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PIANO & CLAVIERS
Piano seul
248
Orgue
73
Piano Facile
23
1 Piano, 4 mains
9
Accompagnement Piano
5
Instruments en Do
4
Piano, Voix
4
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Piano, Voix et Guitare
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
33
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Dulcimer
1
Mandoline, Piano (duo)
1
2 Guitares (duo)
1
Basse electrique
1
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VOIX
Chorale SATB
22
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13
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6
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2
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2
Chorale SSATB
1
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1
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1
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VENTS
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101
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91
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55
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50
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41
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37
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37
Saxophone Tenor et Piano
33
Clarinette, Violon (duo)
31
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29
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25
Saxophone Alto et Piano
24
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23
Quatuor de Flûtes à bec
23
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21
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19
Clarinette et Piano
19
2 Hautbois (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Clarinette et Alto
19
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17
Flûte, Violon
17
Hautbois, Clarinette (duo)
17
Flûte, Saxophone (duo)
17
Clarinette
16
Quintette de Saxophone: 5 saxophones
16
3 Saxophones (trio)
16
Hautbois, Flûte
15
Flûte, Alto (duo)
14
Flûte et Guitare
13
Hautbois, Piano (duo)
13
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11
Flûte traversière
11
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8
Saxophone Soprano et Piano
8
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6
Saxophone Tenor
6
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6
Ensemble de Flûtes
6
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5
3 Clarinettes (trio)
5
Cor anglais, Piano
5
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4
Clarinette Basse, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Flûte à bec (duo)
4
Flûte à bec Soprano, Piano
4
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4
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4
Flûte à bec Alto, Piano
4
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3
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3
Hautbois (partie séparée)
3
3 Flûtes à bec (trio)
3
Flûte et Trio à cordes
2
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2
Cor Anglais
2
Flûte à bec Alto
2
Hautbois
2
Cor anglais et Harpe (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
1
Flûte à bec Soprano, Basse continue
1
Flûte, Violoncelle, Guitare
1
Flûte irlandaise
1
Quintette de Flûte : 5 flûtes
1
Piccolo, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Tenor
1
5 Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Violon, Piano
1
Hautbois, Violoncelle
1
2 Saxophones, Piano
1
Hautbois, Guitare (duo)
1
Flûte à Bec
1
2 Clarinettes, Piano
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec, Harpe
1
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CUIVRES
Trompette, Saxophone (duo)
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Trombones (duo)
20
Trompette, Trombone (duo)
19
Trombone et Piano
15
Cor et Piano
13
2 Trompettes (duo)
12
Trompette, Piano
11
Quatuor de cuivres: 4 trombones
10
Euphonium, Piano (duo)
10
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba et Piano
7
Trombone
7
Cor anglais, Piano
5
Tuba
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres
2
Cor Anglais
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
2
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Cors (duo)
1
Ensemble de Trombones
1
Cornet et Piano
1
Trombone basse
1
Euphonium
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Ensemble de Cors
1
Trombone, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon et Piano
33
Violon, Violoncelle (duo)
30
Violoncelle, Piano
26
2 Violoncelles (duo)
25
2 Violons (duo)
22
Violon
22
Violon, Alto (duo)
21
2 Altos (duo)
19
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
13
Harpe
13
Alto, Piano
11
Violoncelle (partie séparée)
7
Alto seul
7
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Violon (partie séparée)
3
Contre Basse
3
Alto (partie séparée)
3
Violon, Guitare (duo)
3
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
128
Orchestre à Cordes
49
Orchestre
37
Cloches
20
Ensemble de cuivres
15
Orchestre de chambre
13
Ensemble Jazz
7
Ensemble de Percussions
4
2 Xylophones
1
Xylophone
1
Batterie
1
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AUTRES
Vous avez sélectionné:
Ten Variations
Saxophone Soprano et Piano
Partitions à imprimer
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Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
18.3 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Musik Fabrik Music Publishing
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SheetMusicPlus
Pop Goes the Weasel - Theme and Variations For Soprano Sax and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.759928 Composed by Tra…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.759928 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Traditional,World. Score and part. 17 pages. Raymond Fenech #3457071. Published by Raymond Fenech (A0.759928). Pop! Goes the Weasel is an English nursery rhyme and singing game. It has a Roud Folk Song Index number of 5249. The jack-in-the-box children’s toy often plays the melody. In this nursery rhyme two variations have been added to compliment the theme. Pop Goes the Weasel is arranged for Soprano Sax and Piano. The level is Advanced Intermediate and the duration is 1.36 minutes.
$3.99
3.66 €
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Saxophone Soprano et Piano
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Traditional
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Raymond Fenech
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Pop Goes the Weasel - Theme and Variations For Soprano Sax and Piano
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Raymond Fenech
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SheetMusicPlus
3 Pieces Op4 for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1240070 Composed by Ed…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1240070 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pages. Lisa L Ochoco #835456. Published by Lisa L Ochoco (A0.1240070). Edward Elgar is mostly known for his fantastic composition, Enigma Variations, and his Cello Concerto in E minor. The first piece of this set of 3 was his first published piece in 1883, at the age of 27. It was originally written for violin and piano, and it was said to been dedicated to a secret woman that he met in Scotland. These pieces are calm and not fancy or complicated. They are simple, easy-listening works that would do well in a peaceful setting. Scored for Bb soprano saxophone and piano, this arrangement is geared towards musicians with intermediate music skills. Duration: 8.5 minutes.
$12.00
11.01 €
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Saxophone Soprano et Piano
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Edward Elgar
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Lisa Ochoco
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3 Pieces Op4 for Soprano Saxophone and Piano
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Lisa L Ochoco
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SheetMusicPlus
Czardas (Vittorio Monti) for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1455604 Composed by Vi…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1455604 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. Score and part. 17 pages. SCORE EDITIONS #1034699. Published by SCORE EDITIONS (A0.1455604). Vittorio Monti's Csárdás is a vibrant celebration of Hungarian musical tradition. Composed in 1904, the piece is based on the traditional csárdás dance, distinguished by its variations in tempo and intensity. From its slow, expressive introduction to its fast, dynamic conclusion, the work offers an exhilarating musical journey that displays both technical prowess and emotional depth. Monti succeeded in capturing the essence of a culture and transporting it to global audiences, making Csárdás an enduring and beloved piece in the classical repertoire. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
5.49 €
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Saxophone Soprano et Piano
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Vittorio Monti
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Harry Walker
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Czardas
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SCORE EDITIONS
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SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.22 €
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Saxophone Soprano et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Saxophone Soprano et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.89 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Soprano Sax and Piano - Advanced L
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.760674 Composed by FRA…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.760674 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5772097. Published by Raymond Fenech (A0.760674). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
4.13 €
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Saxophone Soprano et Piano
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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