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TRI ET FILTRES
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PIANO & CLAVIERS
Piano seul
1211
Piano, Voix et Guitare
526
Piano, Voix
504
Piano Facile
197
Instruments en Do
134
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57
Orgue
56
1 Piano, 4 mains
32
Piano (partie séparée)
14
Accompagnement Piano
12
2 Pianos, 4 mains
12
Clavecin
11
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Trompette (duo)
3
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2
1 Piano, 6 mains
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1
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Guitare notes et tablatures
1000
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350
Basse electrique
284
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77
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51
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29
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15
Banjo
14
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13
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13
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9
2 Guitares (duo)
9
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4
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2
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81
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54
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50
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29
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17
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15
Voix duo, Piano
14
Voix moyenne, Piano
7
Voix duo
6
Chorale SSAATTBB
6
Voix Alto, Piano
5
Voix Tenor, Piano
4
Voix haute
3
Chorale SSATTB
3
Voix Baryton, Piano
3
Chorale SSATB
3
Voix Tenor
2
Chorale
2
Voix Soprano, Orchestre
1
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1
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Chorale SSAATB
1
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VENTS
Saxophone (partie séparée)
1058
Clarinette (partie séparée)
715
Clarinette et Piano
326
Clarinette
307
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105
Quatuor de Saxophones: 4 saxophones
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Alto et Piano
66
2 Saxophones (duo)
63
Ensemble de Clarinettes
53
Hautbois, Piano (duo)
50
2 Clarinettes (duo)
49
Saxophone Tenor et Piano
47
Flûte, Hautbois, Clarinette, Basson
45
Flûte traversière
45
Flûte, Clarinette (duo)
45
2 Flûtes traversières (duo)
39
Saxophone Alto
36
Quintette de Clarinettes: 5 clarinettes
35
Saxophone Tenor
28
3 Saxophones (trio)
26
3 Clarinettes (trio)
24
Quintette de Saxophone: 5 saxophones
23
Saxophone Soprano et Piano
20
Flute (partie séparée)
20
Quatuor de Flûtes : 4 flûtes
19
Ensemble de saxophones
18
Saxophone, Clarinette (duo)
16
Hautbois (partie séparée)
16
Ensemble de Flûtes
16
Clarinette, Violon (duo)
16
Saxophone Baryton, Piano
16
Hautbois, Clarinette (duo)
14
Cor anglais, Piano
12
Flûte et Guitare
12
Clarinette Basse, Piano
10
Clarinette, Violoncelle (duo)
10
Clarinette, Basson (duo)
9
2 Hautbois (duo)
9
Clarinette, Trompette (duo)
9
Clarinette et Alto
8
Flûte, Saxophone (duo)
7
Flûte, Violon
6
Saxophone
6
Hautbois, Flûte
6
Hautbois, Basson (duo)
5
Flûte, Clarinette et Basson
5
Flûte à Bec
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Cor Anglais
5
Clarinette, Harpe (duo)
5
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette, Piano (trio)
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Harmonica
3
Ocarina
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3
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Quintette de Flûte : 5 flûtes
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2 Flûte à bec (duo)
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Piccolo
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Flûte, Violoncelle
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Clarinette, Trombone (duo)
2
3 Flûtes à bec (trio)
2
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2
5 Flûtes à bec
2
Clarinette, Tuba
2
2 Saxophones, Piano
1
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1
Flûte, Hautbois, Basson
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Saxophone et Piano
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Hautbois
1
2 Flûtes à bec, Guitare
1
Hautbois, Trompette (duo)
1
Clarinette, Orchestre
1
2 Clarinettes, Piano
1
Flûte, alto et harpe
1
Flûte, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Saxophone et Orgue
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
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Trompette (partie séparée)
523
Trompette
368
Trombone (partie séparée)
349
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209
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
147
Tuba (partie séparée)
146
Tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
60
Trombone et Piano
52
Cor
46
Trombone
42
Cor et Piano
38
Trompette, Trombone (duo)
32
Quatuor de Cuivres
27
Trompette, Cor (duo)
26
Tuba et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Euphonium, Piano (duo)
23
Cor (partie séparée)
21
2 Trompettes (duo)
19
Ensemble de Trompettes
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trompette, Saxophone (duo)
12
Cor anglais, Piano
12
Ensemble de Trombones
12
Tuba ou Euphonium ou Saxhorn
9
2 Cors (duo)
7
Quatuor de cuivres: 4 cors
5
Cor Anglais
5
2 Euphoniums (duo)
4
Bass Clef Instruments
4
Ensemble de Cors
4
Trio de Cuivres
4
3 Trompettes (trio)
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
3
Cor, Orchestre
3
3 Trombones (trio)
3
Trompette, Violoncelle (duo)
2
Trombone basse
2
Trompette, Trombone, Piano
2
Cornet A Pistons
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Trombone basse et Piano
2
4 Tubas
2
Trompette, Harpe
1
Trompette, Basson (duo)
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium, Tuba (duo)
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
290
Violon et Piano
106
Violon
76
Violoncelle, Piano
68
Alto, Piano
56
Violon, Violoncelle (duo)
55
Violoncelle
51
Trio à Cordes: violon, alto, violoncelle
40
Trio à Cordes: 2 violons, violoncelle
32
Harpe
31
2 Violons (duo)
25
Alto seul
24
Contrebasse (partie séparée)
22
2 Violoncelles (duo)
20
Violon, Alto (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon (partie séparée)
14
4 Violoncelles
11
Alto (partie séparée)
10
2 Altos (duo)
10
Contre Basse
6
Alto, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
5
Harpe, Flûte (duo)
5
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
4
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
2
Violoncelle, Orchestre
2
Harpe, Violon (duo)
2
Alto et Harpe
2
Ensemble de Violons
2
Autoharp
2
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2539
Fanfare
262
Orchestre
182
Ensemble Jazz
101
Orchestre à Cordes
93
Orchestre de chambre
49
Ensemble de cuivres
41
Jazz combo
37
Cloches
30
Batterie (partie séparée)
16
Ensemble de Percussions
13
Piano et Orchestre
10
Percussion (partie séparée)
9
Percussion
3
Marimba
3
Batterie
3
Instrumentation Flexible
2
Bongos
2
Conga
2
Quatuor à Vent : 4 instruments à vents
1
Xylophone (partie séparée)
1
Xylophone
1
Vibraphone
1
Orchestre, Violon
1
Timbales (partie séparée)
1
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Saxophone Soprano et Piano
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Historia De Un Amor
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.641357 By Luis Miguel.…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.641357 By Luis Miguel. By Carlos Almaran. Arranged by Kaiserin Rebecca. Latin,Pop. Score and part. 4 pages. Kaiserin Rebecca #5288921. Published by Kaiserin Rebecca (A0.641357). For soprano saxophone solo and piano accompaniment with chords.
$6.99
6.39 €
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Saxophone Soprano et Piano
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Luis Miguel
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Kaiserin Rebecca
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Historia De Un Amor
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Kaiserin Rebecca
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SheetMusicPlus
Wichita Lineman
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1077924 By Glen Campbe…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1077924 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682116. Published by jmsgu3 (A0.1077924). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.17 €
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Saxophone Soprano et Piano
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549335 By Barry Manilo…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549335 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486307. Published by jmsgu3 (A0.549335). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.54 €
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Saxophone Soprano et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
My Way
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 3…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760119 By Elvis Presley. By Claude Francois and Jacques Revaux. Arranged by Raymond Fenech. Jazz. Score and parts. 21 pages. Raymond Fenech #3507137. Published by Raymond Fenech (A0.760119). My Way is a song popularized in 1969 by Frank Sinatra. Its lyrics were written by Paul Anka and set to the music of the French song Comme d'habitude co-composed and co-written (with Jacques Revaux), and performed in 1967 by Claude François. Anka's English lyrics are unrelated to the original French song. The song was a success for a variety of performers including Sinatra, Elvis Presley, and the Sex Pistols. Sinatra's version of My Way spent 75 weeks in the UK Top 40, a record which still stands. This popular song is arranged for (Soprano and Alto Saxes; Piano and Optional Drum Set). The Duration is approx. 2.23 minutes and the level is Intermediate.
$5.99
5.48 €
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Saxophone Soprano et Piano
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Elvis Presley
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Raymond Fenech
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Piano and Optional Drum Set)
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My Way
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Raymond Fenech
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SheetMusicPlus
How Did It End?
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1436996 By Taylor Swif…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1436996 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by MAJOR SCORE PUBLISHING TM. Jazz,Pop,Rock,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #1017063. Published by Major Score Publishing (A0.1436996). How Did It End? Taylor Swift Soprano Saxophone with piano (Premium duet) Soprano sax players! Look no further! How Did It End? from the brand new Taylor Swift hit featured on The Tortured Poets Department is now available! Play along with the original recording, solo, with our included piano accompaniment or with our FREE piano play along on our YouTube channel! Our arrangement is designed to deliver the authentic and enjoyable performance experience you are looking for! We have even included the background vocal lines in the piano accompaniment giving you that extra level of enjoyment to enhance your performance experience! This arrangement is a fantastic resource for smaller performances, recitals and gigs to being a great tool for music teachers and students! Enjoy!Included in your premium sheet musicSoprano sax: 2 pagesPiano: 7 pagesFull Score: 10 pages (with cover)FREE PIANO PLAY ALONGComing ASAP!Other Soprano sax sheet music on Hal Leonard Platforms:Let it Go (Frozen) Leave the Door Open (Silk Sonic)I Will Survive (Gloria Gaynor)Treasure (Bruno Mars)New Rules (Dua Lipa)Can't Stop the Feeling! (Justin Timberlake)777 (Silk Sonic)You're a Mean One, Mr GrinchFollow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/
$7.99
7.31 €
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Saxophone Soprano et Piano
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Taylor Swift
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MAJOR SCORE PUBLISHING TM
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How Did It End?
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Major Score Publishing
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.14 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550455 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550455 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638423. Published by jmsgu3 (A0.550455). Sonata da Chiesa No. 3 in A Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550507 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550507 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717175. Published by jmsgu3 (A0.550507). Sonata da Chiesa No. 5 in E Minor for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550481 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550481 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641527. Published by jmsgu3 (A0.550481). Sonata da Chiesa No. 4 in Bb Major for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.82 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550406 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550406 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628847. Published by jmsgu3 (A0.550406). Sonata da Chiesa in Bb for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 2 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550429 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550429 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633069. Published by jmsgu3 (A0.550429). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 6 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550533 Composed by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550533 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727155. Published by jmsgu3 (A0.550533). Sonata da Chiesa No. 6 in Bb Major for Soprano Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.14 €
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Saxophone Soprano et Piano
#
Antonio Vivaldi
#
James M
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Vivaldi: Sonata No. 6 for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Ave Maria
Saxophone Soprano et Piano
Instrumental Duet,Piano Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.52…
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Instrumental Duet,Piano Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528870 Composed by Sacem. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Latin,Standards. Score and part. 8 pages. Diego Marani #6620813. Published by Diego Marani (A0.528870). Ave Maria (Tanti anni prima – Many years ago) is one of two hauntingly beautiful tunes drawn from Astor Piazzolla’s score for the 1984 Marco Bellocchio film Enrico IV (Henry IV) based on the eponymous play by Luigi Pirandello with the same title, starring Marcello Mastroianni and Claudia Cardinale.This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire and recital.
$12.99
11.88 €
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Saxophone Soprano et Piano
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Sacem
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Diego Marani
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Ave Maria
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Diego Marani
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SheetMusicPlus
Jingle Bells for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by Jam…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.82 €
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Saxophone Soprano et Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
The Wedding Album, for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Var…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.14 €
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Saxophone Soprano et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
My Only One (no Hay Nadie Mas)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1275184 By Sebastian Y…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1275184 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Score and part. 11 pages. Fabio Britto #867136. Published by Fabio Britto (A0.1275184). Arrangement of the song  My Only One (No Hay Nadie Mas) for Soprano Saxophone Solo and Piano Accompaniment.
$8.99
8.22 €
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Saxophone Soprano et Piano
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
Imaginary patterns
Saxophone Soprano et Piano
Large Ensemble Alto Saxophone,B-Flat Clarinet,Bass Clarinet,Double Bass,Flute,Multi-Percus…
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Bass Clarinet,Double Bass,Flute,Multi-Percussion,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1023340 Composed by Philippe Festou. Contemporary. Score and parts. 12 pages. ? scores #5205281. Published by ? scores (A0.1023340). For wind ensemble with piano, double-bass and percussionsDuration : around 10'
$5.90
5.4 €
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Saxophone Soprano et Piano
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Philippe Festou
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Imaginary patterns
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? scores
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SheetMusicPlus
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