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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CLAIRON
CLARINETTE
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Our Father
Non classifié
509
Piano & claviers
Piano seul
389
Piano, Voix
183
Orgue
82
Piano, Voix et Guitare
70
Piano Facile
53
Accompagnement Piano
42
Instruments en Do
31
Accordéon
14
1 Piano, 4 mains
10
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
3
2 Pianos, 4 mains
2
Piano (partie séparée)
1
+ 10 instrumentations
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Guitares
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
20
Guitare notes et tablatures
16
Ukulele
11
Basse electrique
11
Ukulele Baryton
2
Paroles et Accords
1
2 Guitares (duo)
1
Mandoline
1
Orchestre à Plectres
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 7 instrumentations
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Voix
Chorale SATB
308
Pack Instrumental pour Chorale
122
Chorale 2 parties
54
Chorale 3 parties
52
Chorale Unison
28
Voix duo, Piano
21
Chorale TTBB
21
Voix seule
15
Voix Alto, Piano
14
Voix duo
10
Voix Soprano, Piano
8
Chorale
6
Chorale SSAA
5
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix Baryton, Piano
3
Voix haute
3
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
+ 14 instrumentations
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Vents
Saxophone
36
Clarinette
31
Flûte traversière
29
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière et Piano
24
2 Saxophones (duo)
19
Clarinette et Piano
19
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
16
Saxophone Tenor
15
2 Flûtes traversières (duo)
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
13
Saxophone (partie séparée)
12
Clarinette (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
11
2 Clarinettes (duo)
10
Hautbois (partie séparée)
9
Quatuor de Flûtes : 4 flûtes
9
Flute (partie séparée)
9
Flûte à Bec
7
Flûte, Clarinette (duo)
6
Clarinette, Violon (duo)
6
Ensemble de saxophones
6
3 Clarinettes (trio)
6
Hautbois, Basson (duo)
6
Quintette de Saxophone: 5 saxophones
6
Saxophone, Clarinette (duo)
5
Clarinette, Basson (duo)
5
Hautbois
5
Trio de Flûtes: 3 flûtes
5
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
Hautbois, Clarinette (duo)
4
Ensemble de Clarinettes
4
Clarinette et Alto
4
Flûte, Violon
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
3
Cor anglais, Piano
3
Quintette de Flûte : 5 flûtes
3
2 Flûte à bec (duo)
3
2 Clarinettes, Piano
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle
2
3 Saxophones (trio)
2
Saxophone et Piano
2
Clarinette, Violoncelle (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Flûte, Alto (duo)
2
Ensemble de Flûtes
2
Hautbois, Flûte
2
Hautbois, Violoncelle
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Flûte irlandaise
1
Clarinette Basse, Piano
1
Flute, harpe et violon
1
Cor Anglais
1
Piccolo
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
+ 60 instrumentations
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Cuivres
Trompette
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone
23
Trompette, Piano
15
Trombone (partie séparée)
15
Trombone et Piano
13
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
9
Cor
9
2 Cors (duo)
7
Trompette (partie séparée)
6
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres
5
Cor (partie séparée)
5
Euphonium
4
Tuba (partie séparée)
4
Tuba
4
Trompette, Saxophone (duo)
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
3
Trio de Cuivres
3
Tuba et Piano
3
Ensemble de Trombones
2
3 Trombones (trio)
2
Cor Anglais
1
Trompette, Trombone (duo)
1
4 Euphoniums
1
Euphonium, Piano (duo)
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
40
Violon
23
Violoncelle, Piano
22
Alto, Piano
20
Harpe
18
Violoncelle
18
Violon, Violoncelle (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Alto seul
11
Violon, Alto (duo)
9
2 Violons (duo)
7
Alto, Violoncelle (duo)
6
Violon (partie séparée)
5
2 Violoncelles (duo)
5
Harpe, Voix
5
2 Altos (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
3
Trio à cordes
3
Quatuor à cordes: 4 violons
3
Alto (partie séparée)
3
2 Harpes (duo)
3
Violoncelle (partie séparée)
2
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
Ensemble de Violoncelles
1
2 Violons, Piano
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Violon, Orgue
1
Violoncelle, Orchestre
1
Ensemble d'Altos
1
4 Violoncelles
1
3 Harpes
1
Contrebasse (partie séparée)
1
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91
Orchestre
45
Cloches
34
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28
Ensemble de cuivres
18
Batterie
6
Orchestre de chambre
6
Percussion (partie séparée)
5
Jazz combo
4
Ensemble Jazz
3
Timbales (partie séparée)
2
Fanfare
1
Orchestre, Violon
1
Percussion
1
Ensemble de Percussions
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Our Father
Saxophone Soprano et Piano
Partitions à imprimer
5 partitions trouvées
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16 Favourite Hymns Vol.1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
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David McKeown
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16 Favourite Hymns Vol.1 for S
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.590312 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and p...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.590312 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #6203827. Published by David McKeown (A0.590312). 16 Favourite Hymns Vol.1 for solo Soprano Saxophone is a collection of popular traditional hymns. They are simply arranged in easy keys for Soprano Saxophone with separate piano accompaniment and chord symbols provided in the same file. The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou MY Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· Oh God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
O Holy Night for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages....
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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Our Father
