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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
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XYLOPHONE
Public Baroque
Non classifié
437
Piano & claviers
Piano, Voix
3 635
Piano seul
165
Piano Facile
14
Orgue
12
Piano Trio: piano, violon, violoncelle
5
Clavecin
3
Orgue, Trompette (duo)
2
Piano, Voix et Guitare
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
1
Instruments en Do
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
256
2 Guitares (duo)
91
Guitare
33
Mandoline
8
Ukulele
5
Basse electrique
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
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Voix
Voix duo, Piano
29
Chorale SATB
22
Voix seule
19
Voix haute
14
Chorale 3 parties
9
Voix Soprano, Piano
4
Chorale 2 parties
2
Voix duo
2
Chorale Unison
1
Voix moyenne, Piano
1
Chorale SSAA
1
+ 6 instrumentations
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Vents
Flûte et Guitare
210
Quatuor de Saxophones: 4 saxophones
91
Flûte, Hautbois, Clarinette, Basson
84
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
2 Flûtes traversières (duo)
68
Quatuor de Clarinettes: 4 clarinettes
65
Quintette de Saxophone: 5 saxophones
61
2 Clarinettes (duo)
50
2 Saxophones (duo)
48
Flûte, Hautbois, Clarinette (trio)
28
3 Saxophones (trio)
26
Flûte traversière et Piano
22
3 Clarinettes (trio)
22
Ensemble De Flûte à bec
18
Clarinette et Piano
13
Flûte, Hautbois, Basson
13
Flûte, Violon et Violoncelle
12
Saxophone Alto et Piano
12
Ensemble de Clarinettes
10
2 Flûte à bec (duo)
9
Trio de Flûtes: 3 flûtes
9
3 Flûtes à bec (trio)
7
Flûte à Bec
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois, Basson (duo)
6
Flûte, Clarinette et Basson
6
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
6
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
5 Flûtes à bec
5
Flûte, Violoncelle
5
Clarinette et Alto
5
2 Clarinettes, Basson
5
Flûte, Violoncelle, Piano (trio)
4
Ensemble de Flûtes
4
Saxophone Soprano et Piano
4
Cor anglais, Piano
4
Saxophone Baryton, Piano
4
Flûte à bec Soprano
4
2 Hautbois et Basson
3
Flûte, Violoncelle, Guitare
3
Ensemble de saxophones
3
Flûte, Violon
3
Clarinette
3
Quintette de Clarinettes: 5 clarinettes
2
4 Hautbois
2
Saxophone Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Flûte et Quatuor à Cordes
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Saxophone
1
Flûte traversière
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Ensemble de Trompettes
50
2 Trompettes (duo)
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Piano
11
Trombone et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette
5
Cor et Piano
5
Trompette (partie séparée)
5
Cor anglais, Piano
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
3 Trompettes (trio)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
2
Trombone
2
4 Tubas
1
Trombone, Cor (duo)
1
2 Cors (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Trombones (duo)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Euphonium Ou Saxhorn Et Piano
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
2 Violons (duo)
51
Violon et Piano
23
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
15
Violoncelle, Piano
14
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
8
2 Altos (duo)
7
Violon, Basse continue
6
Violoncelle, Contrebasse (duo)
5
Flûte, Contrebasse (duo)
5
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
4
Violon
4
Alto, Violoncelle (duo)
4
Violoncelle
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon, Violoncelle
2
Alto seul
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
2 Violons et Basse continue
1
Contre Basse
1
Ensemble de Violoncelles
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
24
Ensemble de cuivres
19
Orchestre de chambre
9
Orchestre d'harmonie
8
Orchestre
4
Quatuor à Vent : 4 instruments à vents
2
Ensemble Jazz
1
+ 2 instrumentations
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--INSTRUMENTS--
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BANJO
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CHORALE - CHAN…
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CLAIRON
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CORNET
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Public Baroque
Saxophone Soprano et Piano
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4 partitions trouvées
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Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
#
Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Marcello's Adagio for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Soprano
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1189993 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1189993 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #789615. Published by Diego Marani (A0.1189993). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
Adagio from BWV 974 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Sopran
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1206934 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1206934 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #805117. Published by Diego Marani (A0.1206934). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for soprano sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
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