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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So Into You
Sheetmusicplus
Non classifié
328
Piano & claviers
Piano seul
196
Piano, Voix
169
Piano Facile
50
Piano, Voix et Guitare
31
Orgue
14
1 Piano, 4 mains
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 8 instrumentations
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Guitares
Guitare
14
Guitare notes et tablatures
12
Ukulele
5
2 Guitares (duo)
4
Mandoline
3
4 Guitares (Quatuor)
3
Basse electrique
2
Paroles et Accords
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale 3 parties
23
Chorale SSAA
16
Chorale 2 parties
10
Chorale TTBB
9
Chorale Unison
5
Voix haute
2
Voix Tenor
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Clarinette
89
Flûte traversière et Piano
32
Clarinette et Piano
24
Hautbois, Piano (duo)
23
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quintette de Saxophone: 5 saxophones
11
Hautbois
11
Saxophone Alto
10
Saxophone Alto et Piano
10
2 Clarinettes (duo)
9
Saxophone Tenor
9
Saxophone Soprano et Piano
8
Quatuor de Saxophones: 4 saxophones
8
2 Flûtes traversières (duo)
8
2 Saxophones (duo)
7
Hautbois (partie séparée)
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Ensemble de Flûtes
3
Hautbois, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Ocarina
2
Hautbois, Basson et Piano
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
3 Hautbois
2
Saxophone Baryton
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
5 Flûtes à bec
2
Flûte et Guitare
1
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Hautbois, Piano
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Clarinette Basse
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
Harmonica
1
Ensemble de saxophones
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Trompette (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Trompette
25
Trompette, Piano
22
Trombone et Piano
20
Trombone
20
Cor et Piano
19
Tuba et Piano
18
Cor
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba
15
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trompettes
5
2 Trompettes (duo)
4
2 Cors (duo)
3
3 Trombones (trio)
3
2 Tubas (duo)
3
Cor, Tuba (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Piano
2
Ensemble de Cors
2
Trombone basse et Piano
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
Euphonium
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon
42
Violon et Piano
31
Violoncelle
26
Alto, Piano
25
Violoncelle, Piano
21
Alto seul
20
Harpe
15
Violon, Violoncelle (duo)
15
Contrebasse, Piano (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
6
2 Violons (duo)
6
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à cordes: 3 violins
3
2 Altos (duo)
3
Trio à cordes: 3 altos
3
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
2 Contrebasses (duo)
2
3 Contrebasses
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
4 Contrebasses
1
2 Altos, Piano
1
3 Harpes
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
4 Harpes
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre à Cordes
23
Orchestre
22
Ensemble de cuivres
18
Ensemble Jazz
16
Batterie
5
Orchestre de chambre
3
Cloches
2
Ensemble de Percussions
2
Marimba
1
Ensemble d'École
1
+ 6 instrumentations
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Autres
Formation musicale - Solfège
6
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BASSON
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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METHODE : TECHNIQUES
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So Into You
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Partitions à imprimer
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1
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
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Saxophone Soprano et Piano
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FACILE
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1456721 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Perio...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1456721 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035790. Published by Iury Cardoso (A0.1456721). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
"Nocturne" (Chopin) - Beautiful EASY version for SOPRANO SAXOPHONE and PIANO.
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Saxophone Soprano et Piano
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FACILE
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Frederic Chopin
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Iury Cardoso
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1456724 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Perio...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1456724 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035792. Published by Iury Cardoso (A0.1456724). Easy SOPRANO SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and soprano saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for SOPRANO SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for SOPRANO SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for soprano saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for soprano saxophone solo and pianoeasier version of nocturne op.9 n.2 for soprano saxophone solo and pianonocturne chopin for soprano saxophone solonocturne chopin soprano saxophone and piano sheet musicnocturne easy soprano saxophone and piano duetnocturne for soprano saxophone beginnereasy soprano saxophone chamber musicnocturne chopin but on the soprano saxophoneeasy soprano saxophone with piano nocturne sheet musiceasy soprano saxophone and piano duetsoprano saxophone and piano duet for beginnerssoprano saxophone and piano duet sheet musiceasy soprano saxophone sheet musicbeautiful soprano saxophone sheet musicbeautiful soprano saxophone sheet music for beginnersbeautiful soprano saxophone and piano for beginnersnocturne for beginnerschopin for soprano saxophone studentsnocturne chopin best arrangement for soprano saxophone and pianonocturne chopin best easy arrangement for soprano saxophone and pianonocturne chopin easy version for soprano saxophonenocturne chopin easy version for soprano saxophone and pianoeasy soprano saxophoneeasy pianoteacher student duetchopin easy sheet music for soprano saxophone solonocturne chopin best easy arrangement for soprano saxophonenocturne chopin arrangement for easy soprano saxophone solo with pianonocturne chopin for solo soprano saxophoneromantic sheet music for soprano saxophone and piano.
$4.99
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