
Guitare, Violon, Violoncelle (trio)
5
Ukulele Baryton
4
2 Mandolines (duo)
4
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
3
2 Guitares et Piano
1
Guitare Pedal Steel
1
Luth
1
Guitare, Orchestre
1
Orchestre à Plectres
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
2 339
Chorale 2 parties
925
Chorale 3 parties
877
Chorale TTBB
467
Chorale Unison
315
Voix seule
309
Voix duo, Piano
300
Chorale SSAA
226
Voix duo
169
Voix Soprano, Piano
103
Chorale
83
Voix Tenor, Piano
82
Voix Alto, Piano
79
Pack Instrumental pour Chorale
79
Voix Moyenne
66
Voix haute
54
Voix Baryton, Piano
45
Chorale SSATTB
28
Chorale SSATB
27
Soli, choeur mixte et accompagnement
26
Voix moyenne, Piano
18
Chorale SSAATTBB
17
Voix Tenor
10
Voix basse, Piano
8
Voix basse
4
Voix Soprano
4
Voix Mezzo-Soprano, Piano
3
Chorale SATBB
3
Chorale SSAB a cappella
3
Chorale SSAB, Piano
1
Voix haute, Piano
1
Chorale SSAATB
1
Voix, Guitare
1
Chorale, Orchestre
1
+ 29 instrumentations
Retracter
Vents
Saxophone
885
Quatuor de Saxophones: 4 saxophones
799
Flûte traversière
760
Flûte traversière et Piano
731
Clarinette
715
Clarinette et Piano
641
Saxophone (partie séparée)
594
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
578
Saxophone Alto et Piano
573
Flûte, Hautbois, Clarinette, Basson
521
Hautbois, Piano (duo)
517
Quatuor de Clarinettes: 4 clarinettes
467
2 Saxophones (duo)
445
Saxophone Tenor et Piano
430
Saxophone Soprano et Piano
388
Quintette de Saxophone: 5 saxophones
360
Saxophone Alto
338
2 Flûtes traversières (duo)
300
Saxophone Tenor
225
2 Clarinettes (duo)
224
Quatuor de Flûtes : 4 flûtes
217
Saxophone Baryton, Piano
193
Ensemble de Clarinettes
186
Flûte, Clarinette (duo)
166
Hautbois (partie séparée)
157
Clarinette (partie séparée)
153
Ensemble de saxophones
136
Hautbois
125
Ensemble de Flûtes
117
3 Saxophones (trio)
114
Quintette de Clarinettes: 5 clarinettes
92
Cor anglais, Piano
92
Flûte à Bec
89
Flûte irlandaise
84
3 Clarinettes (trio)
82
Saxophone, Clarinette (duo)
77
Flûte, Violon, Piano
72
Saxophone Soprano
70
2 Hautbois (duo)
69
Hautbois, Basson (duo)
62
Clarinette Basse, Piano
62
Clarinette, Violon (duo)
59
Trio de Flûtes: 3 flûtes
59
Flute (partie séparée)
56
Flûte à bec Soprano
54
Flûte et Guitare
49
2 Flûte à bec (duo)
44
Quintette de Flûte : 5 flûtes
44
Clarinette, Trompette (duo)
42
Cor Anglais
33
Quatuor de Flûtes à bec
33
Saxophone Baryton
32
Flûte, Violon
31
Hautbois, Clarinette (duo)
31
Hautbois, Flûte
31
Hautbois, Clarinette, Basson (trio d'anches)
26
Flûte, Saxophone (duo)
26
Clarinette et Alto
25
Flûte à bec Alto
24
Flûte, Alto (duo)
23
Clarinette, Guitare (duo)
22
Clarinette, Basson (duo)
20
Flûte, Trompette (duo)
20
Flûte, Hautbois, Clarinette (trio)
19
Saxophone et Orgue
18
Ocarina
18
Hautbois, Violoncelle
17
2 Saxophones, Piano
15
5 Flûtes à bec
15
Flûte à bec Tenor
14
Ensemble De Flûte à bec
13
Flûte, Clarinette et Basson
13
Flûte, Hautbois (duo)
13
Flûte à bec Alto, Piano
12
Harmonica
12
Flûte, Violoncelle, Piano (trio)
12
Flûte, Basson et Piano
12
Piccolo, Piano
12
Piccolo
11
Flûte, Violoncelle
11
Flûte, Hautbois, Basson
10
3 Flûtes à bec (trio)
9
2 Clarinettes, Piano
9
Flûte, Clarinette, Piano (trio)
9
Hautbois, Guitare (duo)
9
Flûte, Alto et Piano
8
Clarinette, Violoncelle (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Instruments en Mib
8
Saxophone et Guitare
8
Clarinette, Harpe (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Piano (trio)
7
Flûte à bec, Guitare (duo)
7
Flûte à bec Soprano, Piano
7
Hautbois, Harpe
6
Flûte à Bec, Piano
6
Saxophone et Harpe
6
Clarinette, Basson, Piano (trio)
5
Flûte, Violon et Violoncelle
5
Clarinette, Orgue
5
2 Flûtes traversières, Piano
5
Clarinette Basse
5
Flûte, Trombone (duo)
4
Flûte à bec Soprano, Basse continue
4
Flûte, Violon, Violoncelle et Piano
4
Flûte et Trio à cordes
3
Flûte à bec Alto, Basse continue
3
2 Cors Anglais Et Pianoforte
2
3 Hautbois
2
2 Clarinettes, Basson
2
Flûte traversière, Orgue (duo)
2
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Ensemble à vent
2
Flute, harpe et violon
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone, Basson (duo)
1
2 Flûtes à bec, Guitare
1
Ensemble de Hautbois
1
2 Flûtes à bec, Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes, Basse continue
1
Hautbois, Basson et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, trompette et piano
1
Clarinette, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, alto et harpe
1
Saxophone et violoncelle
1
Flûte, Hautbois, Violon
1
Clarinette, Tuba
1
Cor anglais, Guitare (duo)
1
Saxophone et Piano
1
Hautbois et Orchestre
1
Cor anglais et Harpe (duo)
1
Flûte, trombone et piano
1
Flûte de Pan
1
+ 135 instrumentations
Retracter
Cuivres
Trompette
740
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
702
Trombone et Piano
551
Trombone
539
Trompette (partie séparée)
489
Trompette, Piano
488
Quatuor de Cuivres : 2 trompettes, trombone, tuba
412
Trombone (partie séparée)
411
Cor et Piano
366
Quatuor de Cuivres: 2 trompettes, Cor, trombone
206
Cor
202
Tuba et Piano
145
2 Trompettes (duo)
141
2 Trombones (duo)
119
Tuba
119
Euphonium, Piano (duo)
114
Quatuor de cuivres: 4 trombones
101
Quatuor de Cuivres
98
Cor anglais, Piano
92
Trompette, Cor (duo)
90
Trompette, Trombone (duo)
88
Ensemble de Trombones
76
Ensemble de Trompettes
68
Cor (partie séparée)
62
Quatuor de cuivres: 4 cors
57
Trompette, Saxophone (duo)
56
2 Cors (duo)
56
Euphonium
40
Tuba (partie séparée)
37
Cor Anglais
33
Quatuor de cuivres: 4 trompettes
29
2 Euphoniums et 2 Tubas
26
4 Tubas
23
Ensemble de Cors
19
3 Trombones (trio)
19
3 Trompettes (trio)
18
2 Tubas (duo)
14
Quatuor de cuivres: 2 trompettes, 2 trombones
14
Trombone, Orgue
14
Trio de Cuivres
13
Bass Clef Instruments
10
Trombone basse et Piano
8
Trombone basse
7
Instruments en Sib
7
Trombone, Cor (duo)
6
Tuba ou Euphonium ou Saxhorn
6
Euphonium, Tuba (duo)
6
Cor et Harpe
5
Cor et Orgue
5
Tuba et Orgue
5
2 Trombones, Piano
5
Trompette, Harpe
5
3 Tubas (trio)
4
3 Cors (trio)
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor, Tuba (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
2
Clarinette, Cor (duo)
1
Trombone et orchestre
1
Trompette et Guitare
1
Trombone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone, Piano
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 669
Violon
899
Violon et Piano
859
Violoncelle
689
Violoncelle, Piano
608
Alto, Piano
564
Alto seul
474
Violon, Violoncelle (duo)
466
Trio à Cordes: violon, alto, violoncelle
330
Harpe
284
2 Violons (duo)
210
2 Violoncelles (duo)
192
Violon (partie séparée)
182
2 Harpes (duo)
157
Violon, Alto (duo)
155
Contre Basse
151
Quintette à cordes: 2 violons, alto, violoncelle, basse
134
Contrebasse (partie séparée)
109
Contrebasse, Piano (duo)
107
Trio à Cordes: 2 violons, violoncelle
98
2 Altos (duo)
93
Piano Trio: Violon, Alto, Piano
92
Alto (partie séparée)
73
4 Violoncelles
64
Trio à cordes: 3 violins
53
Alto, Violoncelle (duo)
49
Violon, Guitare (duo)
38
Violoncelle (partie séparée)
36
Harpe, Flûte (duo)
30
Harpe, Violon (duo)
30
Quatuor à cordes : 4 altos
26
Trio à Cordes: 3 violoncelles
26
Violoncelle , Guitare (duo)
23
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
22
Trio à cordes: 3 altos
21
Ensemble de Violons
17
Alto, Guitare (duo)
16
Ensemble d'Altos
15
Alto et Harpe
14
Trio à Cordes: 2 violons, alto
13
Harpe, Violoncelle (duo)
12
Violoncelle, Orgue
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
2 Contrebasses (duo)
10
Harpe, Voix
8
Ensemble de Violoncelles
6
Violoncelle, Orchestre
6
Violon, Orgue
4
Violon, Basson (duo)
4
2 Violoncelles, Piano
3
Harpe, Trombone (duo)
3
2 Violons, Piano
3
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
4 Contrebasses
2
Autoharp
2
3 Harpes
2
Alto et orchestre
2
Alto, Orgue
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes
2
Harpe et Piano
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Violon, Trompette et Piano
1
Violoncelle, Basse continue
1
Harpe et Orgue
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 121
Orchestre à Cordes
869
Ensemble Jazz
700
Orchestre
638
Ensemble de cuivres
475
Fanfare
319
Batterie
302
Orchestre de chambre
260
Cloches
196
Percussion (partie séparée)
135
Jazz combo
75
Ensemble de Percussions
61
Batterie (partie séparée)
37
Percussion
23
Timbales (partie séparée)
14
Xylophone, Piano
13
Marimba
12
Vibraphone
8
Ensemble d'École
7
Instrumentation Flexible
6
Timbales
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone (partie séparée)
3
Piano et Orchestre
3
2 Marimbas
2
3 Marimbas
2
Orchestre, Violon
2
Vibraphone et Marimba
2
Caisse Claire
1
Cajon
1
Marimba, Piano (duo)
1
2 Xylophones
1
Xylophone (partie séparée)
1
Bongos
1
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
+ 32 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Vous avez sélectionné:
Mos
Saxophone Soprano et Piano
Partitions à imprimer
388 partitions trouvées
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376
Mosaic for Sopranino Sax and Piano
#
Saxophone Soprano et Piano
#
AVANCÉ
#
Sy Brandon
#
Mosaic for Sopranino Sax and P
#
Sy Brandon
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1043445 Composed by Sy Brandon. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 28 pag...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1043445 Composed by Sy Brandon. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 28 pages. Sy Brandon #648123. Published by Sy Brandon (A0.1043445). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths.
$9.99
Go Down Moses, Gospel Song for Soprano Saxophone and Piano
#
Saxophone Soprano et Piano
#
FACILE
#
Musique Sacrée
#
Gospel Spirituel
#
Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.592755 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritua...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.592755 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411939. Published by David McKeown (A0.592755). Go Down Moses is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Lacrimosa (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Stephen DeCesare
#
Lacrimosa
#
Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.621171 Composed by Wolfgang Amadeus Mozart. Arrange...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.621171 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Concert,Contemporary,Sacred. Score and parts. 10 pages. Exultet Music #3514079. Published by Exultet Music (A0.621171). The beautiful piece from Mozart's Requiem Mass has been arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school, church or concert setting.
$4.99
Lacrimosa (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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Lacrimosa
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.627515 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Concert,Contem...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.627515 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Concert,Contemporary,Sacred. Score and part. 8 pages. Exultet Music #6015171. Published by Exultet Music (A0.627515). The beautiful piece from Mozart's Requiem Mass has been arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school, church or concert setting.
$4.99
Lacrimosa - Mozart (for Soprano Saxophone and Piano/Organ)
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Saxophone Soprano et Piano
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FACILE
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Classique
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Lacrimosa - Mozart
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SCORE EDITIONS
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIO...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Classical, Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIONS #774222. Published by SCORE EDITIONS
$5.99
Go Down, Moses (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Stephen DeCesare
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Go Down, Moses
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.629347 Composed by African-American Spiritual. Arranged by Stephen DeCesare. Folk,Spiritual,Standards. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.629347 Composed by African-American Spiritual. Arranged by Stephen DeCesare. Folk,Spiritual,Standards. Score and part. 8 pages. Exultet Music #6327879. Published by Exultet Music (A0.629347). The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$4.99
Go Down, Moses (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Stephen DeCesare
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Go Down, Moses
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.629355 Composed by African-American Spiritual. Arra...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.629355 Composed by African-American Spiritual. Arranged by Stephen DeCesare. Folk,Spiritual,Standards. Score and parts. 11 pages. Exultet Music #6327903. Published by Exultet Music (A0.629355). The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$4.99
The Most Wonderful Time Of The Year
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Saxophone Soprano et Piano
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FACILE
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Eddie Pola and George Wyle
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Stephen DeCesare
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The Most Wonderful Time Of The
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.627745 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standard...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.627745 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standards. Score and part. 14 pages. Exultet Music #6050731. Published by Exultet Music (A0.627745). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
The Most Wonderful Time Of The Year
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Saxophone Soprano et Piano
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FACILE
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Eddie Pola and George Wyle
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Stephen DeCesare
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The Most Wonderful Time Of The
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619332 Composed by Eddie Pola and George Wyle. Arra...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619332 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Film/TV,Standards. 27 pages. Exultet Music #2928307. Published by Exultet Music (A0.619332). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Added instrumentation of the Flute and Tubular Bells are also included. Accessible for any level of playing.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Tchaikovsky: Scene 10 from Swan Lake for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549599 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549599 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512843. Published by jmsgu3 (A0.549599). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Après un rêve, Op.7 - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1474764 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. Score and part. 10 pages. Sheet Music To Play Editions #1052351. Published by Sheet Music To Play Editions (A0.1474764). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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