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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out Of The East
Non classifié
808
Piano & claviers
Piano seul
534
Piano, Voix
190
Piano Facile
142
Piano, Voix et Guitare
106
Orgue
90
Piano grosses notes
49
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
30
Instruments en Do
26
2 Pianos, 4 mains
9
Orgue, Trompette (duo)
6
1 Piano, 4 mains
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Clavecin
1
2 Pianos, 8 mains
1
Accordéon
1
+ 15 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
51
Guitare notes et tablatures
34
Basse electrique
13
Guitare
12
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
9
3 Guitares (trio)
2
Ensemble de guitares
2
Mandoline
1
Mandoline, Piano (duo)
1
Banjo
1
Guitare (partie séparée)
1
Dulcimer
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
414
Chorale 3 parties
96
Chorale 2 parties
94
Chorale Unison
60
Voix duo, Piano
50
Chorale TTBB
27
Chorale SSAA
16
Voix Soprano, Piano
15
Voix duo
13
Voix haute
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix seule
2
Voix Tenor, Piano
2
Voix Tenor
1
Voix basse
1
Chorale SSATTB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
197
Hautbois, Piano (duo)
168
Clarinette et Piano
117
Saxophone Alto et Piano
96
2 Saxophones (duo)
95
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
55
Flûte, Hautbois, Clarinette, Basson
51
Saxophone, Clarinette (duo)
50
Quatuor de Saxophones: 4 saxophones
41
2 Flûtes traversières (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette, Violon (duo)
33
Clarinette, Trompette (duo)
32
Quatuor de Clarinettes: 4 clarinettes
26
2 Hautbois (duo)
22
Flûte, Clarinette (duo)
21
Flûte traversière
20
Hautbois, Clarinette (duo)
19
Saxophone Soprano et Piano
19
Hautbois, Basson (duo)
18
Flûte, Alto (duo)
17
Flûte, Saxophone (duo)
17
Hautbois, Flûte
17
Clarinette et Alto
17
Flûte, Violon
16
Clarinette
16
Flûte, Trompette (duo)
14
Quintette de Saxophone: 5 saxophones
12
Quatuor de Flûtes : 4 flûtes
11
Saxophone Baryton, Piano
10
Ensemble de Clarinettes
10
Flûte à bec Soprano
9
Saxophone Alto
9
Saxophone (partie séparée)
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Hautbois (partie séparée)
7
Flûte, Violon, Piano
7
3 Saxophones (trio)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
Ocarina
4
Quatuor de Flûtes à bec
4
2 Clarinettes, Piano
4
2 Flûte à bec (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Saxophone et Orgue
3
Flûte, Basson et Piano
3
Flûte, Alto et Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, trombone et piano
3
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Flûte, Trombone (duo)
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Quatuor à Cordes
1
Flûte à bec Tenor
1
Clarinette, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte et Guitare
1
Flûte à Bec
1
4 Hautbois
1
Flûte à Bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
92
Trompette, Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
47
Trompette, Saxophone (duo)
33
2 Trombones (duo)
24
2 Trompettes (duo)
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor et Piano
19
Trompette, Trombone (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Euphonium, Piano (duo)
12
Trombone
11
Cor
9
Tuba et Piano
8
Cor anglais, Piano
8
Tuba
7
Trombone, Orgue
7
Quatuor de Cuivres
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
Trombone (partie séparée)
4
Ensemble de Trombones
4
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
Trio de Cuivres
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Trombone basse
1
4 Euphoniums
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Cor et Orgue
1
Cor, Violoncelle et Piano
1
3 Trompettes (trio)
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
+ 40 instrumentations
Retracter
Cordes
Violon et Piano
244
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violoncelle, Piano
110
Alto, Piano
107
2 Violons (duo)
45
Violon, Violoncelle (duo)
34
Trio à Cordes: violon, alto, violoncelle
28
Violon
24
Harpe
22
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
19
2 Altos (duo)
18
Violon, Alto (duo)
16
Alto seul
14
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
5
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Orgue
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon, Trompette et Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle (partie séparée)
1
4 Harpes
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Flûte, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Cloches
66
Orchestre
41
Orchestre à Cordes
40
Orchestre de chambre
27
Ensemble de cuivres
24
Ensemble Jazz
22
Jazz combo
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Bongos
1
Percussion
1
Fanfare
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Batterie
1
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 13 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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PERCUSSION
PIANO
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TROMBONE
TROMPETTE
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Vous avez sélectionné:
Out Of The East
Saxophone Soprano et Piano
Partitions à imprimer
19 partitions trouvées
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1
Luther: Out of the Depths for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Ton...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
Here I Am To Worship (light Of The World)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Phillips, Craig & Dean
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.518984 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.518984 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129652. Published by Exultet Music (A0.518984). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for a Soprano Saxophone with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658361. Published by David McKeown (A0.594423). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
To God Be the Glory (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Fanny J
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John A
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To God Be the Glory
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.524383 Composed by Fanny J. Crosby, William H. Doane, Scott Joplin. Arranged by John A. Dempsey. Christian,E...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.524383 Composed by Fanny J. Crosby, William H. Doane, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #5372193. Published by John A. Dempsey (A0.524383). In this joyful, vibrant arrangement, a ragtime mood and style infuse the endearing and enduring hymn To God Be the Glory. Â This lively, unique duet for soprano sax and piano contains bursts of Scott Joplin's classic Bethena and is recommended for recitals and concerts as well as church services, youth rallies, praise gatherings and other worship events, as a prelude, postlude, an offertory or special music. Â 10 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major.
$6.99
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
In the Garden / Maple Leaf Rag (Trio for Soprano Sax, Alto Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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C
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John A
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In the Garden / Maple Leaf Rag
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.523608 Composed by C. Austin Miles, Scott Joplin. Arranged by John A. Dempsey....
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.523608 Composed by C. Austin Miles, Scott Joplin. Arranged by John A. Dempsey. Easter,Jazz,Praise & Worship,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #3585317. Published by John A. Dempsey (A0.523608). In this trio for soprano sax, alto sax and piano, In the Garden emerges as a jazzy ragtime tune complete with splashes of Maple Leaf Rag, which give the classic hymn a buoyant, lively texture. Recommended as a prelude, postlude, an offertory or special music for traditional church services and other worship events. 14 pages of music (that includes separate two-page pullout parts for soprano sax and alto sax). Concert Key (Piano): C major. Soprano Sax Key: D major. Alto Sax Key: A major. Soprano Sax/Alto Sax Level: Intermediate. Piano Level: Advanced Intermediate.
$11.99
Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
The Day Of Resurrection (Duet for Soprano and Alto Saxophone - Piano accompaniment)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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The Day Of Resurrection
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.631504 Composed by Traditional. Arranged by Stephen...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.631504 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 11 pages. Exultet Music #6616073. Published by Exultet Music (A0.631504). The powerful hymn about the Resurrection of Jesus Christ has now been freshly arranged as a duet for Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
The Day Of Resurrection (Soprano Saxophone - Piano accompaniment)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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The Day Of Resurrection
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.631546 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Scor...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.631546 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #6617299. Published by Exultet Music (A0.631546). The powerful hymn about the Resurrection of Jesus Christ has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
Waltz in A Minor (Chopin) -Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4621893. Published by Raymond Fenech (A0.760532). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Lord, I Lift Your Name On High
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Musique Sacrée
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Rick Founds
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John A
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Lord, I Lift Your Name On High
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.524304 Composed by Rick Founds. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.524304 Composed by Rick Founds. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 12 pages. John A. Dempsey #5287521. Published by John A. Dempsey (A0.524304). This exuberant, upbeat arrangement of Lord I Lift Your Name on High is a duet for soprano sax and piano. A flavorful piano part and a bit of syncopation have been added to accentuate the jubilant mood of the song. This contemporary Christian classic is recommended for traditional church services, youth rallies and other worship events, as a prelude, postlude, an offertory, interlude and special music. Â Concert Key (Piano): Bb major. Â Soprano Sax Key: C major. Â 8 pages of music (that includes a separate two-page soprano sax part).
$7.99
He
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Al Hibbler
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Stephen DeCesare
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He
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.1035771 By Al Hibbler. By Jack Richards and Richard...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.1035771 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and parts. 14 pages. Exultet Music #640928. Published by Exultet Music (A0.1035771). The beautiful song about God that was written by Jack Richards in 1954 has now been arranged as a duet for Soprano and Alto Saxophone with optional/additional instruments of the Flute, Oboe and French Horn. Accessible for all levels of playing. Appropriate for concert or church setting. Can be sung at various times throughout the year but specifically during the season of Lent. Scored for Soprano and Alto Saxophone, Flute, Oboe, French Horn, and Piano accompaniment.
$4.99
Christ Is Risen
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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Matt Maher and Mia Fieldes
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Stephen DeCesare
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Christ Is Risen
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619647 Composed by Matt Maher and Mia Fieldes. Arra...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.619647 Composed by Matt Maher and Mia Fieldes. Arranged by Stephen DeCesare. Contemporary. Score and parts. 19 pages. Exultet Music #3011439. Published by Exultet Music (A0.619647). The beautiful Contemporary Christian / Praise and Worship song about the Resurrection of Christ has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year but especially during the Easter season. .
$4.99
Amazing Grace (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton, Virginia Harmony
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John A
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Amazing Grace
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.524744 Composed by John Newton, Virginia Harmony. Arranged by John A. Dempsey. Christian,Easter,Praise & Wor...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.524744 Composed by John Newton, Virginia Harmony. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #6273123. Published by John A. Dempsey (A0.524744). A duet for soprano sax and piano, this hymn arrangement of Amazing Grace begins in shaded tranquility but soon triumphant, effervescent touches emerge as the music continues, with tempo variation, dynamic shading, expanded note range and embellishments. Â Recommended for traditional church services, youth rallies, praise gatherings and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Also makes a touching performance piece for concerts and recitals. Â 9 pages of music (that includes a separate two-page soprano sax part). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major.
$6.99
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Out Of The East
