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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Stand Up!
Non classifié
785
Piano & claviers
Piano grosses notes
1 099
Piano seul
532
Orgue
433
Piano, Voix et Guitare
224
Piano, Voix
149
Piano Facile
136
Instruments en Do
65
Accompagnement Piano
52
1 Piano, 4 mains
20
Piano (partie séparée)
6
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Accordéon, Voix
1
Clavier
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
148
Ligne De Mélodie, (Paroles) et Accords
101
Guitare
73
Ukulele
39
Basse electrique
21
Paroles et Accords
12
Guitare (partie séparée)
12
Dulcimer
5
Banjo
5
4 Guitares (Quatuor)
3
Mandoline
2
2 Guitares (duo)
2
3 Guitares (trio)
1
2 Ukuleles
1
Ukulele Baryton
1
2 Dulcimers (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
161
Chorale 3 parties
62
Chorale 2 parties
59
Voix duo, Piano
40
Chorale TTBB
34
Chorale Unison
32
Chorale SSAA
16
Pack Instrumental pour Chorale
11
Voix haute
9
Chorale
7
Voix seule
5
Voix Tenor, Piano
4
Voix Alto, Piano
3
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix Soprano
1
Chorale SSATB
1
Voix duo
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
119
Clarinette
77
Flûte traversière et Piano
61
Saxophone, Clarinette (duo)
60
Saxophone (partie séparée)
57
2 Clarinettes (duo)
57
2 Flûtes traversières (duo)
47
Saxophone Alto et Piano
45
Clarinette et Piano
43
Clarinette, Violon (duo)
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Clarinette, Trompette (duo)
34
Hautbois, Piano (duo)
30
Saxophone Soprano et Piano
29
Quatuor de Saxophones: 4 saxophones
29
Flûte, Clarinette (duo)
28
Saxophone Tenor et Piano
28
Quatuor de Clarinettes: 4 clarinettes
24
Flûte, Hautbois, Clarinette, Basson
24
Flûte, Alto (duo)
23
Flûte, Violon
23
2 Hautbois (duo)
22
Hautbois, Basson (duo)
22
Hautbois, Flûte
20
Flûte, Saxophone (duo)
19
Clarinette et Alto
18
Flûte, Trompette (duo)
18
Hautbois, Clarinette (duo)
17
Cor anglais, Piano
17
Saxophone Baryton, Piano
14
Flûte et Guitare
12
Flûte traversière
11
Saxophone Tenor
10
Flute (partie séparée)
10
Hautbois (partie séparée)
9
Quintette de Saxophone: 5 saxophones
9
Saxophone Alto
8
Flûte à bec Soprano, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Flûtes
7
Clarinette (partie séparée)
6
2 Flûte à bec (duo)
6
Instruments en Mib
6
Clarinette Basse, Piano
6
Ensemble de Clarinettes
5
Flûte à bec Alto, Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte irlandaise
3
Flûte à Bec
3
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Hautbois, Harpe
2
Ocarina
2
3 Clarinettes (trio)
2
Flûte, Hautbois (duo)
2
Flûte à bec Soprano
2
Harmonica
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
2 Clarinettes, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Ensemble de saxophones
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
3 Saxophones (trio)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Saxophone et Orgue
1
+ 73 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trombone (partie séparée)
36
Trompette (partie séparée)
34
Trombone et Piano
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette
27
Trompette, Piano
27
2 Trombones (duo)
26
Trompette, Trombone (duo)
23
2 Trompettes (duo)
21
Cor anglais, Piano
17
Cor et Piano
15
Cor
10
Euphonium, Piano (duo)
10
Bass Clef Instruments
7
Trombone
7
Quatuor de Cuivres
6
Cor (partie séparée)
6
Tuba (partie séparée)
6
2 Cors (duo)
6
Instruments en Sib
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Trompette, Cor (duo)
4
Trio de Cuivres
4
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
Cor et Orgue
1
Cornet et Piano
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Cor et Harpe
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
Cor Anglais
1
Clarinette, Cor (duo)
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
42
Violoncelle
38
2 Violoncelles (duo)
34
Harpe
32
Violon, Violoncelle (duo)
31
Violoncelle, Piano
30
Violon
29
2 Violons (duo)
26
Violon, Alto (duo)
25
Alto, Piano
25
2 Harpes (duo)
17
2 Altos (duo)
16
Trio à Cordes: violon, alto, violoncelle
10
Alto seul
10
Contrebasse (partie séparée)
8
Contre Basse
6
Violon (partie séparée)
5
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violoncelle (duo)
2
Alto (partie séparée)
2
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
4 Violoncelles
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
167
Ensemble Jazz
107
Fanfare
59
Orchestre
52
Orchestre à Cordes
42
Jazz combo
35
Ensemble de cuivres
24
Batterie
19
Cloches
17
Orchestre de chambre
14
Marimba
10
Ensemble de Percussions
9
Batterie (partie séparée)
7
Ensemble d'École
6
Vibraphone
2
Xylophone
2
Percussion
1
Batterie-Fanfare
1
Percussion (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
4
Instruments
ACCORDEON
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BASSON
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COR ANGLAIS
CORNEMUSE
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DULCIMER
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FANFARE - B…
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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PAS DE PART…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Stand Up!
Saxophone Soprano et Piano
Partitions à imprimer
29 partitions trouvées
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1
26
Stand Up, Stand Up for Jesus, Gospel Hymn for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.593227 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.593227 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417845. Published by David McKeown (A0.593227). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Take Up Your Cross (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Take Up Your Cross
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1356676 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Standards,T...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1356676 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Standards,Traditional. Score and part. 8 pages. Exultet Music #941313. Published by Exultet Music (A0.1356676). The American Christian hymn that is mostly used during the season of Lent has been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
Jolly Old Saint Nicholas (with "Up On The Housetop") (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Benjamin Hanby, James Lord Pie
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Stephen DeCesare
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Jolly Old Saint Nicholas
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.629655 Composed by Benjamin Hanby, James Lord Pierpont. Arranged by Stephen DeCesare. Children,Christmas,Fil...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.629655 Composed by Benjamin Hanby, James Lord Pierpont. Arranged by Stephen DeCesare. Children,Christmas,Film/TV,Standards. Score and part. 12 pages. Exultet Music #6360569. Published by Exultet Music (A0.629655). Two popular Christmas songs have now been freshly arranged as one piece and scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert program. An accompaniment track is also available.
$4.99
18 Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
#
David McKeown
#
 
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18 Gospel Hymns Vol.2 for Solo
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David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 49 pages. David McKeown #6404413. Published by David McKeown (A0.592602). 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
#
Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
A Night In Tunisia
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Introduction et Rondo Capriccioso
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Colin Eng
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Colin Eng
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Introduction et Rondo Capricci
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Colin Eng
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1295098 By Colin Eng. By Camille Saint-Saens. Arranged by Colin Eng. Romantic Period. Score and part. 27 pag...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1295098 By Colin Eng. By Camille Saint-Saens. Arranged by Colin Eng. Romantic Period. Score and part. 27 pages. Colin Eng #885418. Published by Colin Eng (A0.1295098). A professional transcription of standard Violin repertoire. This arrangement was arranged as well as performed by myself, a collegiate saxophone player, in a live concert setting. Modifications to the part can be made and instructions for what can be modified is included in the Solo Soprano Saxophone Part. Tempos are based on the original piece, however it is up to the performers discretion to slow them down to make the part more comfortable. The piece is transcribed in the original key and Pianists may use the original version with Violin as the markings are the same in both versions (Violin version not included).Duration: apx. 10 minutes.
$24.99
It's Been A Long, Long Time
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.592559 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeo...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.592559 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366379. Published by David McKeown (A0.592559). It’s Been a Long Long Time is arranged as a solo for one Soprano Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Beautiful Savior (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Beautiful Savior
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1461079 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1461079 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and part. 11 pages. Exultet Music #1039990. Published by Exultet Music (A0.1461079). The Christian anthem that is still sung in many churches today has been freshly arranged with a contemporary flavor and scored for a Soprano Saxophone solo with Piano accompaniment. This anthem has new life breathed into it by this arrangement, and it should be a great addition to your church's repertoire. This arrangement is a great way to liven up your church services with a new take on a classic. An accompaniment track is also available.
$4.99
O Christmas Tree (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Noël
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Traditional
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Stephen DeCesare
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O Christmas Tree
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.630271 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Jazz,Standards,Traditional. Score an...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.630271 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Jazz,Standards,Traditional. Score and part. 11 pages. Exultet Music #6430489. Published by Exultet Music (A0.630271). The traditional Christmas song has been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. This arrangement starts like a tender chorale with very lush, jazz harmonies and then picks up to a lively big band/jazz accompaniment. Accessible and appropriate for any school, church or concert setting. An accompaniment track is also available. .
$4.99
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Saint-Saens: Romance for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: Romance for Sopra
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549097 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549097 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3451337. Published by jmsgu3 (A0.549097). Camille Saint-Saens Romance Op. 36. Score - 10 pg. 93 ms. Duration - 3:41 Solo part - 2 pg. Piano part - 3 pg.Level: Early Intermediate and up. An ideal selection for Valentine's Day, anniversaries or any occasion requiring well-crafted romantic music. Romance Op. 36
$32.95
I Surrender All (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Winfield Scott Weeden
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Stephen DeCesare
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I Surrender All
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623446 Composed by Winfield Scott Weeden. Arranged ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623446 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 10 pages. Exultet Music #4350051. Published by Exultet Music (A0.623446). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle :Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs d&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
And The Angels Sang (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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And The Angels Sang
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1132861 By Stephen DeCesare. By Traditional, Richard S. Willis, Felix Mendelssohn. Arranged by Stephen DeCes...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1132861 By Stephen DeCesare. By Traditional, Richard S. Willis, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Standards. Score and part. 12 pages. Exultet Music #733061. Published by Exultet Music (A0.1132861). A wonderful composite of three beloved hymns for Christmas wrapped up into one medley (Hark! The Herald Angels Sing, It Came Upon The Midnight Clear and Angels We Have Heard On High) Scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
Cherry Pink And Apple Blossom White
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Perez Prez Prado
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Diego Marani
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Cherry Pink And Apple Blossom
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1153545 By Perez Prez Prado. By Jacques LaRue, Mack David, and Marcel Louiguy. Arranged by Diego Marani. 20t...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1153545 By Perez Prez Prado. By Jacques LaRue, Mack David, and Marcel Louiguy. Arranged by Diego Marani. 20th Century,Film/TV,Instructional,Latin,Standards. Score and part. 6 pages. Diego Marani #753811. Published by Diego Marani (A0.1153545). Cherry Pink and Apple Blossom White or Cerezo Rosa or Ciliegi Rosa or Gummy Mambo, is the English version of Cerisiers Roses et Pommiers Blancs, a popular song with music by Louiguy written in 1950. Pérez Prado's recording of the song as an instrumental with his orchestra featuring trumpeter Billy Regis, whose trumpet sound would slide down and up before the melody would resume, was the most popular version in 1955, reaching number one for 10 weeks on the Billboard chart. It became a gold record. Pérez had first recorded this title for the movie Underwater! (1955), where Jane Russell can be seen dancing to the song. This arrangement for soprano sax or tenor sax with piano accompaniment is suitable for classroom, repertoire and recital.
$12.99
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Handel: Largo from Xerxes for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wed...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
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