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TRI ET FILTRES
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Violon (partie séparée)
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Violon, Basse continue
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4 Violoncelles
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2 Harpes (duo)
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Violoncelle , Guitare (duo)
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Violoncelle, Contrebasse (duo)
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Trio à cordes
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Flûte, Contrebasse (duo)
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Violon, Alto (duo)
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Quatuor à cordes: 4 violons
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Ensemble de Violons
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2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
19
Orchestre
3
Ensemble de cuivres
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Orchestre d'harmonie
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AUTRES
Vous avez sélectionné:
Sonata No. 8: Score
Saxophone Soprano et Piano
Partitions à imprimer
3 partitions trouvées
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Adagio from "Sonata Pathetique" for Soprano Saxophone & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.731608 Composed by L. …
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.731608 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339865. Published by Diego Marani (A0.731608). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for soprano sax or tenor sax with piano accompaniment is suitable for classroom, repertoire and recital.
$9.99
9.03 €
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Saxophone Soprano et Piano
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L
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Diego Marani
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Adagio from "Sonata Pathetique" for Soprano Saxophone & Piano
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Diego Marani
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Ale…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.04 €
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Saxophone Soprano et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Largo
Saxophone Soprano et Piano
Soprano Saxophone & Piano - Grade 3 - Digital Download SKU: R0.41227 From Violin…
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Soprano Saxophone & Piano - Grade 3 - Digital Download SKU: R0.41227 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Soprano Saxophone & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41227. Published by Editions Marc Reift - Digital (R0.41227).
$6.95
6.28 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
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