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Take on Me
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208
Piano & claviers
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257
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92
Piano, Voix
54
Piano Facile
51
Instruments en Do
28
Orgue
12
Piano grosses notes
9
Accordéon
8
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
22
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
19
Basse electrique
16
Paroles et Accords
7
Ukulele
7
Basse électrique (partie séparée)
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
+ 6 instrumentations
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Voix
Chorale SATB
112
Chorale 3 parties
38
Chorale TTBB
32
Chorale Unison
11
Chorale 2 parties
11
Voix seule
9
Chorale SSAA
9
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5
Voix haute
4
Pack Instrumental pour Chorale
3
Chorale
3
Voix moyenne, Piano
1
Voix Tenor
1
Voix Baryton
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
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37
Saxophone
37
Clarinette
28
Saxophone (partie séparée)
15
Quatuor de Saxophones: 4 saxophones
15
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13
Saxophone Alto
12
Hautbois, Piano (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Tenor
9
Flûte traversière et Piano
9
2 Saxophones (duo)
8
Clarinette (partie séparée)
7
Hautbois (partie séparée)
7
2 Clarinettes (duo)
7
Saxophone Alto et Piano
7
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6
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6
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6
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5
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Clarinette et Piano
4
Saxophone Tenor et Piano
4
2 Flûtes traversières (duo)
4
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3
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2
Flûte, Alto et Piano
2
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2
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Guitare (duo)
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Flûte à bec Alto
1
Ensemble de Clarinettes
1
+ 41 instrumentations
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Cuivres
Trompette
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone
17
Trompette (partie séparée)
12
Cor
9
Trombone (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
8
Trompette, Piano
7
Euphonium, Piano (duo)
5
2 Trombones (duo)
4
2 Trompettes (duo)
4
Cor et Piano
3
Tuba et Piano
3
Cor (partie séparée)
2
Trio de Cuivres
2
Tuba
2
Quatuor de Cuivres
2
Tuba (partie séparée)
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
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1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
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Cordes
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76
Violon et Piano
24
Violon
21
Trio à Cordes: violon, alto, violoncelle
13
Harpe
13
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Violoncelle
9
2 Violons (duo)
8
Alto, Piano
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
5
Alto seul
4
Harpe, Voix
4
Contrebasse (partie séparée)
3
Alto (partie séparée)
3
Contrebasse, Piano (duo)
2
2 Harpes (duo)
2
Violon (partie séparée)
2
4 Violoncelles
2
2 Altos (duo)
2
Harpe, Violon, Violoncelle
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
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51
Batterie
40
Ensemble Jazz
37
Orchestre
21
Orchestre à Cordes
16
Ensemble de cuivres
15
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10
Jazz combo
7
Cloches
7
Xylophone, Piano
5
Orchestre de chambre
5
Percussion (partie séparée)
4
Percussion
4
Ensemble de Percussions
3
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2
Xylophone
2
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1
Marimba
1
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Vous avez sélectionné:
Take on Me
Saxophone Soprano et Piano
Partitions à imprimer
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Quando Me'n Vo for Bb Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Bb Soprano
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1046462 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1046462 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period. Score and part. 5 pages. Keith Terrett #650984. Published by Keith Terrett (A0.1046462). An arrangement of one of Puccini’s greatest arias for Bb Soprano Saxophone & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissem
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Fo...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
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