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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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COUNTRY
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Non classifié
1090
PIANO & CLAVIERS
Piano seul
500
Piano, Voix et Guitare
425
Piano, Voix
219
Piano Facile
167
Orgue
44
Accompagnement Piano
42
Instruments en Do
23
Piano grosses notes
23
1 Piano, 4 mains
17
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Clavier
3
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
203
Guitare
52
Ukulele
22
Guitare (partie séparée)
12
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
7
Piano, Guitare (duo)
6
2 Guitares (duo)
5
Paroles et Accords
5
4 Guitares (Quatuor)
5
3 Guitares (trio)
2
Banjo
2
Mandoline
2
Dulcimer
2
Ensemble de guitares
1
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VOIX
Chorale SATB
290
Chorale 2 parties
116
Chorale 3 parties
95
Chorale Unison
65
Voix duo, Piano
55
Chorale TTBB
22
Chorale SSAA
15
Voix duo
13
Chorale
12
Voix seule
8
Voix Soprano, Piano
5
Voix haute
4
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Quintette de Saxophone: 5 saxophones
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Quatuor de Saxophones: 4 saxophones
45
Flûte traversière et Piano
33
Ensemble de saxophones
29
Saxophone (partie séparée)
26
Saxophone Alto et Piano
25
2 Saxophones (duo)
25
Clarinette
25
2 Flûtes traversières (duo)
24
Saxophone Tenor et Piano
23
Clarinette et Piano
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
18
Ensemble de Flûtes
18
Hautbois (partie séparée)
17
Ensemble de Clarinettes
16
Hautbois, Piano (duo)
15
Quatuor de Flûtes : 4 flûtes
13
Flûte traversière
12
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Cor anglais, Piano
11
Saxophone, Clarinette (duo)
8
Saxophone Alto
8
2 Clarinettes (duo)
8
Clarinette, Violon (duo)
7
Clarinette (partie séparée)
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette Basse, Piano
6
Ocarina
5
Quintette de Flûte : 5 flûtes
5
Flûte et Guitare
5
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
2 Hautbois (duo)
4
Clarinette et Alto
3
Flûte à bec Soprano
3
Flûte à bec Soprano, Piano
3
Flûte, Saxophone (duo)
3
3 Saxophones (trio)
3
Flute (partie séparée)
3
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Clarinette, Trombone (duo)
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Flûte
2
Cor Anglais
1
Saxophone Tenor
1
Harmonica
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble à vent
1
Flûte à Bec
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
28
Cor et Piano
19
Trompette
19
Quatuor de Cuivres
17
Trompette, Piano
16
Trombone (partie séparée)
13
Cor anglais, Piano
11
Trompette (partie séparée)
11
Ensemble de Trombones
8
Ensemble de Trompettes
8
Trombone
8
Euphonium, Piano (duo)
8
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
7
Cor (partie séparée)
7
Quatuor de cuivres: 4 cors
6
Trompette, Cor (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
6
Cor
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Trompettes (trio)
3
2 Trombones (duo)
3
Tuba (partie séparée)
3
Ensemble de Cors
3
2 Cors Anglais Et Pianoforte
2
2 Cors (duo)
2
Cor Anglais
1
3 Trombones (trio)
1
Trombone basse et Piano
1
3 Euphoniums
1
4 Tubas
1
Euphonium
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon et Piano
67
Violon, Violoncelle (duo)
29
Violoncelle, Piano
23
Alto, Piano
19
2 Violons (duo)
19
Violon
17
Harpe
17
Violoncelle (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
9
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
6
Alto seul
5
Ensemble de Violons
5
Contrebasse (partie séparée)
5
Violoncelle
5
Ensemble d'Altos
5
2 Altos (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Violon (partie séparée)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Alto et Basson
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
233
Orchestre à Cordes
53
Orchestre
48
Cloches
47
Fanfare
34
Orchestre de chambre
20
Ensemble de cuivres
16
Ensemble Jazz
15
Jazz combo
11
Batterie
9
Ensemble de Percussions
9
Percussion (partie séparée)
6
Marimba
4
Batterie (partie séparée)
3
2 Xylophones
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
People Are People
Saxophone Soprano et Piano
Partitions à imprimer
18 partitions trouvées
<
1
People Need The Lord
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622116 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3588405. Published by Exultet Music (A0.622116). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
4.6 €
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Saxophone Soprano et Piano
#
Steve Green
#
Stephen DeCesare
#
People Need The Lord
#
Exultet Music
#
SheetMusicPlus
Comfort, Comfort Now My People (Soprano Saxophone and Piano)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627266 Composed by Lou…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627266 Composed by Louis Bourgeois. Arranged by Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #5984243. Published by Exultet Music (A0.627266). The well-known Advent hymn has been freshly arranged as an easy Huapango and scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.6 €
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Saxophone Soprano et Piano
#
Louis Bourgeois
#
Stephen DeCesare
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Comfort, Comfort Now My People
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Exultet Music
#
SheetMusicPlus
Comfort, Comfort Now My People (Duet for Soprano and Alto Saxophone)
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627284 Composed by Louis Bourgeois. Arranged by Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. 12 pages. Exultet Music #5985273. Published by Exultet Music (A0.627284). The well-known Advent hymn has been freshly arranged as an easy Huapango and scored as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.6 €
#
Saxophone Soprano et Piano
#
Louis Bourgeois
#
Stephen DeCesare
#
Comfort, Comfort Now My People
#
Exultet Music
#
SheetMusicPlus
People Need The Lord
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629026 By Steve Green.…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629026 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6255967. Published by Exultet Music (A0.629026). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
4.6 €
#
Saxophone Soprano et Piano
#
Steve Green
#
Stephen DeCesare
#
People Need The Lord
#
Exultet Music
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.35 €
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Saxophone Soprano et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.98 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
#
James M
#
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.35 €
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Saxophone Soprano et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.35 €
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Saxophone Soprano et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by Jam…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.98 €
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Saxophone Soprano et Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Ada…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.98 €
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Saxophone Soprano et Piano
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Adam
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James M
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O Holy Night for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
High Desert Apparitions for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy …
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.754889 Composed by Sy Brandon. Contemporary. Score and part. 37 pages. Sy Brandon #3130197. Published by Sy Brandon (A0.754889). High Desert Apparitions is inspired by the beautiful and mystical lands and traditions of the Native American people of Northern Arizona. It consists of three movements. Shape Shifters (Skinwalkers or yee naaldlooshii) are evil creatures that appear as humans or as animals. This movement has the piano representing the human form and the saxophone representing coyotes, owls, foxes, and crows in that order. The human shape musically appears at the beginning and in between the animals. Multiphonics are used for some of the animal sounds. Mirages is at a soft dynamic throughout with a lot of sustained sounds. The saxophone sustained sounds begin and end without vibrato with slight vibrato or timbre trills used in the middle of the sustained sound. The intent is to musically represent a vision of water that appears to be evaporating. All mirages are fleeting and the rapid passages in both the saxophone and piano musically represent impermanence. Ancient Spirits is in two sections. The slower opening is atmospheric, evoking images of Native American flutes calling to the ancient spirits. The second section is chant-like and is influenced by recordings of Navajo Yeibichai songs. A Yeibichai is a supernatural represented by a masked dancer in an initiation or curative ceremony. The piano chords are dissonant and steady imitating the sound of drums. While the music is repetitive, there are subtle changes to the melodic material as well as the accompanying chords.
$9.99
9.2 €
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Saxophone Soprano et Piano
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Sy Brandon
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High Desert Apparitions for Soprano Saxophone and Piano
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Sy Brandon
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SheetMusicPlus
16 Favourite Hymns Vol.1 for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.590312 Composed by Var…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.590312 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #6203827. Published by David McKeown (A0.590312). 16 Favourite Hymns Vol.1 for solo Soprano Saxophone is a collection of popular traditional hymns. They are simply arranged in easy keys for Soprano Saxophone with separate piano accompaniment and chord symbols provided in the same file. The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou MY Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· Oh God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
7 €
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Saxophone Soprano et Piano
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Various
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David McKeown
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16 Favourite Hymns Vol.1 for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Roadside Inn-Schumann-Soprano Saxophone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Rob…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213721. Published by Phil Beaman (A0.845147). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
4.6 €
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Saxophone Soprano et Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Soprano Saxophone and piano
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Phil Beaman
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SheetMusicPlus
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