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64
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57
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8
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6
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7
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3
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1
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21
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5
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2
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2
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24
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15
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13
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Vous avez sélectionné:
No New Thing
Saxophone Soprano et Piano
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Liebestraum No.3 - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Soprano Sax
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1499352 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1499352 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1075407. Published by Sheet Music To Play Editions (A0.1499352). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Three Songs
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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David Osbon
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Three Songs
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Forton Music - Digital
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SheetMusicPlus
Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. ...
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Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
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